Tracks that maybe were not among my most serious efforts; either recorded very fast or just were initially promising but I (for some reason) prioritized other ones ... To be honest, I tend to listen to these 'less prominent' ones more than most of my 'serious' ones ... ;) If you know what I mean ... 

Imagine visiting a painter in his home, and you spot his secret canvas stacked in a darker corner ... not the ones qualifying for an exhibition; aren't they the most interesting ones!? They would give away a lot ... ;)

Instrumental sketches by DS

So much great music on Soundcloud. Here are my favourites.

Listen with a positive regard before making a judgement.

2020 w/c 1 August / Faves & Delights

LIFE IS A FAREWELL

wc 25 January 2021

Selected tracks in no particular order but in my view the highlights of my output. Thanks for listening! Yrs /DS

BEST OF PLAYLIST

SINCERE THANKS TO ALL WHO PLAYED & LIKED & COMMENTED & REPOSTED!

YRS  //DS

DS SHORT TRACKS

CREATURES OF THE RAIN FOREST. An experimental sketch, no extra charge 

Play it infinite many times at the fitness center or just skip to the next track in your flow. Forced on tape using a bunch of instruments. 

Ideas that I (for a while) considered for some longer compositions, but I decided to go for something else ...  seeking a new sound, a new direction ... 

/DS 29th Sept 2021, updated 18th July 2022.

CREATURES OF THE RAIN FOREST

Out of the ruins of another project rises a new track ... < R.I.P. "Conqueror" >. Variations on a theme, searching for gold, an assault on the ears.

Written and recorded by DS, because nobody stopped him. Dedicated to warriors of instrumental music.

OUTPOST

Captured on tape by DS during 2021/2022 under unclear circumstances. Shared with you via SoundCloud, in the form of a wav file. Downloadable for further analysis. Constructed via the usage of electric guitars, hardware keyboards and drum loops.

Science Fiction Soundtrack. (The 2nd part is still encrypted).  //DS 28/4/2022

THE DISCLOSURE

Original description disappeared !!

NADA  / NOTHING

He pensado en la muerte  /  I've thought about death
y en lo que habrá detrás.  /  and what will be behind.
Puede que no haya nada,  /  It may be nothing,
¿te has parado a pensar?  /  have you stopped to think?

Nada, nada... nada.  /  Nothing, nothing... nothing.

Nada, nada, nada ni siquiera aire,  /  Nothing, nothing, nothing not even air,
nada, nada, nada que pueda tocarse,  /  nothing, nothing, nothing you can touch.
Nada, nada, nada que tocar ni respirar.  /  Nothing, nothing, nothing to touch nor breathe.

Nada, nada, ni una idea ni un deseo,  /  Nothing, nothing, neither an idea nor a desire,
nada, nada, ningún miedo ni silencio,  /  nothing, nothing, no fear or silence,
nada, nada, nada nada se puede escuchar.  /  nothing, nothing, nothing nothing can be heard.
...
Nada, nada, no esperes encontrarte  /  Nothing, nothing, don't expect finding
nada, nada, no puedes imaginarte  /  nothing, nothing, you cannot imagine
nada, nada, nada, no te entra en la razón.  /  nothing, nothing, it doesn't fit your mind.

ER18PB06 - ©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Nada (He pensado en la muerte)

Inspired by Amarok! Global Presence! Riffs of the 70s!

This recording is the result of my most ’guitar-intensive’ period ever. It came as a reaction to what came before it, a period where I focused very much on the classical guitar but a moment came when I was fed up with polishing small details in my repetoar. One day, I felt an incredible hunger for riffs, for steel string guitars, and for going back to (progressive) rock music! I always loved the rock of the 70s, considering it as ’Mount Everest of the music history’ (classical music excluded here). An era where everyone was incredibly ambitious, when everything had to be handplayed, and when the broader audience had some considerable attention span ;)

I started to explore some riffs on my CORT steel string guitar, which had been collecting dust in a corner for a long time. It soon gave me the opening riffs and some additional riffs (e.g., around 5 minutes into the track). I quickly worked up the bulk of the track and got maybe half of the track done in just a few weeks (not counting later polishing, when I re-recorded some bits to get the sound I wanted). I got a vision of the completed track, a long progressive one - yes, for sure inspired by Oldfield and YES (favorites from this era!), but it was easier said than done to complete the track. Considerable work remained, as I was about to learn….

It was incredibly hard to finalize the composition and I almost gave up on it. I arrived at a moment where I seemed to have promised too much and where the Ear demanded some serious further action; many permutations tested, but nothing seemed to work. In the end, due to all this, I lost some control of the files (e.g., a key solo guitar is badly panned but I seem to be unable to find the raw data needed to fix it).

Extremely much work went into the last months, on a mission to crack it! Late nights, tinnitus, frustration! :) Finally I think I found what I needed (but who am I to know).. I had to accept some slightly less than perfect audio at some places: does it matter? Not to me, but the listener is the jury. I decided to go for attitude and energy rather than anything else… I hope you will enjoy what I discovered!

I doubt that cold-blooded perfect ARTIFICIAL INTELLIGENCE ever will replicate what a desperate Dave J. Svensson sounds like, late at nights with all controls turned to 11 on a scale from 0 to 10 …. ;)

The SHAMBOLIC GUITARS were:
- two 6s steel: CORT (rythms!) and OVATION (main recurrent theme!)
- a 12s FENDER (colour!)
- three electric guitars: IBANEZ (now sold), PRS & SCHECTER (dirt!)
- two classical guitars: CORT, KREMONA (clarity!)
Plus, a ROLAND keyboard (for some pads), and various hardware effect boxes.

Artcover by DS, featuring the guitars listed above.

//Dave, 6th October 2023

SHAMBOLIC GUITARS

*Some deny it, but the consensus is strong. As more and more data is accumulated, the cluster grows ever stronger. Will we act upon the warnings, break the trend?* 

Composed and recorded while working on another (longer) instrumental composition...  

Instruments: 6- and 12-string acoustic guitars, electric guitars, keyboards, midi-handplayed bass and percussion, + drum loops. 

Both ClusterOfWarnings and CambrianExplosion have been derived from themes also featured in my 25 min long multi-instrumental: 
https://soundcloud.com/davidjsvensson/long-instrumental-part1draft-ds2015
https://soundcloud.com/davidjsvensson/long-instrumental-part2draft-ds2015 

To re-use ideas, modify them, and let them be the basis for new compositions has a long tradition; already Vivaldi and Bach did this (all the time). From a theoretical standpoint, it interests me; how flexible and potent is a single idea ... 

Cluster of Warnings is possibly the piece I am most satisfied with, so far. 

I appreciate your time here, thanks in advance for any likes/repost/comments!

//DS

ps. Artwork by DS 2014.

THE CLUSTER OF WARNINGS

MUSIC WRITTEN BY TOLUBAI.
KEYBOARDS: TOLUBAI.
GUITARS: DAVID SVENSSON.

For a long time now, I have very much enjoyed the music by Tolubai. (https://soundcloud.com/tolubai).

His compositions are always interesting, emotional, creatively arranged, finely balanced, and full of substantial ideas and material ... 

One of my personal favorites was always the tasteful, contemplative, and melancholic 'Memories', originally posted several years ago; one of Tom's true masterpieces, finely played by himself, very subtile, movingly ... Listen careful to the original, how inspired it is ... 

One day, while listening to it again, I started to play along, and got the idea of record some of it. More as a tribute to this already perfect piece, not to improve on it; rather, respectfully celebrate it ... 

One thing lead to another, Tom and I collaborating ... 

And, I am proud to announce: here it is. (Also cloned at Tom's account: https://soundcloud.com/tolubai/memories-tolubai-feat-david-svensson)

I hope you like this joint effort (and, if not, there is always the original!).


Best regards //David, 11 Sept 2015

ps. Link to the original: https://soundcloud.com/tolubai/memories




Memories - Tolubai feat. David Svensson

COMPOSED AND PLAYED BY DS 2015-2016 using keyboards, organ, distorted electric guitars, acoustic guitars, midi-played bass, percussion & drum pads (and drum loops).
SPECIAL THANKS: to @tolubai for valuable feedback during the development phase.
* * * 
In the mood for something easy, clear-cut, and straightforward? Look elsewhere. EarthShine is a dark, experimental and slightly dissonant piece; clearly not intended for the charts, and with a rather unclear purpose ... (which, by the way, is entirely to the liking of the composer, with his evidently rather odd taste).

Initially concieved as a PRELUDE to the two-part instrumental published earlier (https://soundcloud.com/davidjsvensson/long-instrumental-part1draft-ds2015), taking one of the main themes into another iteration, in new directions.

The main theme, the slightly dissonant opening theme (based on a Gminor chord over the bass note H, followed by a Hminor chord), gets evolved into the more harmonical organ/synth sequence appearing multiple times in the final, thus ending this piece (and the entire suite) on a more positive note.

* * *

The rather odd music was partly inspired by ideas and discussions in 'Superintelligence: Paths, Dangers, Strategies' (www.nickbostrom.com, Oxford University); a remarkable work apparently taken very seriously by e.g., B. Gates, and respected scientists such as M. Tegmark, S. Hawkings, and M. Rees.

"Artificial intelligence already outperforms human intelligence in many domains" [p.11]. Still, the idea of an intelligence explosion occuring in our life time is to many laughable, and, clearly, it is unknown if it can occur at all; we only know that Nature once rigged materia in such as way that high intelligence emerged (i.e., us) [insert your own interpretation here].

Some would argue that there are much else in the world to worry about first; but, is this a new kind of Manhattan Project actually coming up on the horizon, with potentially far-fetching existential consequences for Mankind?

It remains to be seen if it was correct to end the music with some hope.

//DS 2016



EARTHSHINE

Probing the landing site in wonderful total silence.
Recieving data, odd features visible.

____________________________________________________

WRITTEN 2016 BY DS IN COLLABORATION WITH TOLUBAI 
Keyboards, Electric Guitars, Drums Loops.
Further sections will follow.

(Link to TOLUBAI's excellent tracks: https://soundcloud.com/tolubai.)



SILENCE

Please Play This In The Fitness Centre - Always

Composed & Played by DS; Guitars, Keyboards, Organ + DrumLoops.

Actually recorded in 2014, and for a while I was planning to expand it to something longer. But other pieces took priority, and I forgot about it. During the last months I have experienced some computer instability, lost functionality and files - and, finally, my main machine chrashed seriously early September. I don't think I can ever bring back the raw files to life again, but the mp3 survived. Actually, it was a private draft at SC, and I decided to let it live as a public track.

Very few will continue to listen after the disastrous dissonances taking place early on - rejected by most, and why not? We can't all have the same taste! 

DS //Sept 2016



COUNTERFACTUALS: instrumental sketch by DS

VARIATIONS OVER A THEME BY M. OLDFIELD ["OMMADAWN"].
DRAFT VERSION (TO BE COMPLETED 2017).

INSTRUMENTS: classical guitar and two 6-stringed steel guitars, electric guitar, and keyboards (= organ, bass, kalimba, flute, VST voices; drums played by hitting muted guitars & drum pad).

The classical composers did this all the time: taking a melody by someone else, and composing something new out of it - Variations by a theme by X. E.g., Johannes Brahms made a wonderful 25-part piano-suite based on a theme by Handel (en.wikipedia.org/wiki/Variations_…_Theme_by_Handel), ending with an amazingly complex contrapunctal passage. A stunning piece, well worth seeking on Youtube (or whereever).

My uploaded track is an attempt to create some variations on a theme by Oldfield. For reasons explained below, it is only a first draft and it is clearly a bit unpolished. I plan to make it considerably longer.

Wouldn't it be better to focus my efforts on my own material entirely, you may ask? Rather than fiddeling around with old ideas? Well, that is not always how inspiration works! 

Due to recently having bought a new guitar, I wanted to soundcheck it, investigating it's scope and limitations together with other instruments. So, (perhaps inspired by the soon release of R.T.O. by Mr. Oldfield, scedueled for the 20th January), I started to improvise over the OMMADAWN theme... Initially, that allowed me to focus on the guitar playing, rather than composing... One thing gave another, the recording became longer ... I never planned to release this - but the challenge is here now: the mountain is in front of me, and for that reason only I must climb it. As simple as that - it keeps me inspired!

In my view, no progressive instrumental record is more remarkable than the original 1975 OMMADAWN; absolutely stunning in all possible ways, and it has shaped my own way of approaching music. [Obviously, no comparison intended -any such would immediately result in a RED CARD]. 

The original OMMADAWN is an artefact. With its unearthly motifs, harmonics, continuous flowing, superior playing on a multitude of instruments (including some tremendously advanced guitar solos), it is incomparable to all other music.

Did I not know better, I could have counted it as a success of the SETI project: finally, a message from the Overlords! Inserted here on Earth by a vastly superior civilisation, with an intruiging hidden message ... :) Damn it that we can't grasp what it has to say to us - but for sure, something deeply profound. The only thing we intuitively feel is that it can't have been composed by any human - right? Finally, a really wonderful conspiratory theory! Alan Turing still alive, working secretly in Area 51 using super Quantum Computers on decrypting the inner meaning of the 1975 OMMADAWN signal... ;)

Regardless of what you may think of my draft, it was respectfully meant, and in the unlikely event that you liked some of it: make sure to fully credit the original composer for that. 

First draft recorded 14-15 January 2017. (Uploaded 18th - wanted it partially out-of-my-system before the 20th).

Thx for listening //DS

OMMA CONTRAPUNCTUS PROJECT (variations over a theme by Oldfield)

TERMINAL TUESDAY - DAWN TUESDAY , taRka & ste rozza - i have done a completely new edited version of this collab i did with Dawn Tuesday a few years ago adding some of taRkas unused vocal from a previous collab, dark scape noise drone

Terminal Tuesday -  Dawn Tuesday, Myrh & Ste Rozza

I wish you a happy, creative and friendly new year.
May the right notes. time and daily groove be with you and yours.

P.S. After some years (sometimes slow in technical progress ;-) I´ve done myself a favour and bought a new Stereo Mic.
Now I´m able to record instruments with three Mics :-)

Flying School

SNOWFLAKES VARIATIONS: COMPOSED AND PLAYED BY DS. 

PRELUDE: here introducing the main theme which will be heavily used in a much longer and more complex follow-up piece. RECORDED: audio-in handplayed, using two brand new Yamaha and Roland keyboards.

SNOWFLAKES VARIATIONS: It will be an agnostic kind of suite, in the sense that it follows no particular rules in how to develop, it simply grows, fractal style, in its own way ... The 2nd part is to 95% ready, and is extensive. It will feature more guitar work, and have more ebbs and flow. It has a bit of a different dynamics and the 'Prelude' didn't integrate well when inserted there - let's use it like this, as a teaser for the real work ;)

The inspiration came from some perfect days in the north; bright, ice-cold winter landscapes, with fine layers of snow falling, the sun still shining through ...

DS 10th January 2020.

Update December 2020: a 20-minute PART II is in the making and likely to be released early next year... polishing some transitions...

Update April 2021: As it happens, it took me more than 2 years to complete the 25 minute long Zummer Znowflakes.... 

_____________________________________________________________________







(To the SC IT staff: why do your Artificial-Idiot Engine play country-music with lyrics directly after my Prelude? There are not exactly lots of similarities? Any monkey would make a better guess)

SNOWFLAKES VARIATIONS: PRELUDE

CREATURES RISING: written and recorded during 2019-2020. 

Edit 2021: This was initially intended to become a longer progressive suite, a massive project, and I released a sample … 

But the other sessions took its own directions and it gave rise to “Report from planet 3” and further projects boiling in my pipeline. So now I consider this short track a standalone. 

I am quite happy with it as such, and thanks to all who listened.


Uploaded 7th April 2020, Edit 4th September 2021.

Artcover by DS 2021.

https://youtu.be/afXYxTemtVY

CREATURES RISING

Album 1981 - in the right order:
https://soundcloud.com/steve-fullyard/sets/1981a


This is the story of a man, which is probably in his prime, or on his way there, being totally drawn towards electronic music and synthesizers. 

In a state where he is highly working on his physical and mental skills and trying to pretty much live at fullest in the present day, there is still this longing back for and into the 80s, influencing his actions ...

One fateful day, there is this one paper ad, this one thing, which changes ... everything!

Enjoy this audio-visual journey into another world, and time.
HQ Version can be bought directly on Bandcamp.

1981

Bandcamp

Conspiracy (04)

I am so pleased and appreciative to have had this opportunity to collaborate with the very talented singer-songwriter Ren Faye on this track.  Her beautiful vocals and expressive melodic lines gave so much to this composition.  To hear more of Ren's gorgeous music:
https://soundcloud.com/renfaye-1
Pleased to report this track played on the After Eight radio show .

The Wayside (Classical Glass and Ren Faye)

High Line

Lots of piano, koto, pizzicato strings and clarinet in this arrangement! Hope someone enjoys listening. 😊🎶💕🎹🎤

GOT IT BAD

amazon

Voodoo

THE FORECAST: an instrumental sketch written by DS in a thematic collaboration with Arctic Windhorse: special thanks to her for inspirational discussions, feedback and support during the recordings(which took place 2018-2019).

The music is slightly incomplete and has mixing issues but does it matter? Some human errors, yes; some non-fixable issues in the .wav master files, indeed. We welcome it as a blessing in times of coldblooded, perfect AI. Alive and kicking....

The most significant element of this track - the generator of the textures - is the analogue NORD A1, with it's rich pad layers. It is also symbolically fitting for a very nordic collaboration (Alaska and Sweden).

So what do we forecast? The answer is more bad weather.

NORD & Roland keyboards, vst bass guitar, electric guitar, Boss-ME80 pedal effects, acoustic guitar, drum loops, and cajun percussion.

THE FORECAST

https://www.youtube.com/watch?v=JeIJjU0YPCI

Les Ballades ( Sur Youtube )

Are you a Simulation?
@psychometal @followersofpsychometal @psychosmoker
=======Lyrics======
artificial 
simulation
is this real life
something ain't right
artificial 
simulation
is this real life
something ain't right
---------------------------------
stuck inside this simulation
is this life a game your playing
edit my thoughts with a ini
mathematical equation in disguise
think i came across another glitch
when i woke up it all changed quick
everything is different than it was before
just hit reset and then restore
---------------------------
is this life a simulation
think you need some education
you don't have a explanation
this is my interpetation
god is watching observation
knowledge fueling information
simulation of creation
what is our true destination
something happened to our future
mix it out like a producer
drawn out slowly its dramatic
all designed like a schematic
-------------------------------------------
i don't really feel like i'm in a game
but i feel like shit just ain't the same
something must of happened to make it all change
like a command from a computer mainframe
what you see is just a projection
maybe your controlled by this deception
your programmed to have this depression
it's somehow changing your perception
--------------------------------------------------------
is this life a simulation
think you need some education
you don't have a explanation
this is my interpetation
god is watching observation
knowledge fueling information
simulation of creation
what is our true destination
something happened to our future
mix it out like a producer
drawn out slowly its dramatic
all designed like a schematic
-------------------------------
artificial 
simulation
is this real life
something ain't right

artificial 
simulation
is this real life
something ain't right

artificial 
simulation
is this real life
something ain't right
============================
=======================
==================
==============
===========
=======
====
==
P.M.

Bad Things

Simulated Reality

Simulated Reality (Prod. PsYcHoSmOkEr)

Crimson Divinations

Gary decided it was time to get the ‘It’s us, the neighbours’ band back together again for another crazy, wacky outing.
He sent Nick and myself his latest ditty and asked if we would like to contribute, obviously we both agreed.
Nick and I worked alone at first and then traded ideas for the outro section. Nick added his wild voice box solo and unmistakable fretboard scorching runs then finished off the piece with a melodic E-Bow outro, I did my bit, then we sent our contributions to Gary who pulled it all together with a stellar production.
It’s been great fun and a real pleasure to collaborate with the guys again, thanks to Gary for asking me to contribute.

Here is Similitude.

Credits:-

ThePhaige (Gary):- Bass, Drum design, Synths, Keys, Cover artwork. https://soundcloud.com/thephaige

♤ (Nick):- Guitars, E-Bow. https://soundcloud.com/nickrdavies

Dairv:- Guitars.

One and Other:- Mix and production. https://soundcloud.com/Oneandother

Similitude (One and Other - ♤ - Dairv Dubbleyew)

No I cannot set you free
You now belong to me 
So you better let things be

No I cannot set you free
You put the fire in me
So you better let things be

If you think [x4]
You don't belong
You're not alone
Don't you think [x4]
You might be wrong
You're not alone

When I am with you
I'm more like me
All I took before
I want to give
Share it all and be 
Completely free
When I am with you
I truly live

© Odd Petals 2021

The Answer

Belong

19Jan21

Futurama S6E22 Fry Am The Egg Man

:D

You can't sit on something for a week and not fall in love with it

Wheelwright: voice, lyrics, vocal melody @wheelwright

Cheesemont Paisley-Paisley: drums, tambourine, percussion recording @hypnopompetus  

Jonathan Beckenstein: guitars, bass, orchestral samples, original music, mix

Fictive Sisters is a transatlantic collaboration of Wheelwright and Beckenstein. Our album Immaculate Distraction is available at: https://fictivesisters.bandcamp.com/album/immaculate-distraction

drums recorded at The Tension Headache Studio, Tsagarada, Pelion, Greece https://soundcloud.com/tension-headache-studio




See you same time tomorrow
Goodbye Kelly goodbye Sister J
Oh yes you hide your sorrow well but
No need to tell these kids that god does not appear to care

Oh if he's even there
 
Walked down to old St Martin it's
Dusk already there's cold December rain
In the Piccadilly lights
This place has seen the lost and found for
Seven hundred years
And so they come and pray
Or just to stay out of the rain
 
Oh were there words enough and time I would
Explain the world away and
If life's just a story (maybe) we can change the ending if we try
And though the past's been priced and sold
Tomorrows yet untold
 
Strayed into being happy
Fields of barley framed our stupid bliss
But it was all reflected lights
I never learned how to be kind until I lost someone I loved
But I'm not here to pray
Just trying to stay out of the rain
 
[Repeat chorus]
 
And the words become a song
And the child becomes a man

bandcamp

Close Of Day (with Wheelwright)(Fictive Sisters)

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute)

SEPTEMBER 6, 2025: WATERFALL (part 1). Another part will follow in 2026!
 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D. Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.