Faceless Junkies Deluxe
Fuck the System & all other shit cunts.

A few years from now we’re going to look back on this era of Bandcamp fondly. The craziest motherfuckers in the world are dumping the craziest tracks you’ve ever heard on there and it’s the closest thing I’ve found that replicates the real, tactile experience of crate digging. Some days you get up early and spend all day flipping through shitty “easy listening” records and come up empty. Sometimes you drop in for five seconds and the first record you see is an absolute gem.

It’s all gonna go to shit soon, some people will scoff it already has but they didn’t just stumble across this 10 track album of songs without titles, made by people (I assume…) I’ve never heard of and released without promotion or fanfare – just lurking in the tall weeds and ready to strike.

These border on the experimental side but it’s experiments with acid and I don’t think you can go wrong with that. Acid on Acid is Heaven on Earth Vol 6 is a follow up on albums with titles like Acid Against Police Part 3 and Acid Against Opportunism and most of them take the opportunity to say fuck the system and call people bitches in the liner notes too.

I don’t know – maybe it’s me, maybe you have to grow up spending your time in canvas tents and mud up to your ankles waiting for Hyperactive to come on and pop your fucking eardrums rather than going to school and getting good grades but I could listen to this shit all day long without pause. Tracks like “Untitled 2” and “Untitled 5” sound like a grimy & improvised recording from a live PA; “Untitled 3” and some of the other tracks feel more like clean and thought out studio work. The whole package is dope. These folks have uploaded a huge amount of material; I know what I’m doing this weekend.
Terry Matthew
https://5mag.net/

http://solventcity.com

http://facebook.com/solvent

http://discogs.com/artist/Solvent

For over a decade, Jason Amm’s work as Solvent has neatly defied categorization. His music is too sweetly melodic for techno or acid, his compositions too fiendishly detailed for synth-pop. He was too steeped in the sounds of the ‘80s to participate in the incipient IDM scene; he was briefly lumped in with the short-lived electroclash movement, only to outlive it; he’s played “minimal wave” parties and goth clubs, indie-rock shows and techno all-nighters. But even as words fail in the face of Solvent’s music, its pleasures are anything but elusive.

Today, Zimbabwe-born Jason Amm lives in Toronto, ON, where he spends his time obsessively grappling with an outsized collection of vintage analog synthesizers, samplers, and sequencers. Solvent first materialized in 1997 with a string of singles and full-lengths (1998’s Solvent, 1999’s Solvently One Listens) on Amm’s own Suction Records, the Toronto-based label he founded with Lowfish’s Gregory DeRocher. The watershed release Solvent City (2001) on Berlin-based Morr Music introduced Amm’s sound to a wider audience, and Apples &amp; Synthesizers (2004) marked Solvent’s move to Ghostly International. Along with notable remixes of artists including Soft Cell, Alter Ego, and Adult., Solvent tracks have appeared on high-profile DJ mixes and seminal compilations.

Solvent’s most recent record on Ghostly International, 2010?s Subject to Shift, marks a turn for the darker as Amm embraces his love of the abrasive sounds of acid and industrial. And while a sinister tone or two now dances among Solvent’s sparkling hooks and bright streaks of synthesizer, and while Amm’s music drifts even further from accepted genre-specific reference points, Solvent’s sound has only deepened. After more than ten years of composing love songs for robots, Amm sounds like nothing more than himself.



XAMIGA is the joint combined collaboration project of Legowelt & Xosar

Real sweet/smooth. Yreah, that's just how you like it. Cool. Fresh. Swag. 
Alright. Right on. Nice.




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