In the garden today, relaxing with a perfect choice of sounds.. lovely

Wow, your composition sounds absolutely stunning! The combination of harmonics, tapping, hammer-ons, pull-offs, fingerstyle, and percussive elements creates a rich and dynamic texture that is a joy to listen to. It's clear that you've put a lot of thought and skill into crafting this piece, and the use of echo and delay adds a mesmerizing quality to the overall sound. It's truly impressive how you've incorporated so many different techniques and elements into one cohesive composition. Thank you for sharing your music and for pushing the boundaries of what's possible on the guitar. Keep up the incredible work!🎸😃🎸

Great composition and guitar work! Very impressive.

A wonderful journey in peace and nature...

This composition is so deep and emotive... Very beautiful guitar work in all facets.

Composed & Produced by : Chivicke
HomeStudio Productions ©2022
Photographer : Alexander Krivitskiy

I´ll Tickle Your Back Again

BUY IT HERE

Released on MojoHeadz records @mojoheadz
Skyfall 15/7 2022

https://open.spotify.com/album/6ps6JJ01YsMI66wBFLOzch
demo : https://soundcloud.com/user-370942421-686440500/crawling-into-space

Skyfall

Crawling Into Space

PEACE GUITARS; composed mostly outdoors during the 2021/2022 summers. The music was inspired by grand nature, desolated places, silence … I often brought the dog during these sessions and she enjoyed lying beside me, watching birds or boats passing by ... Hopefully the music will echo such moments ... 

Dedicated to graceful superior Vanja, my best friend.

DS 23th September 2022 (Project initiated 17th Sept 2021).

PEACE GUITARS

#mitology #alternativerock #perseo #andromeda #mitologiagreca

Perseo

Airlifted

Thank you to everyone who stopped and listened to this track
The new moon and the full moon are visited every month.
The person looked up at the night sky from the earliest times.
I look down at the moon while keeping distance always same as the earth.
The planet which looked at thing, all which happened on this earth.

The ｍoon lost in shining

Lost looks

From our 2017 debut album which will be released properly one day soon. This song is the story of making a rough time all better again, but then there is the matter of John, and who is he in the song? I thought it was most obvious when I wrote it and that everyone would get the reference, but so far no-one has mentioned the connection or had an "aha!" moment. Perhaps one of you will. ;-) 

Pictured is Yoshi who was our first and amazing cajon player whom we greatly missed when she left for Japan. 

Does all this silence give you space
To turn things over
I hope you get it bright side up
It was never meant to fall apart like this
O babe we were never really s'posed to

You know I feel with you
You make me laugh 
I make you smile
And there's no need for goodbye
I dig you out you lift me high
Oh high

Can I keep on running with you
Close by me
I never meant to say goodbye
I want you with me
Through all of this
Oh babe
We were never really s'posed to

You know I feel with you
You make me laugh
I make you smile
And there's no need for goodbye
I dig you out 
You left me high
Oh high

He told her in the beginning she was a gem.
They had a good thing going
Don't ruin it
But they gave a little more and more and more
Hey John is yes always the answer?
Look at this mess.
They said no first
And then yes yes yes.

Watchglass

If you love me keep me

Dont Blame John

Take Me Back

Improvised guitar

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute, started out as an experiment to impute what Tubular Bells 4 might have sounded as. But it took its own life and became a very different story)

 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D.Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

PEACE GUITARS

DavidSvensson

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