Soundtrack to FPV and Videography works. Video Link Below!
https://www.youtube.com/watch?v=merNBFw1kmo

newDawn

Choose Your Battles

Choose your battles

Scintillation

Samoun (Poison Wind)

Who Do You Love?

Who do you love?

airTIME

Cogito Vestrum - The Day After
when a heart falls silent, one that walked beside you for so long.
When the place once filled with life now echoes with absence.
When even the wind seems to whisper,
because silence suddenly says everything.

“The Day After” is a musical farewell.
A journey through emptiness, memory, and grief –
for any soul that once brought light
and now lives on within our hearts.

A continuation of Cogito Vestrum –
a quiet tribute to the beings who touched our lives
and left behind a soundless ache.

Part of the album Tides of Melancholy.
No AI.
Just feeling. Just music. Just truth.

Created with the following instruments:

EastWest Hollywood Strings: Chosen for their cinematic depth, creating grandeur and melancholy, perfectly expressing the contrast between loss and the lingering presence of loved ones.

Spitfire Audio Solo Violine: A solo violin that evokes vulnerability and sorrow, ideal for quiet moments of reflection and grief.

Virharmonic Bohemian Cello: With its warmth and expressiveness, it captures the human element of grief, adding depth and continuity as the cello’s voice lingers on.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Cogito Vestrum - Der Tag danach
wenn ein Herz schweigt, das dich so lange begleitet hat.
Wenn der Platz leer bleibt, an dem einst Leben war.
Wenn selbst der Wind zu flüstern scheint,
weil Stille plötzlich alles durchdringt.

„The Day After“ ist ein musikalischer Abschied.
Eine Reise durch Leere, Erinnerung und Trauer –
für jedes Wesen, das gegangen ist,
und doch in unserer Seele weiterklingt.

Die Fortsetzung von Cogito Vestrum –
ein stiller Tribut an all die Seelen,
die unser Leben berührt haben und uns fehlen.

Teil des Albums Tides of Melancholy.
Ohne KI.
Nur Gefühl. Nur Musik. Nur Wahrheit.

Erstellt mit den folgenden Instrumenten:

EastWest Hollywood Strings: Für cineastische Tiefe und Ausdruck von Verlust und bleibender Präsenz.

Spitfire Audio Solo Violine: Eine Solo-Violine, die tiefste Emotionen wie Trauer und Sehnsucht ausdrückt.

Virharmonic Bohemian Cello: Wärme und Ausdruckskraft, die das menschliche Element des Abschieds verstärken.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum - The Day After

I invite you to listen to my piano improvisation “Roads We Take”.
“It ain't the roads we take; it's what's inside of us that makes us turn out the way we do.” ― O. Henry

Download the piano sheets of my music here:
https://www.sheetmusicdirect.com/Search.aspx?query=victor%20birkan&u=1

Watch the videoversion on my YouTube channel:
https://youtu.be/G0y0-WhfSho


Roads We Take - Improvised Piano Piece

Well, its taken a year but at last I've managed to create something new, a track that reminded me of warm, sultry days on holiday. I do hope you like it and any support you can give me as I find my way back into music would be much appreciated!

Glistening (feat. Zara Delaney)

DECADE: Improvised into existence from scratch during the last hours of the decade ... A quick recording resulting as a protest against myself, and my endless recording projects ... 

Alone with our dog; other family members visiting relatives in another country. But make no mistake, an excellent way of spending the New Years evening; initiating some drum loops, without any ideas whatsoever: but feeling inspired, can I find something anyway... ? Initiating some chords via a Roland arpeggiator, time ticking away ... 

Update 22:49: Got the bulk of a track done. 0ne hour and counting ...

Update 23:27: adding a synth line right at the start of the final ... does it work...?

Update 23:48: I think it does. No time for polishing the mix, let it be raw! Upload now ... 

Going public 23:58 SWE time

INSTRUMENTS: YAMAHA & ROLAND keyboards, IBANEZ electric guitar, BOSS ME 80 pedal effects, drum loops. Recorded line-in, .WAV, no midi.

ARTCOVER based on a photo taken by DS 2019.

Happy New Year to all /DS, right at the border of 2019 and 2020!

DECADE

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
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During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute, started out as an experiment to impute what Tubular Bells 4 might have sounded as. But it took its own life and became a very different story)

 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D.Svensson Sept. 2022

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All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.