V2.2

V2.2 (Suzanne Ciani remix)

Diatom Deli - Disarray

Listen / Buy: https://found.ee/rvngnl79

Lyrics
Guess I'll get away
since the day went wayside
I'm waking up in
six shades of disarray
all because I didn't go
Tell me is there someway
to skirt around this high tide?
or do I just let it cast me away?
oh how my fears crash then overgrow!
My old ways in which you cared for
go away once I start knowing
Since i've been away
my days are on the upside
but I'm looking
hard for you
in six shades of disarray
cause when I'm lost
you're where I'd tend to row
you know it's hard to think
how could it end up this way?
no honor and no meaning
tells me love has a way
on why it feels right to let it go
though I don't want to
My old ways in which you cared for
go away once I start knowing
Maybe we could try
Or maybe we won't
I miss you so much

©2022 RVNG Intl. // www.rvng.com

Time~Lapse Nature

Diatom Deli - Disarray

система | system is proud to present a compilation of various Ukrainian artists and performers "SESTRO".

"SESTRO" is a compilation of electronic music from the Odesa-based label система | system, designed to bring together musicians from Ukraine who have been released on our label and performed at events we have organized. For many years we strive to cover a wide, diverse, and adventurous spectrum of Ukrainian music. The goal of the compilation is to directly financially support (ГО Сфера) Sphere (@womenspheresolidarity) which is a Kharkiv-based organization that actively helps women and LGBT+ people from eastern Ukraine in territories that are heavily affected by war. NGO Sphere (ГО Сфера) supplies crisis kits for women in frontline areas and also provides financial assistance to vulnerable groups of women, organizes legal and medical consultations, provides psychological assistance, informational campaigns, and activist events.

"We have never had an experience of working with women in conditions of stress, shock, and grief like today. Now we are trying to gather our experience and the experience of our colleagues from other countries to help deal with the terrible consequences of the survivors" - Anna Sharygina, a representative of NGO Sphere (ГО Сфера).

We believe that giving visibility to Ukrainian culture is an important part of our struggle, because Russia's war against Ukraine is imperialistic in nature, and for three centuries the works of Ukrainian authors have been denied and destroyed.
We will never agree to be dominated. We want, as artists, to give all possible support through our work to the brave volunteers now active in Ukraine, who are heroically fighting to save the most vulnerable.
*
система | system з гордістю презентує компіляцію різних українських артисток та артистів "SESTRO"

"SESTRO" - це компіляція електронної музики від одеського лейблу система | system, яка покликана об'єднати музикантів_ок з України, що випускалися на нашому лейблі та виступали на організованих нами заходах. Протягом багатьох років ми прагнемо висвітлювати широкий та різноманітний спектр української музики. Мета компіляції — надати пряму матеріальну підтримку організації Сфера (@womenspheresolidarity) з Харкова, що наразі активно допомагає жінкам та ЛГБТ+ людям зі Сходу України на територіях, які сильно страждають від війни. ГО Сфера постачає кризові комплекти для жінок у прифронтових районах, а також надає фінансову допомогу вразливим групам жінок, організовує юридичні та медичні консультацій, надає психологічну допомогу, проводить інформаційні кампанії, активістські заходи.

“В нас ніколи не було досвіду роботи із жінками в умовах такого стресу, шоку і горя. Наразі ми намагаємося зібрати свій досвід і досвід наших подруг з інших країн, щоб допомогти впоратися з жахливими наслідками пережитих подій тим, хто вижив” - Анна Шаригіна, представниця ГО Сфера.

Ми вважаємо, що надання видимості українській культури є важливою частиною нашої боротьби, адже війна Росії проти України, має імперіалістичний характер і протягом трьох століть твори українських авторів_ок піддавали цензурі та знищували. Ми боремося проти Росії, що прагне нас колонізувати, ми боремося за нашу свободу, ми ніколи не погодимося, щоб над нами панували. Ми хочемо, як художниці_ки, своєю роботою надати всю можливу підтримку хоробрим волонтеркам, які діють зараз в Україні та відважно боряться за порятунок найуразливіших груп населення.
credits:
FREE IS THE NEW EXPENSIVE ~ TAKE FOR FREE, NAME YOUR PRICE, DONATE.

"SESTRO" VA is supporting our sisters, Ukrainian women in areas affected by the war!
All the funds from this VA will be transferred to the Sphere, Women Association (@spherewa / Non-governmental organization (NGO)).
All transfers will be publicly released by система | system on our social media!
All the tracks are made, composed, recorded by the artists themselves
All the visuals are made by Lesha Mykhailov.

unwavemenot - excitatio

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

SUPPORT THIS ARTIST

Structures Based On The Plasticity Of Sphere Surface Tension

Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

In the wet heat of a Japanese summer, legendary musician Ryuichi Sakamoto was joined on stage by Taylor Deupree and the duo of Corey Fuller and Tomoyoshi Date, known as Illuha. The Yamaguchi Center for Arts and Media hosted the event as part of their 10 year anniversary which also included a captivating installation by Sakamoto called Forest Symphony. The days surrounding the concert brought the artists together for food, talk and exploration. Informal but meaningful moods that prepared them for performing together.

The performance, an improvised set for piano, guitar, pump organ, and synthesizers, ended up affecting the artists in a deep way. The four, having never played all together before, were taken aback by the level of listening and restraint that flowed between them. The audience sat in a breathless silence, the music offering a respite from the thick July air. As the last hushed note faded into blackness the artists knew right away it had been a deep journey.

It is a fortunate event when a moment like this is captured, as this concert was ( recorded in high quality DSD). Perpetual, named for the eternal and ageless quality of the music, is presented in three movements that traverse from soft layers of synthesizer and processed guitar, to open, airy sections of prepared piano and silence, to finally coming to rest in a most hauntingly delicate lullaby of lonely piano, crackling found objects and field recordings and tones suspended like mists.

Perpetual not only surrounds us and stretches through time but collects that expanse into a single memory, a record of a brief moment where time stood still and four musicians merged into one.

Perpetual

Movement, 3

taken from 'Binnenin' out oct 14th through Black Sweat Records

Opening

From "Agua" 
Recorded during the Lanzarote Music Festival, December 1989

Agua

'Miaux is the operating handle of Belgium's Mia Prce. Most of her prior recordings have been issued by Dennis Tyfus' Ultra Eczema label, but after catching her set at last year's Bruismelk festival, Feeding Tube had to “have” her new record. 
Unlike other known works, whereon Miaux is a mistress of elaborate keyboard shenanigans that border on the gothic, Above the High Rays brims with music of a very soundtrackly nature. It mixes Neo-Eastern percussion symbiography with floating swathes of parachute color, all of it presumably birthed from Mia's hands and keys. It's easy to imagine a Jodorowksy carnival scene, shot like the opening of Welles' Touch of Evil, while this album spins. It is soaked with a haunted, lonely quality that touches the edges of mystery like a torch. 
Cover art and one side of etchings by Mr. Tyfus, himself. The tears you shed will be your own.'
Text by Byron Coley

Above The High Rays was composed for a screening of René Clair's sci-fi classic Paris Qui Dort. Released on a one sided 12" with etching on Feeding Tube Records and on cassette on Ultra Eczema.

Above The High Rays

Above The High Rays, 12" Feeding Tube Records / Tape, Ultra Eczema

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

The Sacrificial Code

Kali Malone - Litanic Cloth Wrung (from "The Sacrificial Code" iDEAL 2xLP/3xCD)

🌱 'Relativiteit Van de Omgeving' (NNF)
🍂 'Flow | 流れ'  w/ H.Takahashi (Aguirre)
🌫 Hare Akedod founder
and 1/2 of Spirit & Form (w/ Ōgon Batto)

Opening

David Edren