Chris Liebing - All about Chris Liebing CLR Techno and Techno music in general! 
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Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

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I am Kaspar Noé, a cinematic music composer and audio engineer based in Amsterdam. My sound blends orchestral elements with electronic textures, trying to shape sonic landscapes that draw listeners into deep, emotional journeys. Whether it’s the sweeping emotion of strings or the raw energy of synthesis, I aim to take listeners on a journey – one that feels both epic and deeply personal.

Music has been a part of my life for as long as I can remember. I started with the violin and played in a youth orchestra, heavily inspired by classical composers like Mozart. Everything changed when I visited Ibiza as a teenager. At the time, I was more focused on sports, but that trip reignited my passion for music in a completely different way. Electronic music drew me in with its hypnotic rhythms and endless sound design possibilities. That’s when I started experimenting with spinning records and producing music on a computer, and I realized this was what I wanted to do for the rest of my life.

To develop my skills, I studied Music Production and Sound Engineering at Middlesex University London and SAE Institute Amsterdam. I didn’t just focus on composing, I dove deep into sound design, recording,  mixing, and mastering, which gave me a whole new appreciation for the technical side of music. I love being hands-on with every aspect of my sound, ensuring every layer, texture, and frequency sits exactly where it needs to be for my taste.

My journey hasn’t been without challenges. At one point, I suffered an ear injury that seriously affected my hearing – something that felt like hell as a musician. I had to go through a long recovery process, including stem cell treatments to restore my hearing. That experience completely changed my perspective on sound. I became hyper  aware of the smallest details in sound, and what I meant to actually be able to hear frequencies – it pushed me to refine my audio passion even further. In a way, I came out of it with an even deeper connection to my work and it’s meaning.

My transition into cinematic music started with my Web3 superhero project, Captain Inu, inspired by my love for Marvel and DC Comics. Through that, I discovered a passion for hybrid orchestration – merging orchestral arrangements with electronic elements to create a unique, modern cinematic sound. It felt like I was bridging my past and future selves, combining my classical roots with the limitless potential of electronic music.

Now, I am pushing the boundaries of my sound and shifting my focus toward storytelling in media through music. I want to create music that resonates on an emotional level – something that stays with you long after you’ve heard it. Every piece I make is a reflection of my journey – my influences, my struggles, and my passion for sound.

For me, music isn’t just something I do – it’s who I am. And I’m just getting started.

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