Name: Estuaries of Selves by DavideIanni
Duration: 10 min 24 s
Description: Ensemble Du Bout Du Monde (EBM) October 20th 2025 Pierce Hall New England Conservatory

Performed on May 3rd 2011 by the Boston University Symphony Orchestra, Kostantin Dobroykov, conductor.

Incastro (for Full Orchestra)

live recording from gnarwhallaby's microfest performance on may 22, 2012

originally scored for two bass clarinets, cello, and accordion, gnarwhallaby developed this new version in collaboration with the composer for bass clarinet, trombone, cello, and harmonium.

recording engineered by john schneider

klaus lang :: rote asche [2009/2012]

Composed for and premiered by the soloists of the Ensemble Multilatérale (http://multilaterale.com).

Matteo Cesari - Piccolo & alto flutes, percussion, sine waves
(https://www.facebook.com/matteo.cesari.flutist?fref=ts)

Miguel Angel Lorente - Prepared tenor sax., percussion, sine waves
(http://multilaterale.com/wp-content/uploads/2014/11/11.bio-miguel-angel-lorente.pdf)

Antoine Maisonhaute - Semi-prepared violin, percussion, sine waves
(http://www.tanastringquartet.fr/antoine.html)

Sevérine Ballon - Semi-prepared violoncello, percussion, sine waves
(http://www.severineballon.com/)

Recording: Jay Lin (https://soundcloud.com/wei-chieh-lin)

Performed and recorded on 06.27.2015 in Auditorium Banca del Monte di Lucca, Lucca, Italy. 

Ensemble photographed by Franck Bedrossian (https://soundcloud.com/franck-bedrossian)

A Song Sung Together - Ensemble Multilatérale

Ensemble Du Bout Du Monde (EBM) October 20th 2025 Pierce Hall New England Conservatory

Estuaries of Selves

Performed by Sasha Elina and Voloko Gorlinksy 

Topolya / Тополя

For double bass and electrically stimulated bass drums.
Dario Calderone double bass, 
Davide Ianni electronics.
Performed on 07/12/2016 at Composit New Music Festival

Beneath The Music From A Further Room is scored for solo double bass and 2 "singing" bass drums.   The piece is  really a solo for the double bass however , the sonic realm that the instrument creates ends up inhabiting 2 bass drums sitting on stage, which start to 'sing' taking over the soloist. This piece plays with the perceptual shifting that occurs from the breaking of the concert ritual. As the bass drums take over enveloping the hall with their sound, the listener is subtly transported into a different sonic reality and syntax which appears to be removed from the performer and  composer's control. This music now inhabits inanimate objects projected in space unaware of the circumstances that generated it. The concert ritual is slowly dissolved, and we are now left to engage with sounds without a specific paradigm.

Beneath The Music From A Further Room

Eclat 2017, SWR Vokalensemble, live recording

moyioomni

Leah Muir: As I Sing to You Songs of Ossian

I recorded a little improvisation I did on the piano this morning.
All sounds are created using an e-bow circuit machine built in collaboration with Jan Bernstein and Mickey van Olst, with the support of Villa Médicis. No electronics, no amplification, what you hear is simply the vibration of the piano strings.

📷Villa Médicis (light design: Eva G. Alonso)

Improvisation with my e-bow circuit machine (13 December 2019)

Grote Kerk s.-Hertogenbosch
November Music 2019
Ensemble Modelo62

if you like the piece, please, support our upcoming performace!
https://www.gofundme.com/f/signals?utm_source=customer&utm_medium=copy_link&utm_campaign=p_cf+share-flow-1

Signals

Bludenzer Tage zeitmäßiger Musik 2019

Performed by Ensemble Distractfold:
Linda Jankowska
Emma Richards
Alice Purton

Recorded by Aaron Holloway-Nahum

Estuaries of Selves

DavideIanni

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