This is my complete list of sonatas in chronological order.

"Jaktsonaten" (Hunting sonata) in G Major, for violin and piano (2016 revised 2021) in four movements.
1. Moderato - 2. Adagio - 3. Tempo di minuetto - 4. Allegro vivace

"In stile barocco" in D Major, for solo violin (2019) in three movements.
1. Allegro molto - 2. Sarabande - 3. Gigue

"I Jane Austens salong" (In Jane Austen's salon) in Eb Major, for piano (2020) in three movements.
1. Allegro scherzando - 2. Andante semplice - 3. Presto amabile

"Joie de vivre" in C Major, for piano (2020) in four movements.
1. Allegro molto - 2. Scherzo - 3. Andante semplice - 4. Allegro giocoso

"Amadeus" in D Major, for violin and piano (2021) in three movements.
1. Allegro giocoso - 2. Adagio poco doloroso - 3. Tempo di minuetto

Sonatas

These are my three violin sonatas:

"Jaktsonaten" (Hunting sonata) in G Major, for violin and piano (2016 revised 2021) in four movements.
1. Moderato - 2. Adagio - 3. Tempo di minuetto - 4. Allegro vivace

"In stile barocco" in D Major, for solo violin (2019) in three movements.
1. Allegro molto - 2. Sarabande - 3. Gigue

"Amadeus" in D Major, for violin and piano (2021) in three movements.
1. Allegro giocoso - 2. Adagio poco doloroso - 3. Tempo di minuetto

Violin sonatas

These are five of my personal favourites among my works: Three nocturnal songs Op. 11 (2015), Piano Sonata No. 2 "Joie de vivre" Op. 23 (2020), String Quartet No. 2 Op. 32 (2024), Sonata for solo violin "In stile barocco" Op. 19 (2019) and Magnificat for mezzo soprano, SAB and strings Op. 28 (2023).

Five important works

These are my biggest works in multiple movements, such as my sonatas, my cantata and my string quartet. It also includes some of my song cycles (most notably my Op. 7 song cycle "I drömmarnas spår" is missing since there is no complete recording of it, as of yet). 

Works in multiple movements

This is a short Violin Sonata in the classical style, named Amadeus since the first movement is heavily influenced by the early Wolfgang Amadeus Mozart.
It consists of three movements:

1. Allegro giocoso (Sonata form) 
2. Adagio poco doloroso (ABA form) 
3. Tempo di minuetto (Minuet and Trio) 

The "Amadeus" sonata was composed almost by accident after a class in chamber music where I had to substitute for the pianist in Mozarts Eb Sonata Kv. 26.
As I came home after rehearsal I composed the first movement and the similarities with the Mozart are clearly heard in the beginning of the movement.
A couple of days later I composed a complementary Minuet and Trio and thought the work was finished.
A month later however I felt that the work needed a contrast so I decided to complete it by composing a short slow movement in the parallell minor (fun fact: this is actually the first time I have ever composed in the key of B minor) 
The movements are bound together by their opening motives which all have a similar figuration.

Sonata No. 2 "Amadeus" in D Major Op. 25, for violin and piano (complete)

This is a small Magnificat composed as the final project for the composition class I took at Luleå University in the fall of 2023.
It is scored for a chamber setting of mezzosoprano, SAB and string trio and consists of three movements, wtih an opening choral movement, a solo recitative and a three voice canon:

1. Magnificat (SAB and strings)
2. Fecit potentiam (mezzosoprano and cello)
3. Gloria Patri (SAB and strings)

According to my professor "The choral writing in this is masterful", which of course was wonderful to hear. 

In lack of a real recording of the work, you are here presented with the midi from my MuseScore program.

Magnificat in Bb Major Op. 28, for mezzosoprano, SAB and string trio

This is my second string quartet, composed in September 2024.
"Den grälsjuka" means The quarrelsome and refers to the conflict between the violins at the beginning of the first movement, when the second violin tries to "correct" the phrase endings of the first violin, who only after eight measures follows suit and does what the second violin (and in the fifth measure even the viola) tries to get it to do.

It is composed in three movements:

1. Allegretto con spirito
2. Adagio sostenuto
3. Tempo di minuetto

String quartet No. 2 in A Major "Den grälsjuka" Op. 32 (midi recording)

Song cycle composed in 2013 to texts by Hoffmann von Fallersleben. 

1. Frühlingsgruss
2. Schmetterling
3. Hinaus ins Freie!
4. Die Waise
5. Frühlings Ankunft

David Unger, baritone
Natalja Shakova, piano

Recorded live in Ceciliakapellet, Oskarshamns Folkhögskola October 1 2019.

The Frühlingslieder were written almost by accident while I was working on my op. 7 song cycle "I drömmarnas spår".
As I was searching for a way to tie that song cycle up I felt I needed a relief and started singing songs from Robert Schumann's Liederalbum fur die Jugend at the piano. All of these texts are also set to music in that very album. 
I found the rather small songs so delightful and fun to sing that I decided to write my own little collection in the same style.
Whether or not I managed? You tell me!
But after composing the first song of this cycle I finally found the inspiration to compose the fifth song of I drömmarnas spår as well, and so I ended up with two song cycles instead of one(!).

Fünf Frühlingslieder Op. 8, (live performance)

This is a Baroque style sonata for unaccompanied violin in three movements:

1. Allegro molto
2. Sarabande
3. Gigue

This is by far the smallest of my (to date) five sonatas and began with the second movement which was actually originally composed to complement the finale of my G Major sonata (before I had revised the movement to include it in that sonata instead) as a second movement, but I found them to be to different in style and the Sarabande lay unused for three years before I found an early effort to write an Etude for solo violin which I chose to heavily revise into what is now the opening Allegro first movement. The sonata was finally put together in October 2019 when I composed the Gigue finale. 

Sonata for solo violin "In stile barocco" in D Major Op. 19 (midi recording)

This is a short prelude and fugue written for a collegue at work, back in 2019 (this is the revised version from 2023).
The two movements are connected by the theme of the prelude which comes back as countersubject in the fugue. 

Since I work in educating church cantors I have long wanted to write an organ fugue.
But since I do not play the organ myself, it didn't come naturally, until I listened to Bach's prelude and fugue in D Major, and found that an organ fugue can actually be humourous as well as well constructed by all the rules that comes with the genre.
I hope that my piece conveys some of that sense of humour as well as being contrapuntally sound, albeit being a much smaller and, if I dare say so, less pretentious work.

Prelude and fugue in C Major Op. 20, for organ (midi recording)

This is a short piano sonata in the Classical style dedicated to my mother for her 70th birthday.
It consists of three movements in the following sequence

1. Allegro scherzando (Sonata-allegro form) 
2. Andante semplice (varied ABABA form) 
3. Presto amabile (Five part Rondo form)

The Jane Austen sonata began its life as a Lied ohne Worte (the second movement) inspired by music from the movies of Jane Austen's books, hence the title.
To this I added what was originally intended as an opening movement to a never completed violin sonata and thought that I'd call it a two movement sonatina.
But as my Mother's 70th birthday was coming up I thought that I'd give her a special gift and composed the Rondo finale based on three themes spelling out the musical cipher of her three names (Ingrid Eleonora Unger) and so the sonata was complete.
In fact the last revisions where made as late as the morning of her birthday! 

Piano Sonata No. 1 "In Jane Austen's salon" in Eb Major Op. 21 (complete)

This is my first complete sonata, originally composed as a three movement work (without the Adagio) in 2016 for students at the school where I work and dedicated to my late father. It was later revised with the addition of the slow movement in March 2021. It is in four movements:

1. Moderato (Sonata-allegro form)
2. Adagio "In memoriam" (Slow movement sonata form) 
3. Tempo di minuetto (Minuet and Trio) 
4. Allegro vivace "Hunt" (Sonata-allegro form)

The "Hunting sonata" (Jaktsonaten in its original Swedish title) began as a one movement work for unaccompanied viola called "Jakt" (Hunt or Chase in English) due to its never ending streak of sixteenth notes, and plans to make it into a larger work came only after a lecture in composition for which I prepared an example, which was to become the third movement. As I had already composed Jakt and didn't really know what to do with it I revised it and added the piano part of what was to become the fourth movement. 
Having composed two movements, of which one was originally called Hunt I thought I'd compose an opening movement as well. And when composing an opening movement  to complement a movement called Hunt it came natural that it should be based upon a hunting call.
Hence the original three movement sonata was complete.
But as it fell, at the time of putting the work together my father fell ill and was hospitalised. So I decided that I would finish it as a positive work to celebrate his homecoming. Unfortunately he passed away while in hospital and never came home and I stopped working on the piece in early 2017.
It was only on my late father's birthday in 2021 that I brought it up once again and composed the second movement, with it's own subtitle "In memoriam".
And so the four movement sonata was finally complete. 
A work that started almost by accident, but in time became my longest work to date.
I hope you enjoy it and that it sounds coherent, despite being composed in the way it was.

Sonata No. 1 "Hunting sonata" in G Major Op. 13, for violin and piano (midi recording))

This is my string quartet in d minor.
The name Ave Maria comes from a short quotation of my song Ave Maria in the middle of the second movement.
It consists of three movements:

1. Allegro poco drammatico
2. Allegretto - Andante - Allegretto
3. Allegro molto agitato - Tempo di marcia - Allegro molto agitato

The score has been published by Gusthold Music Publisher and can be found here:

www.gustholdmusic.com

The String quartet in d minor started as an example on the white board during a lecture on part writing for strings. The white board example can still be heard unchanged as the first eight bars of the second movement.
The eight bars then turned into a full movement as I was teaching contrasts and how to possibly build upon a first material.
To that movement I later added the first and third movements to create a complete work for the school's string quartet.
Since the students were all rather early in their development all parts are written completely in first position on all instruments.
In May 2020 the work was published by Gusthold Music Publisher in USA. 

String quartet No. 1 in d minor "Ave Maria" Op. 12 (complete)

Soprano: Cecilia Alrikson
Piano: Terés Löf

1. Escape at bedtime (text: Robert Loius Stevenson)
2. The more loving one (text: Wystan Hugh Auden)
3. The angel (text: William Blake)

Recorded live at Västervik Chamber Music Festival August 14, 2020.

Some have said that this may be the best pieces I have written all together. Whether that is true or not I leave to others to decide. But writing these songs I was very inspired, not least by Liza Lehmann, whom I had just discovered at the time, and her wonderful song cycle "The daisy chain" where she too sets Stevenson's Escape at bedtime, although her song is called Stars.
Inspired by her writing I set the first two songs in this cycle within two days in the fall of 2014.
The final song, set to a poem from Blake's "Songs of experience" is written in a more Schumannesque fashion, with the odd feature of starting in Major and ending in Minor.
All together, the three songs represent the protagonists relation to the night from childhood, through adolecense and old age, starting off rather naive but gradually becoming more serious and ending with an outburst. 

Three nocturnal songs Op. 11 (live performance)

This is my second piano sonata "Joie de vivre" in C Major.
It consists of four movements in the following sequence:

1. Allegro molto (Sonata-allegro form) 
2. Scherzo (Scherzo and Trio) 
3. Andante semplice (ABA form) 
4. Allegro giocoso (Seven part Rondo form)

This is my second "Grand Sonata", following my Violin sonata No. 1, including both a dance movement and a slow movement, in this case the second movement is a Scherzo.

The first movement starts with a scalar motif inspired by Maria Hester Park's C Major sonata op. 7, but whereas she uses the scalar figure to develop a very fluent lyrical theme in the style Mozart I am more influenced by Ludwig van Beethoven and Joseph Haydn in the exposition, with its short contrasting phrases and sudden shifts in dynamics. The development following is however in pure Mozart in style starting in the tonic minor and moving through g minor and D Major before cadencing in A Major and then moving back through a dramatic passage over the circle of fifths. 

The second movement is an a minor Scherzo which owes its opening figure to the piano concerto of Robert Schumann, but what follows is a typically classical Scherzo, with a C Major Trio section with much reminicense of the style of Haydn's Minuets. 

The third movement, in F major, is written in a mostly two voice texture influenced by the figured bass style of the Baroque (some have told me they get a "feeling" if not a direct influence of Domenico Scarlatti). 

The last movement is in a Haydnesque contrapuntal style with formal influences from the seven part rondos of Sofia Dussek. Influences of Muzio Clementi are also strong in this movement which rounds off the sonata by stating its three themes in the same key order as the previous movements (A is in C Major as the first movement, B in A minor as the second and C in F major as the third movement was).

The work is dedicated to my wife Desiree with much love. 

Piano Sonata No. 2 "Joie de vivre" in C major Op. 23 (midi recording)

I am a music teacher at Oskarshams Folkhögskola, where I teach classical singing, composition, music theory and chamber music. 
I am also a singer with primarily art songs on my repertoire, a hobby composer and poet and a founding member of the Mönsterås Jazz and Chamber Music Society.
I studied composition at Ingesund College of Music and Baroque counterpoint at Uppsala University and mostly write vocal music for song and piano, and/or choir but eventually compose for other instruments and ensembles as well.
I have been called "a radiant talent in finding the essentials in different musical styles" (Arvika Nyheter, December 4, 2006) and regional news paper Barometern wrote that my music shows "good insight in choice of melody and harmonic part writing" (September 25, 2012).
My music has been performed in Austria, Canada, England, Germany, Sweden and USA.

Notable works are:

"Three nocturnal Songs Op. 11", song cycle of three songs for soprano and piano. Premiered by Cecilia Alrikson and Natalja Shakova in Oskarshamn, Sweden in 2018.

"Night songs Op. 6", song cycle of five songs for baritone and piano. Premiered by Anthony Schneider and Rosemary Barnes in Vienna, Austria in 2013.

"Ave Maria - String quartet in d minor Op. 12", string quartet in three movements. Published by Gusthold Music, USA in 2020.

"Av hjärtat, sjung! Op. 22", cantata in five movements for STB soloists, SATB and childrens choir, string quartet and piano. Comissioned for the opening concert of the four day festival "L'Esprit - upplev 1700-talet" (L'Esprit - Experience the 18th century) in 2020.

"Joie de vivre - Piano sonata No. 2" Op. 23, sonata in four movements for solo piano. Composed in 2020.

"Jaktsonaten - Violin sonata No. 1 Op. 13", sonata in four movements for violin and piano. Composed in 2016.
 
I have been published by:

Gusthold Music Publisher (www.gustholdmusic.com) 
- String quartet in D minor "Ave Maria Op. 12" (May 2020)

Flauto d'Amore Editions
(www.flautodamoreproject.com)
- Danza, for Flauto d'Amore or C-flute (June 2020)

Psalmportalen (www.psalmportalen.se)
- Three congregational hymns (Herre Gud, vi lovar dig, När det känns som att allt ljus försvinner and Ett litet barn, Marias son) (Summer 2017)

I hope you will find something here to listen to that you will enjoy!

Photography for my profile image: Anna Broette

Sonata for solo violin "In stile barocco" in D Major Op. 19 (midi recording)

David Unger | Composer