These songs are about the shape of love, about the passage of time, about children growing up, about looking for and then holding onto what matters. They’re about trying to resist some of the trends of modernity, which push us farther from the real nectar of life, making us less and less able to feel and appreciate the beauty in the moment we’re here.

Some of these songs are clearly autobiographical. Others clearly aren’t. But I’ve been feeling all these themes powerfully, either directly or indirectly, as my kids pass me in height and my hair gets grayer and grayer. I wrote them, as always, to Sarah and to those boys, but I suppose I’m singing them also to myself, to remind me of what I really care about.

It seemed only right, given the topic, to record the way we did—which was to track everything live over four intense June days in a beautiful studio outside of Eugene, Oregon, and to use, for the most part, entire takes with arrangements that favor long tones and textures over fast runs and flash. I’m grateful to Billy for opening his sweet space to us and for how invested he became in these recordings; to Rich and Anna for their incredible musical sensitivities; and to Todd, who gave so much of his heart to this project. It was an honor to work so closely with such incredible people.

Somehow, this is my ninth solo album, and I’m so very grateful to you for still listening.

I remain,

David Berekely
June, 2024

Credits: 
All words and music by David Berkeley, Straw Man Publishing, ASCAP 2024
PRODUCED BY TODD SICKAFOOSE

DAVID BERKELEY
Vocals, acoustic guitar, and classical guitar
TODD SICKAFOOSE Piano and acoustic bass
RICH HINMAN
Pedal steel, electric guitar, and acoustic guitar on “A Harbor for Hard Times”
ANNA TIVEL Vocals

Engineered by BILLY BARNETT at Gung-Ho Studio, Eugene, Oregon
Mixed by TODD SICKAFOOSE at Earycanal
Mastered by JEFF LIPTON, Peerless Mastering
Artwork by ANNIE VOUGHT
Package design by SUSAN HYDE HOLMES

A Pail Full of Fire - David Berkeley

Credits: 
DAVID BERKELEY
Vocals, acoustic guitar, and classical guitar
TODD SICKAFOOSE Piano and acoustic bass
RICH HINMAN
Pedal steel, electric guitar, and acoustic guitar on “A Harbor for Hard Times”
ANNA TIVEL Vocals

PRODUCED BY TODD SICKAFOOSE

Engineered by BILLY BARNETT at Gung-Ho Studio, Eugene, Oregon
Mixed by TODD SICKAFOOSE at Earycanal
Mastered by JEFF LIPTON, Peerless Mastering
Artwork by ANNIE VOUGHT
Package design by SUSAN HYDE HOLMES


These songs are about the shape of love, about the passage of time, about children growing up, about looking for and then holding onto what matters. They’re about trying to resist some of the trends of modernity, which push us farther from the real nectar of life, making us less and less able to feel and appreciate the beauty in the moment we’re here.

Some of these songs are clearly autobiographical. Others clearly aren’t. But I’ve been feeling all these themes powerfully, either directly or indirectly, as my kids pass me in height and my hair gets grayer and grayer. I wrote them, as always, to Sarah and to those boys, but I suppose I’m singing them also to myself, to remind me of what I really care about.

It seemed only right, given the topic, to record the way we did—which was to track everything live over four intense June days in a beautiful studio outside of Eugene, Oregon, and to use, for the most part, entire takes with arrangements that favor long tones and textures over fast runs and flash. I’m grateful to Billy for opening his sweet space to us and for how invested he became in these recordings; to Rich and Anna for their incredible musical sensitivities; and to Todd, who gave so much of his heart to this project. It was an honor to work so closely with such incredible people.

Somehow, this is my ninth solo album, and I’m so very grateful to you for still listening.

I remain,

DavidBerekely
June, 2024

The Right and Wrong

Worrying World

Eye of the Storm

Omaha

I Dreamed a Fire

A Pail Full of Fire

Wild Gods

“Berkeley crafts his songs like watercolor paintings. Intimate and introspective, his gentle yet colorful melodies are graceful and resonate long after the last note fades.”  – Creative Loafing, Atlanta

Songwriter and author David Berkeley writes songs capable of both breaking and mending the heart. The San Francisco Chronicle calls him a “musical poet,” and the New York Times praises his “lustrous, melancholy voice with shades of Tim Buckley and Nick Drake.” He was a guest on This American Life, and he’s won many songwriting awards and honors including ASCAPs Johnny Mercer Songwriting Award. Berkeley has released six studio albums, one live album, and authored two books. His 2017 release was a never-before tried concept: a novella comprising ten intertwining stories and an album of ten accompanying songs (one for each story). He returned in time for the 2018 midterms with a set of political love songs called The Faded Red and Blue. Berkeley then released an incredibly intimate and poignant release, Oh Quiet World, written during the lockdown after his family escaped Spain due to Corona. 

Berkeley and his family decided to leave Madrid, where they had been living for the year, as Corona numbers began to skyrocket. They packed in haste, leaving much of what they had acquired over the year behind, and managed to get on one of the final commercial flights out. David had planned to leave it behind, but on their way out the door, he grabbed the half-century-old secondhand Spanish guitar he had bought in the city. It was lucky he did, for it was on that guitar that he wrote all the songs for his latest release, Oh Quiet World. David and his family self-quarantined in a friend’s empty house near the Rhode Island coast. He set up a makeshift studio in the attic and began writing and recording songs. “I wrote a song a day that first week back,” Berkeley explains. “Songwriting gave me a way to process my fears and frustrations. It gave me a purpose, something small I could contribute.” The songs are his most stripped back, supported by his wife and children’s singing and the most barebone arrangements with touches of horns, accordion, and banjo. Despite the hard topic, Oh Quiet World manages to find hope through the hard times. The whole album plays like a prayer, beginning with the call to “wake up in the early light,” and ending with the word, “amen.”

He is back with A Pail Full of Fire, recorded with Todd Sickafoose in Eugene, Oregon. The album showcases David at his songwriting and vocal best. This is a timeless collection about the passage of time and the arc of a long love.
 
David Berkeley’s gift as a songwriter and storyteller is that he sees both the tragedy and comedy in life, managing to both reveal the sorrow and the blazing beauty at the heart of the human condition. It’s a duality that audiences experience at all of Berkeley’s shows as well, as he tells uproarious stories between cathartic songs. 

Berkeley lives with his wife and two boys in Santa Fe, New Mexico, USA. In addition to his solo career, he is also one half of the wildly creative Trans-Atlantic costumed duo Son of Town Hall who just released their debut LP to wide praise. Berkeley’s music has also been remixed by many of the world’s top EDM DJs. He tours extensively all over the country and world and has opened/toured with Dido, Don McLean, Ben Folds, Billy Bragg, Ray Lamontagne, Nickel Creek and many more. He was a Kerrville New Folk winner, a New Song and Rocky Mountain Folks Festival Finalist. He’s performed on Mountain Stage, The World Café, the Sundance Film Festival, South by Southwest, XM Loft Sessions, Acoustic Café, to name a few. 

“If you're into literate soulful singer songwriters, David Berkeley is the Gabriel García Márquez of beautiful-voiced troubadours.” – KRUU

The Right and Wrong

davidberkeley