Stream

Crooked Path

Flunk "Queen of the underground". SKL remix.. Eskild Trulsen. (edit)
Original: https://youtu.be/RNLfatf7cxY

Flunk - Queen of the underground - [SKL lazy rmx]

Nicolas Jaar -Took Me Out Of The Dark Rain

BPC288 Douglas Greed - Driven

WW Release Date 12.05.2014

Pre Order the album from ITunes: http://snip.ftpromo.net/driven

How do you stay true to your own sound without repeating yourself? How do you free yourself from the burden of wild expectations? Ultimately, how do you create a “difficult second album” that bucks the trend and sounds at least as fresh and enduring as the first? Rather than searching for answers to all these questions, Douglas Greed ploughs headlong into his second BPitch Control LP Driven, leaving needless doubts for dust in his rear-view mirror. Just keep on going! Someone else can do the soul-searching, he prefers to dedicate his heart and mind to new tracks.
In any case, he was never short of passion or ideas. Douglas Greed has always been driven, and his nature rarely allows him to remain in one place on the genre map for too long. With a musical upbringing ranging from hip hop jams and drum‘n‘bass parties to the darker avenues of pop à la Joy Division, Depeche Mode or Radiohead, his recent years as a producer and live act have always involved thinking far beyond the usual framework of techno and house. The results of these thought processes, always incorporating the hours away from the dance floor, have already been laid bare on his debut album KRL (Freude am Tanzen) and singles for labels including Infiné, Acker and Gigolo.
Driven continues seamlessly in this vein with eleven tracks as rich in variety as they are in detail. The format offers plenty of room to cover a broad stylistic range, always driven by the search for new mu- sical possibilities: from the boisterous peak-time hit “Summerless” to dance floor gems like “Hush Hush” and “B12”. From the yearning pulse of “Further” to the galloping UK patterns of “Fire 5”. The featured vocals are another stand-out element of the album: “Long Distance Swimmer” is arranged around Anna Müller‘s dreamy voice, “My Mind is a Monkey” has support from Delhia, the previously released single “This Time feat. Kuss” and the title track “Driven” feature the unmistakable voice of his Eating Snow colleague Mooryc.
Throughout the album, Douglas Greed plays with changing moods and tempos, always retaining the perfect balance between track and song, playing equally to his strengths as a euphoric stage per- former and a sensitive soul. The exhilarating depth and maturity of his sound and his independent production process mean that all these elements combine on Driven to whisk the listener away on a grand journey. This is a journey – driven by the desire for new horizons – that effortlessly opens our eyes and ears, revealing that the heart of electronic music still beats loud enough to pump endor- phins through our veins. It reveals the road ahead for anyone who, like Douglas Greed, likes to throw themselves wholeheartedly into each new venture. And those who are open to the challenge are likely to complete even mammoth tasks like the dreaded second album with great aplomb.

Driven

BPC288 Douglas Greed -  Further

Order: http://atomnation.bandcamp.com/album/moon-observations

David Douglas - Chenab River

Cubenx - edit voice from Lagendaduprince - 
Extrait du film - A bout de souffle -

A bout de souffle de Jean Luc Godart - Jean Seberg - Aéroport Roissy Charles de Gaulle, interview, d'un grand écrivain, Monsieur Parvulesco, jouée par l'immense cinéaste J-P Melville.
Pourquoi avoir choisi cette scène ?
Parce qu'elle est en tout point admirable, visionnaire et fascinante ! Et cela pour plusieurs raisons.
Premièrement elle s'insère dans le film sans raison apparente. Elle n'ajoute rien semble-t-il. Une sorte de parenthèse, de digression pseudo philosophique.
Deux cinéastes de génie se rencontrent et se télescopent et peut-être se provoquent. L'un, Jean Luc Godart, jeune cinéaste, fait parler l'autre...
Et ce que dit J-P Melville est à tiroirs. Toute cette scène est à tiroirs !
A la première écoute on entend Melville tenir un discours misogyne. Parce qu'à la première écoute on s'attache beaucoup plus aux réponses de Melville qu'aux questions qui lui sont posées.
Second tiroir : On observe les questions qui lui sont posées.
Troisième tiroir : on découvre alors que la pertinence des réponses que donne Melville est fonction de la pertinence des questions. Plus les questions sont idiotes et plus Melville répond bêtement.
Cette scène est donc d'une modernité incroyable - Elle annonce le règne des médias et la platitude du discours médiatique, et Melville s'en sort admirablement dans le rôle que Godart lui a donné -
Godart - 1 : Melville - 1
"Devenir immortel, et puis mourir..."

Love and share

Monsieur Parvulesco

A musical marriage between Iva Gocheva, Quentin Pistol, and Nicolas Jaar.

IVA - The Pink Veil

Made this I think at the tail end of 2022 early 2023. How much and so little has changed! time really does fly #flyasl

memories

BPM: 78, Time Signature: 4/4, Key: C Major
Instruments: Drum Machine Designer, Alchemy, Keyscape, Bass Station, Diva, SH-101

Black Balsam

TWITTER: http://twitter.com/wehaveband
FACEBOOK: http://www.facebook.com/wehaveband
http://www.wehaveband.com 

Santi’s original "Music, the Only Way" tells a playfully dystopian story: "In a not so far away retro-future, a group of self-aware, compassionate robots have taken upon themselves the task of resolving humanity’s oldest paradox: its tendency for endless destruction and chaos despite its longing for boundless creativity and joy. 

Music by https://soundcloud.com/santi-productions

Remix by https://soundcloud.com/miretmusic

Free Download

Santi - Dystopian Dreamer (feat. Tuğçe Kurtiş - MiRET Remix)

Cooking music since 2012. Uploaded all my albums and some mixtapes here. 

FOR ALL YOUR ANSWERS
info@daviddouglasmusic.com