After hearing this I might not sleep either. It really gets into me.

Gli effetti sulla voce sono sorprendenti. Questo è un lavoro più inquietante dei cattivi ragazzi

brilliant 💯🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

I love and embrace the madness on this track.

Diamond Gotti- Real

How tired can we get?

SUMMER SNOWFLAKES: variations on a theme. Intended to be released at the first snow fall, but it never came... So I kept recording.

INSTRUMENTS used: Electric Guitar, two steel 6-stringed guitars, 12s guitar, classical guitar, two hardware keyboards (rendering the pianos, organs, bass guitar, chimes, bells, flutes, strings), pedal effects.

The music grew like a fractal in all directions and became quite vast in scope: should I have split it into shorter tracks? Many would say yes, but I didn't fancy that and instead went for the ”LP option"; an instrumental, meditative journey, inspired by the genre invented by Mike Oldfield in the 70s.

When I first heard his work, many years ago, I didn't first get it, but I was intrigued. "What is the purpose?" was my early reaction. But I couldn't shake it off and became hooked to the complexity of his instrumental music, and how it seemed to constantly mutate into new sections. I kept listening, and gradually discovered the many hidden secrets. And it led me to become very interested in classical music.

SUMMER SNOWFLAKES is made in this tradition. Not explicitly trying to mimic Mr. Oldfield, but admittedly clearly influenced by his method. And why not? Was it wrong that Brahms wrote symphonies just because Beethoven already had done nine legendary ones? Would the world have been a better place if Shostakovich had stayed away from writing Preludes and Fugues for the piano? Should no pop songs have been allowed after Beatles? I say, let us be shamelessly inspired by the gigants and make some efforts to create something! Throw an egg if you must, but I think any sincere attempt to compose is welcome.

When I decided to go for a full length track, my vision was (somewhat childishly) the thought of the younger myself; the days when I was a die-hard Oldfield fan and had stumbled upon a new release: always a rare event, an instant buy, running home, headphones on, expectations high, launching it: the first sacred discoveries ... My track may not live up to this, but is a tribute to those days and that feel.

The recording was quite an undertaking and I didn't want to let myself down. I worked on it since December 2018, and was occasionally quite frustrated about it. I avoided midi, and tried to hand-play it all (for the fun of it) - often leaving me in big trouble. I admit there are some sun spots due to this, but I consider them as my finger prints and evidence that a human did this, not a machine. .

Art cover: by DS 2021, reflecting the heavy reliance and overlaying of pianos and organs, and the combinational nature of the music.

Special Thanks to Mark Hermse, Mike Hilton and Wojciech Langner for support and inspiring discussions!

SUMMER SNOWFLAKES

I never sleep

Anam Hermit     I never sleep

Look, there she's walking around
She got no borders no bounds
she knows that there's still a way
and with her magical smile she sweetens our day

Peace, Love and... Sandy, amus.
Composed/All instruments/Mixing & Mastering by amus
Cover by amus

Easy Sandy (Single Version)

You are invited to a piece that combines different styles: the great 90s, piano and other classical elements, pop and trance. I wish you a lot of fun listening!

(Did you know that "Apocalypse" literally means "lifting or lightening of the veil?")

The Lightening Of The Veil

Ambient soundscapes exploring the nature of reality and our perception of our existence. Chillout, relax and enjoy.

SIMULATION THEORY

Làna

This track is a remix of the original version uploaded to YouTube. The strings are layered on top of each other. I cut the mid-low range a little from the original and remixed it. I hope you can compare it with the original.



https://youtube.com/channel/UCUYRIEC77uN5JoGpK4ztCPg

蒼の違和感(remix) feeling uncomfortable of blue

a.k.a the serious EP. Life is not full of sunshine and rainbows.

Composed February 2018, recorded December 2020. Unrequited love sucks , but in my opinion, it's better to be rejected on the spot than led on.

(Lyrics)

(Verse 1)
It was too good to be true, too bad it didn't work.
Too perfect for me and eternity.
If we can turn back time, before you broke my heart,
before I fell in love, before we even start.

(Chorus)
Pass me by, you really didn't have to make me cry.
All you had to do was pass me by. 
You really didn't have to make me cry, pass me by.

(Verse 2)
You shouldn't lead me on, a true heart that you lack.
I hope you meet someone and Karma pays you back.
So much in common, thought we're doing fine.
Thought you will be mine, if we can turn back time.

(Chorus)

(Bridge) If we can turn back time, all you had to do is

(Chorus)

Pass Me By

Future Fluctuations

experimental musician, I love sampling, breaking up and reassembling the fragments .... I have been working with musicians of various kinds and for some time together with my partner anam we have been producing rare pearls of a new hip hop.

Anam Hermit I never sleep

Tubo Dj (Scribes of Avalon)

Recent comments

Triple Ex

SK

merius

Il Camaleonte

Related tracks