Music & arrangements, vocal melody & lyrics, mix and records
by Uknown Moan
Vocal performance
by Fish
Remix, Mastering
by Detelin Yosifov

Lyrics:
I have tried so many ways
To navigate this fall
Get dragged through the open waves
Before you can stand tall

Take a breath, grab what you can
Wide eyes but still can't understand
There's gotta be another way
Out of this mess that I'm in

Getting lost down the river
Heart on my sleeve, I still shiver
Take me away from it all
Save me from this waterfall

One day maybe I can see
Through the forest trees
What might lay in the shadows
Has their eyes on me

There's gotta be another way
Out of this mess that I'm in

Getting lost down the river
Heart on my sleeve, I still shiver
Take me away from it all
Save me from this waterfall

Getting lost down the river
Hold onto me, I still shiver
Before this life takes it's toll
Save me from this waterfall

We can make, we can make, we can make it out
Navigate, navigate, 'cause we have to go
We can make, we can make, we can make it out
The ocean opens up we made it home
We make it to new horizons
Life with no more surprises

Getting lost down the river
Heart on my sleeve, I still shiver
Take me away from it all
Save me from this waterfall

Getting lost down the river
Hold onto me, I still shiver
Before this life takes it's toll
Save me from this waterfall

Waterfall

Track #1 from the Brahms’ 3rd Racket EP, "Age of Correction"

Age of Correction

A potential soundtrack of some sad movie scene. 
--
Photo by Mehdi Sepehri on Unsplash

Like a sad movie

I like the way
that you tell me
you love me, my dear wife.

You say, 
“Didn’t your mom teach you
how to hold a fork and knife?
You’re making me nervous!”

Love the way that you 
let me go out with my friends 
on Friday night.

You say, 
“When will you be back
because I need you to 
bring that carpet inside.
It’s gonna get ruined if it rains!”

You took me in as your project
much like a lump of inexpensive clay.
When it’s not going well
we’ve learned to fudge it.
And now we’ve mastered
better than okay.

We know now to romance on a budget.
There’s too many 
more important bills we gotta pay.

Jog straight into the firestorm
while others dodge it
and this we do because
we love our way.

I love the way 
you convey your dismay
at my tone, love.

You say, 
“What if I was In a car crash?
You wouldn’t even know
cause you don’t pick up
your phone, love!"

I've eaten the crows
that hide in the throes
of veritable marital bliss.

They’ll think I make fun
but I just make light
cause no-one should carry all this.

When you walk a mile
in those shoes
I think you will find
every turn is old news.

But all will be for naught
if you don’t learn 
to love in your way.

You took me in as your project
like a lump of inexpensive clay.
When it’s not going well
we’ve learned to fudge it.
And now we’ve mastered
a lot better than okay.
(50 shades better than okay!)

We know now
to romance on a budget.
There’s too many more important
bills we gotta pay.
(All these bills, we gotta pay!)

Jog straight into the firestorm
while others dodge it
and this we do cause
now we love our way.

This we do cause
now we love our way.

Support Gom

Love (Our Way)

Music composed in 2021 by Rene Puschinger.

Escape

WE´RE DOOMED (Alfonso Llorente)

ALFONSO LLORENTE: VOCALS & ACOUSTIC GUITARS

My personal version of this classic

BEFORE YOU ACCUSE ME  (Bo Diddley)

COMBSTEAD and I made another!
Check out COMBSTEAD: https://soundcloud.com/markcombs-92828285

Let it Fly - COMBSTEAD / Robert Grigg

"Der Mensch muß entweder wie ein Kind vor Wut und Unglück und Begeisterung und Liebe heulen und entschlägt sich so seines Gefühls in einem kurzen, nichtigen Wirbel; oder er kann geheimnisvoll an sich halten, ohne dem Zug zur Wirklichkeit, dem Trieb, dem mit jedem Gefühl verwachsenen Begehren ein Zugeständnis zu machen, und dann wächst sein Gefühl über ihm mit den Wipfeln der Bäume, mit den Turmspitzen, mit dem Scheitel des Himmels zusammen. Was aber dazwischen liegt, dieser maßvolle sogenannte Reichtum des Gefühls, lohnt nicht des Aufhebens, das davon gemacht wird!"
Robert Musil, Der Mann ohne Eigenschaften - II. Aus dem Nachlaß

https://www.youtube.com/watch?v=n7AsTgcf8qI

artwork by enriquelopezgarre
https://pixabay.com/de/users/enriquelopezgarre-3764790/

music by dizzip o' vooway
http://facebook.com/DizzVooway

Reaching for Distant Stars (Improvisation No. 5)

StillnessTheory is a blues-infused, hipster-rooted acoustic rock band that blends raw soul with modern groove. Built around the earthy tones of harmonica, acoustic guitar, bass, and stripped-down drums, their sound is equal parts front-porch honesty and backroom swagger. It’s music for long drives, late nights, and slow-burning revelations.

The vocals drip with warmth and grit, Stillness Theory crafts songs that feel lived-in—stories told through smoky melodies and rhythmic ease. Their harmonica lines cut through like memory, while the acoustic guitar lays down a steady pulse that’s both intimate and expansive. Bass and drums keep it grounded, but never rigid—always loose enough to breathe.

Drawing inspiration from vintage blues, indie folk, and the mellow side of psychedelia, Stillness Theory doesn’t chase trends. They chase feeling. Whether it’s a love lost in the haze or a moment of clarity in the chaos, their music invites listeners to lean back, light up, and let go.

Feeling High

David J. Kemper is a composer & producer from Chicago, Illinois, city of big shoulders, (former) hog butcher to the world, and home of Nelson Algren, Carl Sandburg, John Dillinger and Al Capone.  It has been speculated (by Mr. Kemper) that the gritty, rough and tumble energy of the streets from whence he hails has given extra bite and backbone to the sounds that he comes up with.  It is a theory, anyway.  Don’t think.  Just listen.  

The music featured here is but a modest selection from the ever-growing DJK repertoire, solo releases (Wet Work), as well as his "other" band/project/whatever, Brahms' 3rd Racket.