#1 Tomorrow Is Forever X Radio Alhara -  with David August - January 23rd 2021

Tracklist:
01. АИ Жихарев - Вознесение
02. Antonina Nowacka - Part 5
03. Soundwalk Collective & Patti Smith - Spiritual Death
04. Laraaji - Universe
05. Mika Vainio - Movement 2 (Live)
06. Lawrence Lek - Dive (Heart Sutra)
07. Emeka_Ogboh - Lekki Aiah Freeway
08. Jlin - First Interlude (Absence Of Measure)
09. Aho Ssan - Simulacrum II
10. Nahash - Pluie Éternelle
11. Space Afrika - kitty 2
12. Kara-Lis Coverdale - Undo
13. Drums Off Chaos - On Circles
14. Louis Sterling - The Black Gate to Utopia
15. Paradise Cinema - Digital Palm
16. Auvinen - Kevät Jäät Kilisevät
17. Dylan Henner - I Was Reading the News But I Felt So Sad I had to Stop
18. Vladislav Delay - Whistleblower
19. Sonia Sanchez - Good Women
20. Space Afrika - self
21. Space Drum Meditation - Nite Tribs
22. Alva Noto + Opiate - Opto File 2
23. JS Aurelius - LIVE at HKCR
24. Regular Citizen - Next Gen Barocco
25. Mary Lattimore - Sometimes He's In My Dreams
26. Hatis Noit - Angelus Novus
27. Michael Beharie + Teddy Rankin-Parker - Paper Tiger
28. Antonina Nowacka - Part 2
29. Land Trance - Transcript
30. Félicia Atkinson + Stephen O’Malley - Des Pierres
31. Ben Bondy - Spoke Through My Legs
32. Sophia Loizou - Shadows of Futurity
33. Flora Yin-Wong – Loci II
34. Inre Kretsen Group - Campo Santo
35. Edward Artemiev - Meditation
36. Ulla - I Think My Tears Have Become Good
37. Probandi Benedettini Di San Giovanni In Parma - Missa Lux et Origo (Credo II)

#1 Tomorrow Is Forever X Radio Alhara with David August - January 2021

„You are listening to the first hour of my set from Puch Festival in Munich where I had been invited to play a while ago. It’s a beautiful small festival that’s been around forever. I had been playing there with the bands I (used to) play in and therefore there’s also some music from this period. Enough words, enjoy“

https://soundcloud.com/acidpauli
https://www.instagram.com/therealacidpauli
https://www.facebook.com/therealacidpauli

For any track list requests please send us a private message.
Up next: Laura Not

Pingipung Podcast 175: Acid Pauli - Puch!

01 you
02 true story
03 deer - spooky action (dwig remix)
04 charly on my balcony
05 your smile (dwig remix)
06 untitled
07 gentle memories
08 untitled
09 orange afternoon

05.06.2015
www.harrykleinclub.de

dwig live @ harry klein podcast 01

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

This track was somewhat of an accident, I was playing the keys and sorta got lost in the moment. Afterwards I remembered that Ableton has this feature where, even if you weren't recording, it will still capture your MIDI notes, so I recaptured my MIDI notes and turned them into this ambient piece.

Hopefully this audio finds you some grounding. Know that you are loved, and you are appreciated <3

Cover art is an edit of some photos I took up in Aspen.

It's Gonna Be OK

recorded at revier klub.thursday 3.11.16
much love to all luvely dancers and the revier team
dancing is an importang game

Kala Im Revier Mix Part One

Read our interview with @hippie-dance co-founder @superpitcher and check out this mix's track list here: bit.ly/SuPod (German) or here bit.ly/SupEPod (English)

Groove Podcast 101

Tracklist

Groove Podcast 101 - Superpitcher

Imagine all the scenarios and feelings in your day to day life, there are many to think of.

In my new series ‘Home Comforts’ I aim to set the scene of those different life scenarios, designed for the comfort of your home or for when these moments present themself for real.

To begin I thought of no place better than home itself. This could have gone in many directions but I wanted to express what I myself might listen to at home. 
I wanted something non-intrusive yet guiding. To accompany working, sleeping, or contemplating your day when you finally turn the lights out.

Tip: Listen at a low volume in your living room or bedroom

Love,

Billy

Explore more at: www.billycaso.com

Home Comforts - 01 - At Home

“...Only a prism can divide the colours and make
them appear; this prism could be the spirit of the listener.” - Arvo Pärt

Recorded April 5th 2020

www.99chants.com

"TOMORROW IS FOREVER" - April 5th 2020

"Like a fly bouncing uselessly off a closed window, I'm caught at a moment when the effort of finding new ways to perceive the world feels just out of reach for me." - David Toop

Recorded May 7th 2020

www.99chants.com

"TOMORROW IS FOREVER" - May 7th 2020

Beats in Space #549 Part 2 by Nicolas Jaar

The Italian-German composer, DJ and founder of the record label 99CHANTS. He has been releasing music since 2010, but it took self- evaluation and a re-examination of his priorities for August to lean towards the future and follow his most experimental inclinations.
In 2023, his output is harder than ever to define, stretching across genres and disciplines to chafe the heart of the human experience.

"TOMORROW IS FOREVER" - May 7th 2020

davidaugust