The punny title alludes to my long interest in making music where pitches arise compositionally rather than precompositionally, so not where the composer commits early to a fixed scale or temperament.    The challenge then lies in achieve some harmonic coherence absent such an over-abiding framework.

I chose the simple "Columbia-Princeton" timbres to let timbre get out of the way and let the pitches and their complex ratios shine.  If that makes the piece a bit of a pastiche, fine.

Without Frets [electronic]

The Eyes Around

Video Link: https://www.youtube.com/watch?v=WJRhc5D4uTA

The Swan & The Fox Part II

The Swan & The Fox Part II & Video Link

Having a little play with this new track experimenting and expanding. I will be developing this much further. 

Please feel free to leave a comment as your feedback is really useful and valuable to me.

Exploration (Instrumental)

The third movement of the Symphony for String Orchestra (2025).

Pawel Strzelecki: 3. Adagio [Symphony for String Orchestra (2025)].

The secret laboratory of Dr. Hindenburg

Photo by <a href="https://stockcake.com/i/light-meets-shadow_1589714_1178267">Stockcake</a>

2025-09-18

very long shadows

Cozy Cottage

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " VST Plugs V "
credit :

date : 22-09-2025

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com

Live 2024
https://www.youtube.com/watch?v=Y52VDBHP-cc

gFLIE2ATree

a project created in december 2020 found from the archive 

Procedure:
A MIDI sequence was created with Elektron Octatrack,
which drives a piano track in Ableton.
The sequence was then broken down into four melodic lines.
The first line were transposed by +7 semintones
the second by +11 semitones
the third -13 semitones
the fourth line remains in the same pitch
then the harmony was extracted from each melodic line.
For each track, the ghost plays its part and sings as it pleases.
Next, for the sake of musicality, each ghost decides which notes to play and which to omit from its part.
During the performance the Time increase and the ensemble takes place
second take with the "singing ghost" track add

work in progress

cover art is a waterpaint made by me in 1999

ghost III *take two

decaying flowers

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Without Frets [electronic]

David Victor Feldman