Selections from My Life as a Protest Singer

The danger of ignoring obvious historical parallels to unfolding events is the prospect of repeating them.

Just Like the Nazis Did

I had a good time chatting the other day with the hosts of the podcast, Unfinished Business with Paul & Rob. We talked about Gaza and music and other things.  The interview with me begins 12 minutes in.

Unfinished Business interviews David Rovics

Throughout 2024 and early 2025, in between writing songs and essays, touring and raising kids, a side project has been another memoir project.  I declared it finished, and recorded the whole thing.  The memoir is in the form of an audiobook.

My Life as a Protest Singer is my third or fourth effort at writing a memoir.  This may seem ridiculous, but those who have engaged in the practice of memoir-writing know it’s not.  There is so much to write about, and so much that will inevitably be left unwritten.  There are so many angles, so many approaches.  The vast majority of whatever it is will never make it in.

The full production of My Life as a Protest Singer consists of 11 episodes of about an hour each, or about 11 hours of me wagging my jaw.  In its full 11 episodes it’s available exclusively for members of my Community-Supported Art program.  Whether you’re a paid member via my website or via Patreon, Substack, or Bandcamp, you’ve been given a link to my Everything folder.  It’s in there, within the “Extras” folder.  If you’re a CSA member and don’t have the link to the Everything folder handy, just email me for it.

What I have made available for free to the general public is the very abridged version, Selections from My Life as a Protest Singer, which is a 3-episode series.

Starting with Selections from My Life as a Protest Singer EPISODE 1.

Selections from My Life as a Protest Singer EPISODE 1

My Life as a Protest Singer is an approximately 11-hour audiobook, available exclusively for members of my CSA (davidrovics.com/subscribe).  This is the 2nd of 3 Selections from the audiobook, available for anyone to check out.

Selections from My Life as a Protest Singer EPISODE 2

This is the 3rd of 3 Selections from My Life as a Protest Singer.  The full 11 episodes of My Life as a Protest Singer are available in the Everything folder that all members of my CSA have access to (that's at davidrovics.com/subscribe).  If you appreciate my musical (and/or other) efforts, have disposable income to speak of, and might be willing to part with a few bucks a month to keep me on the road, making recordings, etc., please feel hereby encouraged to sign up!  A few dozen more people joining my CSA could vastly improve my family's currently fairly precarious finances.  Let's keep the protest music going.  Thank you for your attention to this matter.

Selections from My Life as a Protest Singer EPISODE 3

The words "collateral damage" have come to mean dead civilians. This song puts those words in context.


Collateral Damage

you loved your sweet country for all of your life
like your mother and father before you
the land runs deep, so deep in your blood
your flesh and your bone and your sinews
descendants and ancestors, deep as it goes
a relative circle as far as your eye
it can all be undone in the flash of an instant
mechanical thunder that bruises the sky

(chorus)
goodbye to my relatives, all of my life
never again will I see
you won't have a name when they fly the big airplanes
collateral damage is all you will be

from a faraway place where the language is strange
they come with their angry machines
and the clouds rain a metal that hurts when it falls
and it shatters the ground, making everything scream
and the children run crippled, the old people hide
the babies are caught in the rubble debris
but the strangers don’t know you, you are only a number
and how can they respect what they can’t even see

(chorus)

a mother is more than a number to a baby
who now has to grow up on it’s own
and a grandfather blinded and crippled at his age
is more than just a statistical drone
all of these people are human beings
and deserve to be more than a footnote
this cynical language of killing is killing us
caught like a bone in humanity’s throat

(chorus)

so if you see a ghost in the lonely wind blowing
like shrapnel the sound of the rain
and it’s speaking a language you don’t understand
but you know what it means just the same
it’s too late for innocence, all of that’s over now
don’t say that you didn’t know
when they come to collect for the damages owed
the collateral may be your own

(chorus)

Collateral Damage

Hammer

This piece was inspired by Conlon Nancarrow; not that I'm very familiar with his work, but his method was enough to inspire me to create a piece in a similar style to his own. It was made using one note, replicating it and dragging it to exactly the right place as many times as I needed, for both piano and harpsichord. That is, until I added in a new sound at the end, giving a lot of distortion to it.

I did not expect it to become as popular as it has, given that it was a rather momentary, on the spur, and random creation, and it is less conventionally accessible than many of my other pieces. My only regret may be that this has overshadowed my other work in terms of popularity.

I've created a sequel, and am currently working on a third Conlon Nancarrow inspired piece, but so far they've not measured up to the original. However, there are some interesting and exciting twists in the second piece, 'The Next Level', and I've put the third piece to the side, 'Piano Madness: The Spirit of Conlon Nancarrow Returns', having been unsatisfied with it, though I may attempt it again at some point.

Conlon Nancarrow Tribute

The San Patricios -- the international brigade you've probably never heard of (half a century before the Spanish Civil War).  This version is from Live in Rostrevor (2016) with Lorna McKinnon on harmonies.

St. Patrick Battalion

Episode 1: Tolpuddle Martyrs Part 1

There are various causes of deadly new novel viruses, as I have recently learned, along with many of you.  One of them is climate change, so we can be sure we'll be seeing more of them.  But whatever the reasons for the fatality rate of Covid-19, we do know why the last global pandemic, the so-called "Spanish Flu" in 1918 was so extremely deadly.  It was a pandemic caused by the particular conditions of the trenches of World War 1, and the movements of troops around the world at the end of the war.  This war virus ultimately killed more human beings on planet Earth in six months -- in every corner of the globe -- than the carnage of World War 1 caused in four years.

Recorded live as part of the Viral Solidarity Concert project at Big Red Studio on April 2nd, 2020.

The Pandemic of 1918

This trailer has been superseded. Please go to https://soundcloud.com/tayo-aluko/paul-robesons-love-song-by-tayo-aluko-the-trailer/

Paul Robeson's Love Song (trailer)(superceded)

Singer/songwriter, writer, podcaster (on Spotify, Substack & Patreon), libertarian socialist, dad, lover of life.  I also write songs as part of Ai Tsuno, which you can look up on all the streaming platforms.

Selections from My Life as a Protest Singer EPISODE 3

davidrovics

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