Jeremy Nathan Tisser is a multi-talented, award-winning composer, who has bolstered many projects across film, television, and video games. Most recently, he spent a year and a half creating the complex and varied score for Survios’ highly anticipated VR game Raw Data. The acclaimed game, though still in its pre-release stage, continues to win loyal followers and break records, including becoming the first VR game to break one million sales in a single month.

In order to score the immersive, sci-fi adventure, Jeremy drew on a wide array of musical experiences that have honed his skill and approach. The result is music that amplifies the intensity of the game and contributes to the emotional experience of the engrossed player. The complex soundscape exudes channel classical orchestral techniques, as well as industrial percussions, and heavy metal guitar riffs. For one of the most memorable levels, Jeremy infused a uniquely spiritual mixture of didgeridoos, throat singing, and a traditional Maori-inspired Haka. This was Jeremy’s third collaboration with the game’s creators; he not only created the music for their first, highly-popular game, Zombies on the Holodeck, but even composed music for the creator’s senior VR master thesis.

The complex soundscape exudes channel classical orchestral
techniques, as well as industrial percussions, and heavy metal guitar riffs.
Previously, Jeremy also provided music for the independent comedy, Actor for Hire, for which he orchestrated a jazz quartet to create organic-sounding riffs that matched the chaotic, metropolitan focus of the film. Jeremy also created the music for the short film Valiant starring Gil Darnell (Bones, Reign) and Navid Negahban (Homeland), which earned him multiple awards at the international film festival circuit. Previously, Jeremy has contributed to the musical production of a wide array of projects, including Pixar in Concert and Justice League: The Flashpoint Paradox. He also had a minor on-screen role in La La Land, as a drummer in the famous highway musical number.

Much of Jeremy’s skill and intuition comes from his time spent under the mentorship of acclaimed, six-time Emmy winner Mark Watters. The pair shared a Hollywood Music in Media (HMMA) award win for their work on the theme for KLCS’ popular series, Composers on Composing.

Jeremy resides in Los Angeles with his wife. When not making music, he’s steadily honing his skills in four separate styles of martial arts.

For all links:  https://tiny.cc/AbbyBermanMusic

All songs written by: Abby Berman (except for covers)
Vocals & Piano:Abby Berman
Produced by: Abby Berman & Gabe Dulek
Recorded & Engineered by: Gabe Dulek
Guitar: Patrick Mazenod
Bass: Alex Kish
Drums: Brian Head & John Perry

Recorded at: Shabby Road Studios (Curtesy of Rick & Ahn Perrotta)
Artwork by: Erika Hernandez

I started playing piano when I was four. I was mostly raised on classical music, but my last teacher got me a little into jazz and more modern stuff. I was just recently introduced to Logic Pro and the ability to easily compose music. It got me pretty excited and I ended up building out a small studio. I love writing music. I'm still pretty new at it though, so if you have any advice I'd love to hear it!

Alan Williams is an award-winning composer and conductor with more than 100 motion picture and television credits. Alan’s scores include the Academy Award nominated IMAX film, Amazon and some of the highest rated movies made for television. Some of his recent credits include the Chinese theatrical feature film Legend of the Forest and the IMAX films Secrets of the Sea, Serengeti and Space: The New Frontier.

Alan composed the award-winning score to the animated feature film, The Princess and the Pea and co-wrote the original songs with award-winning Lyricist David Pomeranz as well as the Student Academy Award winning short Pajama Gladiator. With over 150 awards and nominations, his accolades include a World Entertainment Awards win for Best Music Score for the IMAX film Space: The New Frontier, an Annie Award nomination for Best Original Score for Estefan, an International Film Music Critics Award nomination for Secrets of the Sea, and the Insight Award for Excellence for his score to Kilimanjaro: To the Roof of Africa. He has also earned 25 Accolade Awards for Best Original Score, 10 Park City Film Music Festival Gold Medal for Excellence Awards, and had his score for Crab Orchard recognized as one of the Top 20 Film Scores of 2005.
 
Alan has received 27 Global Music Awards. His score to 20th Century Fox’s Cowgirls n’ Angels won a Prestige Film Gold Award and Alan was awarded the Jerry Goldsmith Award for Best Documentary score for the Netflix series Moving Art: Underwater along with 3 other JGA nominations. Alan received a Hollywood Music in Media award (HMMA) for his song Music of the Earth co-written with David Pomeranz along with 3 additional HMMA nominations. In 2017 Alan was awarded the Global Music Awards Odyssey Lifetime Achievement in Music.

Inside Skunk Works is back for its second season! Building on the history of the Skunk Works® shared in Season 1, this podcast uncovers our future focused innovations through first-hand accounts of test pilots, engineers and designers. Rapidly developing disruptive technologies, brainstorming out of the box solutions and engineering the future of flight – all at Skunk Works.

This season, we’re diving into hypersonics, unmanned systems and conceptual design. In true Skunk Works fashion, our fast-paced culture is brought to life in our rapid prototyping episode. Join in on the conversation of how Lockheed Martin Skunk Works is providing tomorrow’s solutions – today!

For exclusive content, check out our show notes at LockheedMartin.com/insideskunkworks

Email us at insideskunkworks.lm@lmco.com

Produced by Claire Whitfield & Theresa Hoey
Artwork by Becca Smith & Francisco Silva
Web Content by Kyra Betteridge

Sass, class and lots of bad ass are just a few of the words that can be used to sum up pop/rock singer-songwriter Liz Allen who is making a hot debut to the music scene with her invigorating tunes, killer style and ferocious attitude with an EP set for release in the fourth quarter of 2014.

Not only does her music provide empowering and electrifying anthems for the voice of every generation to dance along to, but her repertoire also showcases music that is emotional, dark, and raw, speaking to to the broken hearts of all. This musical dualism is a true testament to the captivating and radiant artist that is Liz Allen.

Allen’s work is no stranger to the silver screen. In fact, two songs that Allen has both written and recorded, have been featured in the end credits of two acclaimed films. Allen penned “Ride of Your Life” for Airplane vs. Volcano (2014) starring Dean Cain, Robin Givens and Lawrence Hilton- Jacobs, as well as “My Very Best Friend” for the feature film Alone For Christmas (2013) starring David DeLuise, Davis Cleveland and Kevin Sorbo.

Allen is constantly writing and tending to her art and has been doing so since the age of 12. Being the daughter of an opera singer, music has been a constant fixture in her life and has provided her with the ability to touch on emotions through her music in a way she never could by spoken word. Her musical inspirations include pop music royalty ranging from Britney Spears and Christina Aguilera to the rockin’ ladies Hayley Williams of Paramore and Gwen Stefani of No Doubt. She aspires to combine forces with some of the biggest song-crafters in the world including Max Martin, Dr. Luke, Sia and Katy Perry.

Liz Allen is also a constant supporter of “Locks of Love” and has donated over 20 inches of hair at a benefit concert, which she hosted, with other notable figures such as Brian Olea of Playboy Radio and more!

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