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Gustavo Dudamel   Danzón No 2 (Arturo Márquez)

Jess Eisenberg - Real In Rio

Tchaikovsky/arr: Waltz from Sleeping Beauty

Here's my transcription of "Leaving Hogwarts", the music that's playing at the end of the first and the last movie of the saga. I did everything by ear so I hope there's not too many mistakes! It took me about 9 hours to record and edit everything! So tiring !
Everything was done with LA Scoring Strings 2 and Garritan Personal Orchestra in Cubase 5. 

Thanks for listening !

John Williams - Leaving Hogwarts COVER (full orchestra)/ Harry Potter and the Philosopher's Stone

리베란테 (Libelante) 진원 〈Mi Mancherai〉♬ | 팬텀싱어4

Vivaldi, Antonio - Stabat Mater, RV 621- I. Stabat Mater dolorosa

Antonio Vivaldi: Stabat Mater dolorosa

Civic Orchestra of Chicago in concert with Cliff Colnot - Orchestra Hall, May 29, 2011

The Rite of Spring  Part 1

03. Piano Sonata No. 8 in C minor, Op. 13, 'Pathetique' III. Rondo Allegro

Gorillaz - On Melancholy Hill (AN21 and Max Vangeli Remix)

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Pines of Rome

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Bangarang EP

Skrillex - Kyoto feat Sirah

Green Day - Basket Case (Vocal Cover)

Chamber Orchestra conducted by Matthew Howes in our Epiphany Term Concert on the 2nd March 2013 in Elvet Methodist Church Durham.

Prokofiev, Classical Symphony, I

Chamber Orchestra conducted by Matthew Howes, recorded in our Epiphany Term concert on 2nd March 2013 in Elvet Methodist Church, Durham.

Prokofiev, Classical Symphony, II

Chamber Orchestra conducted by Matthew Howes, recorded in our Epiphany Term concert on 2nd March 2013 in Elvet Methodist Church, Durham

Prokofiev, Classical Symphony, III

Music 1

Music 2

Music 4

Music 3

Seikilos

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Dmitri Shostakovich - Waltz No. 2

Remix of Continuum by WAEK: https://www.facebook.com/WAEK.fanpage?fref=ts
https://www.facebook.com/lemaitremusic

Pines of Rome

DavidMaynor