This is the first track of a great collaboration between the artists Supersymmetrie and Valentin Bösch. Stay tuned for more to come...

Quand Je Danse - Supersymmetrie & Valentin Bösch (Buy now on Beatport!!)

Preview of a new remix. Will be out the 11th of August via Fayer Records.

Qtier - Set Me On (David August Remix)

Rebekah Del Rio - Llorando (David August Edit)

https://soundcloud.com/diynamic-music
https://soundcloud.com/davidaugust

Diynamic label artist David August puts a spin on Kollektiv Turmstrasse's "Last Day," a lovely piece of tech-house released back in 2009. His revision sees a deeper, warm, and meditative track with delicious chords and consuming basslines—-all resulting in an intoxicating audio-watering hole that you'll never want to leave. Unless perhaps for a refill. 

Kollektiv Turmstrasse - Last Day (David August Revision)

We’re happy to announce Stavroz’s first EP on Moodfamily: 'Silent Spring'. Having already released on labels such as Bedrock, Wired and Délicieuse Musique, the Belgian band is ready for their highly anticipated follow up, delivering an EP ready for sunscreen and ripe for the picking. 

In the title track, frivolous bass guitars accompany a broadly shouldered melody and gently carry the track to glory while a snug piano hides in the breaks, building a beautiful contrast. 'A Great Day to Fly a Kite' brings horns straight from miles high, happily intertwining with a ruthless groove, pushing the atmosphere and delivering a quirky impact on the dance floor. 'Should've brought an Umbrella' graciously closes the EP with a touching - and at the same time organic sound.

This bundle of joy is available in download stores worldwide on April 30th 2015.

www.moodfamily.net

A Great Day To Fly A Kite

Stavroz - A Great Day To Fly A Kite

Buy the full Ep: https://amselcom.fanlink.to/006

Remixes by @rafaele_castiglione and @dka
Artwork by https://instagram.com/hollyform

Lukas Koch Feat. Biljana Pais - Be With You

🌫️ Tidal Mirage: Echoes Beneath the Phantom Surf
“Tidal Mirage” is the sound of a horizon that doesn’t exist—where the sea breathes illusion and memory like salt into the wind. It is both a dream and a distortion, shimmering just beyond reach. You drift toward something that recedes with every step, lost between tide and time.

🎵 Musical Interpretation of the Illusory Shoreline

Opening – Mirage on the Horizon
The piece begins with hazy textures—distant chimes, glimmering like sun on water, warped by heat and distortion. A gentle ambient swell pulls the listener in, weightless and mirage-like. The sea hums softly, but nothing is stable—everything feels like a reflection on rippling surface.

The Shift – Tides That Lie
As the tide turns, deeper drones seep in. Tones begin to bend and blur. Sonic artifacts scatter like seafoam—glitched fragments, filtered pulses, half-heard voices. The illusion begins to fracture, revealing layers beneath the surface. The mirage moves closer, but stays elusive.

Central Drift – Refractions of Memory
Melodic motifs loop and fade like recurring dreams, growing clearer and then dissolving again. Pads stretch wide like a submerged horizon line. There’s emotion here—but blurred, like remembering a face through water. A slow, melancholic pull invites surrender.

Undercurrent – Where Light Doesn’t Touch
The track deepens into darker resonance—subbass textures and granular static create a feeling of slow submersion. You’re beneath the surface now. Tonal fragments echo in all directions, like sonar across an endless trench. It’s not fear—it’s gravity.

The Mirage Breaks – False Shoreline
A gentle climax: shimmering synths and spectral melodies bloom like the last flare of a dying sun. For a moment, the mirage becomes real. There’s beauty—fragile and brilliant—before it dissolves into nothing, swallowed by undertow and reverb.

Fadeout – Salt and Memory
The final stretch is minimal and hollow—echoes of what once was. Sparse textures drift apart like receding tide. You’re left with ghost-tones and wet silence, as if the ocean has retreated, leaving behind only trace impressions. The mirage has vanished, but something lingers.

🕯️ Emotional & Symbolic Resonance

Illusion as Refuge: The track dances between real and unreal—its comfort lies not in truth, but in the space between.

Temporal Drift: “Tidal Mirage” resists time. Loops decay, then reform. It feels both nostalgic and unreachable, like déjà vu in sound form.

Ocean as Metaphor: The sea here isn’t literal—it’s psychological. A fluid world of shifting meanings, where self and shore blur.

The Mirage That Remembers: This isn’t about chasing truth. It’s about the beauty of what we almost grasped.

🌊 Best Used For:

Narratives exploring illusion, loss, or shifting identity

Ambient scoring for underwater or desert dreamscapes

Soundtracking dreams, memory sequences, or post-reality scenes

Emotional meditation on transience and impermanence

🔮 Symbolism & Final Reflection
“Tidal Mirage” is the sound of almost touching something sacred—but never quite. It’s the emotional residue of memories that may never have existed. A mirage, yes—but one that teaches us the shape of longing.

In the end, it leaves us not with clarity, but with a kind of peace in ambiguity. Not every journey needs arrival—some are meant to be drifted, not finished.

Tidal Mirage

Jamie xx - Strangers (Valentin Huedo rmx)

DMC Review:
" ‘Guilty’ captures you in time and space as you survey its richly woven fabric in the sunlight, moved by the blend of beautiful colours and textures that thrill to the touch. It’s an master stroke with arpeggiated exotic keys, synth washes, definite chords and Kraftwerk-esque Tour de France cycle chain ripples just for fun. ‘Like Feathers’ is a delicate techno synth opus with crystal bell tones, percolating riffs, layered white and pink noise and suspiciously sexual squelches. Its infused with a smoky male vocal and intense, intimmate lyrics which turns it gently on its own crystal carousel. Beauty and synth deep."
(http://www.dmcworld.net/reviews/entry/house/douglas-greed-guilty-exploited.html)

GUILTY premiered by BIGSHOT MAGAZINE:
'Greed brings his vast talent to Shir Khan’s Exploited Records for the first time on “Guilty,” an utterly sublime two-tracker. We’re thrilled to world premiere the techy title track brandishing an emotive groove that subtly coaxes you into a state of somber euphoria.
“I made this track — or rather the sketch for this track — on a long train ride which took me almost through all of Germany on a south to north route from one gig to another,” he tells us. ”The time flew by — even though it was an almost seven-hour trip. I was just nodding my head and got caught in one of those special moments that I even forgot to pay for my coffee in the train restaurant. That’s why it’s called ‘Guilty.'”
(http://newsflash.bigshotmag.com/mp3s/stream/42321/)

LIKE FEATHERS premiered by KALTBLUT MAGAZINE:
(http://www.kaltblut-magazine.com/premiere-douglas-greed-like-feathers-feat-kuss/)

Catz N Dogs: "This EP is really nice."
Baikal: "Cute."
Ewan Pearson: "Very pretty indeed."
Russel Yallop: "Always great from Mr. Greed."
DJMag: "Guilty of really liking Guilty."
Acid Pauli: "Beautifull."
Droog: "Unexpectedly melodic turn for Douglas Greed on Guilty...it definitely works, like it. Will come handy at rave in a desert somewhere."

Excited to have Douglas Greed - from the Freude Am Tanzen Crew (next to Mathias Kaden, Robag Wruhme, Krause Duo) - with a guest release on our label.
In the past he has released tons of singles and remixes and 2 albums (1 on Freude Am Tanzen in 2011 and 1 on Bpitch in 2014). 
Douglas Greed is known for his melancholic, organic, emo techno tracks. Surrounded by hills and forests, crossed by a river, far from the extravagances of Berlin and mostly inhabited by students, Jena is the artistic home of Douglas Greed’s music. 
His versatile DJ skills cover every mood in a heavy weekend of partying. His musical output covers a broad stylistic range while retaining its own clear fingerprint and often bypassing the conventions of purely functional club music.
Douglas Greed has also been spreading more bass-heavy vibes for many years in his live set-up with Fabian Kuss on vocals (who is also featured on ’Like Feathers’) and Michael Nagler on drums.
Douglas Greed - ‘Guilty’ will be out February 15th on Exploited. 2016 will also see a new track from him on a compilation by Recondite. 

Artwork:
Photo by Nemanja.
Design by Neven Cvijanovic.

Artist: Douglas Greed
Release: Guilty
Label: Exploited
Cat: EXPDIGITAL117
LC: 15799
Published by: Exploited Ghetto Music Publishing

Releasedate Beatport: 15.2.16
Releasedate I-Tunes: 29.2.16

Guilty

Like Feathers feat. Kuss

Stream

Douglas Greed - Like Feathers (feat. Kuss)| Exploited

Such a great pleasure to premiere one of the most thrilling emergent acts Aparde’s new tune ‘Dim’. The track will appear on the Dim EP due out on February 19th via Lenient Tales Recordings.

Written, composed and produced by Aparde.
Art: Christoph Spranger

Aparde
@aparde
https://www.facebook.com/apardeofficial
https://aparde.bandcamp.com

Lenient Tales
@lenient-tales
http://www.lenient-tales.com

Beatport

premiere: Aparde - Dim

Nhar - The Swallow

The Italian-German composer, DJ and founder of the record label 99CHANTS. He has been releasing music since 2010, but it took self- evaluation and a re-examination of his priorities for August to lean towards the future and follow his most experimental inclinations.
In 2023, his output is harder than ever to define, stretching across genres and disciplines to chafe the heart of the human experience.