Shock the Algorithm

Last_Dance ft Granite Vesh

Misk - Devourer

lilacs to lip serve

Watch the video on Youtube:
https://www.youtube.com/watch?v=0Bnm0ag1LLY

Music & Production by Hobocop
https://soundcloud.com/metrocityrecords

Vocals, Lyrics & Art by Cosmic Keanu

Outside the Dream

What once made sense 
Falls to my feet

And what I used to think 
Now dissolves like a dream

History once believed,
now the sun has bleached

A web of lies
Surrounds what we see

Nothing was ever real,
All made to deceive

We are at the 
edge of night

Darkness increases,
swallowing the light

We scramble like rats
Fight each other for scraps

False lights explode,
To douse our fright

This coming storm 
Feels like the end

As wheat and tares 
Are separated again

Events unfold, 
draw us back  Into eternity

We kick and scream,
fighting that which saves

Why lose your soul
just to save your life?

There is no end,
in the truth, unite

The name that cannot be named
The door to all wonders
Will be revealed
Outside this dream
It calls, forever, 
Forever beckoning

Outside The Dream (Hobocop & Cosmic Keanu) 432Hz Edition

A Metal Break

#dance #house #handpan
 #music #beat #drum

Hang [original] Universal90

Taken from the upcoming STA debut album "Rock and Roll Kills" (2024)
Youtube link: https://youtu.be/1drueM8F0Hc

lyrics:
butterfingers
---------------

I heard this story a long time ago
i heard it before, and now i am long gone

I faced my demons and now i'm back strong
not headstrong, at some point i was wrong

butterfingers, we lost control
we slipped away and run away

i cross my fingers, we won't mess it up 
again this time, i hope you'll be fine

you were so sloppy and gave it up
i hope you remember, that i was your crutch

next thing you know, was to lose control
and now you crawl, to save your soul
----------------------------------------------------------
(c)&(p), all rights reserved, STA 2023.

Rock and Roll Kills

butterfingers

Atomic # 6

Harmony

Full album "THE MYSTIC OPERA II" available on:
- Apple music.apple.com/it/album/the-myst…era-ii/1617105476
- Spotify open.spotify.com/album/50S1unYxcj0SDWPmQPnBDV
- Amazon Music music.amazon.it/albums/B09X11CB13
- Bandcamp davideangelini.bandcamp.com/album/the-m…-album-2022
- You Tube https://www.youtube.com/playlist?list=PL4SKFz1XBRp6F_JVCduNAQNELo-fOfE0K

Written, arranged and produced by Davide Angelini
Album: THE MYSTIC OPERA II
Publishing: 2022
(p)&(c) 2022 Davide Angelini

THE MYSTIC OPERA II

BLUE MARINE (instrumental)

BLUE MARINE - (instrumental)

DANMUR

Morning Call

K-Rock and Roll Part 2.5

there are no words to say in this desolate place

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three Touch

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

David Wurden is a composer, keyboardist, drummer, and skilled producer. With a penchant for exploring the unconventional, he possesses a unique ability to revolutionize musical compositions, defying traditional boundaries. Through his artistry, David takes listeners on a captivating sonic odyssey, venturing into uncharted territories and reimagining both vintage and contemporary sounds. His evocative melodies and intricate rhythms transport audiences, allowing their imaginations to wander freely in the boundless expanse of the universe. With an unwavering commitment to pushing the boundaries of musical expression,  David Wurden is an unparalleled force in the world of music.

https://youtube.com/channel/UCaFR1fBrwmQddm-gmwPGEzA
https://davidwurden.bandcamp.com/follow_me

Harmony

David Wurden

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