chillin

Good time chill

good music

My Jams and Jellies

David Jolly

Jammy Jams

Work Booty Jams

#👈😉👈#

Gone

Drift

Taken from the alum 'Goodbye'.

How to describe Ulrich Schnauss's music? Let's see. It's shoegazing heroes. Slowdive headlining a rave. It's krautrock plunging headlong into the celestial raptures of the Cocteau Twins. It's U2 if Brian Eno had ousted Bono and commandeered the band in 1985. It's Balearic with a view of the Baltic instead of the Mediterranean. It's art-techno for the heart as well as the head. It's stadium chillout, as immense as a festival field and as intimate as a bedroom. It's celebration and catharsis. It's vapour trails and meteor showers. And it's very, very good.
 
So far, the quietly spoken German who creates this music has operated beneath the radar. His first two albums, 2001's Far Away Trains Passing By and 2003's A Strangely Isolated Place, worked their way into record collections by stealth. People heard tracks played by Rob Da Bank or Tom Middleton, or chanced upon him on stage at the Big Chill or Bestival, or heard about him from friends. However they discovered him, they were hooked. XFM's Lauren Laverne called A Strangely Isolated Place "a life changer everyone I have forced to buy it loves it."
 
Ulrich's third album, Goodbye, is his first for Independiente. It is also the end of a chapter in his sound. "I see these three albums as moving closer to something I wanted to do right from the beginning but didn't quite manage," he says. "Merging songwriting and indie elements with electronic music. I've tried to take all the ideas to the maximum."
 
So the ambient tracks are more spacious, the songs more memorable, the multi-layered, guitar-heavy tracks more ragingly psychedelic. Just listen to the obliterating rush of Medusa, or the cloudbusting dream-pop of Stars (performed by long-time collaborator Judith Beck). At times, there are over 100 different audio tracks playing simultaneously: a tower of song. No wonder Goodbye has taken three solid years of in the studio.
 
If Ulrich hailed from somewhere less boring, things might have been different. Fortunately, he was born in 1977 in Kiel, an unprepossessing city on Germany's Baltic coast best known for its naval base. It seemed to the young Ulrich as if everything important was happening elsewhere.
 
He explains, "I was talking to Andrew Sherriff from Chapterhouse and he told me that being from Reading had a significant influence because the place was so shit that you had to create beautiful music to get out of that state of mind. I'd say the same thing for me. Kiel is probably the most boring, ugly place in the world. The whole city is grey concrete. Places like that inspire you to create something that elevates you out of reality for a few minutes."
 

Bands didn't tend to play in Kiel, but at least the NME arrived regularly at the train station, albeit four weeks late, and the british forces radio station was good. Around 1990, Ulrich discovered electronic music and shoegazing simultaneously: the Orb alongside My Bloody Valentine, 808 State next to Ride, Shades Of Rhythm beside Slowdive. He also followed up every artist namechecked by LFO in their 1991 single What Is House?: Brian Eno, Tangerine Dream, YMO His core ideas about music were forged there and then.
 
"For me that was the magic of those days," he says. "You couldn't say if a band was electronic or rock. I'm not interested in purist ideas. I like it when things you don't expect merge and mix and something new comes out of it."
 
And because he never got to see his heroes in the flesh, they maintained an aura of mystery and wonder. "You make up your own idea of how things are. For me that whole early '90s scene was something I imagined, like a fairy tale - an alternative reality to what I was experiencing."
 
Ulrich worked as a psychiatric nurse as part of his national service. After that, he moved to Berlin, where he tried in vain to become accepted by the electronic scene. "I felt really isolated. I desperately tried to integrate but it just didn't work. I was trying to marry what I wanted to do with what was trendy at the time and I always ended up with a foul compromise. So I thought I might as well do what I want to do."
 
After a few years of watered down, pseudonymous productions which he'd rather you didn't seek out, Ulrich released Far Away Trains Passing By on the dauntingly hip City Centre Offices label. He was amazed they even wanted to release it; more amazed still when it became a cult success. With its abundant charm and unabashed optimism, it was the most pleasantly surprising electronic debut since Boards of Canada's Music Has The Right To Children.
Its more rock-influenced successor, A Strangely Isolated Place, received an even warmer response, from critics and other musicians alike. It led to Ulrich remixing some of his shoegazing heroes (Neil Halstead and Rachel Goswell of Slowdive, and Mark Gardener of Ride), as well as Depeche Mode, Justin Robertson, Lunz (Hans-Joachim Roedelius), and Longview.
 
Tired of the Berlin scene, Ulrich moved back to Kiel to make Goodbye. Most of his schoolfriends had moved away, so he didn't have to worry about distractions. His last two album titles spoke of isolation, but was that the pain of enforced loneliness or the comfort of voluntary solitude? Goodbye is equally ambivalent. "Emotionally, I find farewell situations interesting," he says. "Saying goodbye can be tragic or hopeful."
 
Like its predecessors, Goodbye constructs its own world, vast and vivid. When he's making music, Ulrich sees colours: one song might be red, another blue. Next time, he wants to "record an album based on more traditional electronic music structures - which could enable me to merge all these different influences beyond recognition". Meanwhile, this is the album he's been moving towards for over a decade: a sonic tour de force, an alternative reality, a life-changer.

Ulrich Schnauss - Stars

Yessss.....
https://open.spotify.com/track/4Fg2QGN2q5FHNi4fBZ7zLq?si=SCd-S0nsT1yju-GQyoLdDg

Stolen

HENRIK3000 - Sunlight Shower

Weekend

here is a song i made. using only my laptop and shitty headphones

Lost World

yup https://open.spotify.com/track/0QF8L3EEx6SRlRW7XuUeF8?si=0e6c811510ba4ec2

Octopus Gang

girl

c h e r r y

M. Hisataakaa - Path of the Wind (Totoro Remix)

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https://www.youtube.com/watch?v=t2R-JnmwHhc

False Fags

[Verse 1]
Sun is rising
Mother Nature can I have just 10 more minute.
Just 10 more minute
Cause I'm heaven right now
Laying with an angel right now
Who’s holding me close  whispering  baby don't baby go
And i don't want to leave
But you know when the money calls you never 
Let go voicemail 
our future’s what I’m working for 
I won’t be Long 
Just you fuck goodbye
haven’t stopped smiling since 

[Chorus] X2
I woke up this morning to your beautiful face
And I can't wait to do it again                             

[Verse 2]
How do you feel…why do you feel so good? (So Good) 
Touching your body, you know I'm up to no good (No good)
Cause for you
I'd do anything not thinking twice if it makes you happy 
Cause you'd do that for me
It’s just you 
I don't see anyone do see
I don't want anyone else but and I knew that when 

[Chorus] X2
I woke up this morning to your beautiful face
and I can't wait to do it again                             

[Bridge] 
Sometimes I just stare at you
How did I get so lucky?
This is love (this is love) 
When you close your eyes and kiss my lips
I feel your heart jumping
This is love and I knew it cause I 

[Chorus] X2
I woke up this  morning to your beautiful face
and I can't wait to do it again                             


Download 

Wake Up to You

s/o general sam

@oddnatural @safarim9

http://www.twitter.com/justinshiroi

죽음 DEATH (ft. safari & oddnatural)

And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter— they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long.
for her
put your dancing shoes on

Free Download

Eventually

Played around the "House of the Rising Sun" melody on my guitar and made this track ages ago.
These days it only makes me think of god damn McCree
It's not high noon i swear

High Noon

???????????????????????????????????????????????????????????????????????????????????????????????

Whitewoods

College Weed Dream

all i did was made a 4 bar loop and mess around with the Frequency envelop or some shit... it's the same beat repeated the entire time.

What?

MIGHT BE

(thanks for 2.5k)

sample: https://www.youtube.com/watch?v=t0cUzl00LXQ

http://shiro.world

shmurda

Music Video: 
https://www.youtube.com/watch?v=95QpJScedEM

PINK GUY X GETTER X NICK COLLETTI - "HOOD RICH" 
RECORDED AND SHOT IN 1 NIGHT.

Prod. Getter: https://soundcloud.com/getterofficial
Nick Colletti: https://twitter.com/thenickcolletti
Shot/Edited by: https://soundcloud.com/lewisjamesgrant

PINK GUY X GETTER X NICK COLLETTI - HOOD RICH

new real music coming soon , this is just something i sampled n made at 3 am w my gf

twitter.com/justinshiroi

you . .

another simple track i just randomly made one night

Cold

Download Here: http://smarturl.it/pinkprophecy

Watch Full Video Here: https://www.youtube.com/watch?v=4B-wFx0aMlw

Download

Pink Guy - Fried Noodles (Getter Remix)

made this while i was just making synths. also Thanks for the 2K followers :D

Happy Accident

Alone

Be Home Free

Beach Walk

I Basically just make Reason Synth Patches for fun. and i add a Drums. Mostly get my influences from video game music. I'm personally more interested in sound design.

You can use any of my music just credit me and using URL. Thanks

I use Reason 11 to make my stuff.

Cold

DavidJolly