_ synth punk / experimental _Set 10

Voice and lyrics: Peter Hope
Noise and rhythm: Iv/An
Kindly mastered by Miroslav Piskulic
Meisterwerk detail: Philipp Hanich ("I lost my heart to Varvara", Oil on canvas, 2012 - from the painting series "I can't hide your love forever")

A collaboration piece for the v/a international compilation "Crossovers", released on 0.5, 2015

Peter Hope appears by courtesy of The Wrong Revolution
https://soundcloud.com/pete-hope-1
http://wrongrevolution.co.uk/

Ho/Pe & Iv/An - Panic Room My Heart

Abasa Abida

Eric Feremans
The Antwerp Killer
Finders Keepers Records

Release date: 20th November 2015

Teenage movie maverick meets synth scientist for bespoke Belgian B-movie. One of the rarest vinyl horror soundtracks of all time, 1983’s The Antwerp Killer is the rest of the remarkable homemade electronic experiments of the wunderkind synth designer and his unison with a smart-talking teenage movie maverick to create something almost unfathomable in the process. Combining self-propelled punk attitude and uninhibited confidence, the hyper pro-active work of these DIY prodigies pinpoints an important era where youthful ambition and creative technology meet.

By the age of sixteen Eric Feremans started building modulators and eventually his first proto synthesiser. Teaching musicians how this new technology worked became Eric’s mission. He found that in electronic music composition the understanding of the functioning of the machine is part of the musicianship. Without this they were just fooling around with new technology. By the early 70s Eric’s synths were becoming more and more complex and he even played a concert with Belgian electronica pioneer Karel Goeyvaerts. Eric decided to create his own school where he would teach his pupils to make build synthesisers and how to play them. The EEF (from Eric E. Feremans) was created. The build-your-own packages were created by volunteers and around 20 or 30 are said to have been made. After being a guest in a national television show the demand for courses exploded and Eric was lecturing nationally and internationally. Even attracting the king of the Amsterdam Mafia who would be driven down from Amsterdam with two body guards in his Rolls Royce every week.

One day Eric gets a visit from a Luc Veldeman a sixteen-year-old with a manner of speech way beyond his age and larger then life projects. Eric was in the process of making Antwerp’s first crime movie called The Antwerp Killer. He had seen Eric play live and he wanted some of his music to be used as the score and to press as a album to promote the film. Upon their first meeting Veldeman wanted a tape to convince his financial investors. Eric gave him one of the rare recordings he had made with the synthesizer. A session he had just recorded upon installing his new studio; a session, according to Eric, that was the result of the pure joy he experienced of having such a wonderful sounding machine in his studio and the bottle of vodka he downed during the session. That session was cut up by Veldeman and it was turned into the soundtrack of The Antwerp Killer.

Eric ended up playing a cop in the film and the film was the opening film of the Knokke Film Festival in 1983. It was honed away by the press and the audience. Bad acting, bad editing, bad script, cool s
undtrack though. Veldeman was nowhere to be seen and everybody involved who had quit their jobs or studies to coöperate on this film or put in their money in it saw their hopes disappear. Veldeman had even rented all the film equipment with a false identity and then dumped it all in the canal after the shooting. When the cops eventually found out about his they weren’t even able to arrest him being a minor.

A magnum opus of a true criminal and the synthesiser teacher of the Amsterdam Mafia King, The Antwerp Killer remains a prime document of the broody Belgian 80s and a heck of a soundtrack.

www.finderskeepersrecords.com

Eric Feremans - The Antwerp Killer (Theme)

Der Gotling - G-ZX LP  
Limited to 250 Copies 

Unearthed by https://soundcloud.com/obermannkind this LP contains six underground electronic, minimal synth, proto techno & new wave songs of an lost obscure German Tape from 1986. Produced in Münster West Germany, just 50 Tapes were distributed and just a handful are still alive. 
Thanks a lot to Dunkeltier aka https://soundcloud.com/sneakerdj who restored all the tracks. It was really tough job. Even the mastertapes (directly from Mr. Gotling) were in really bad condition.

More detailed infos about the artist and the tape soon...



Conspicious (Dunkeltier/OMk Edit)

from nkt004 rkss - Basement/Submerged
get the tape: noisekoelln.bandcamp.com


rkss - Basement

Rekid's boss Radio Slave isn't shy of stretching things out — this might be his lowest and slowest remix to date. And that's saying something. 

I - Robots - Dirty Talk Ft. Donna McGhee (Radio Slave Magnetic Feel Remix) - Opilec Music

DETROIT DRUGS DON'T WORK

Project Spectre - Out Of Her Mind

Forthcoming on Werkstatt Recordings
Original version here: https://soundcloud.com/metal-disco/successor
METAL DISCO on Facebook: https://www.facebook.com/METAL-DISCO-1000777283296438/

METAL DISCO - Successor (Binalog Remix)

Relish have been so kind as to offer us a premiere from their latest compilation which features a really great number of artists on the one release. Red Axes, Daniel Avery, Kim Ann Foxman and Richard Fearless all in action on this one but it was the Bozzwell opener which caught our attention straight from the get go.

Read More: http://www.theransomnote.co.uk/music/premieres-exclusive-streams/premiere-bozzwell-isolation-underground-relish/

MORE INFO

PREMIERE: Bozzwell - Isolation Underground (Relish)

Today I am a fire
black rivers, my pyre
my hands are mountains
black sky, my eyes
hot lava is my blood

Today I am the ocean
dark waves, my hounds
I am the motion
the rhythm in your blood

Hot lava
Hot lava is my blood

Today I am a dragon
the one you feared as a child
I feed on dreams
I am the rhythm in your cold, cold heart

And then I am the sun
and the light to your dark
my hands are wide as your god
hot lava is my blood

*image used - painting by HC Kandoth

Hot lava

bandcamp
http://lifefragments.bandcamp.com
instagram
http://instagram.com/life.fragments/

Flowers

"GUNMAN NO COME" (originally Produced by Brian Ellis) the fourth remix taken from the new 9-song EP by ZACKEY FORCE FUNK "Chrome Steel Tiger" [HNR54] by Bomarr.

Album in stores now on digital download, limited-edition chrome cassette tape and 12" metallic silver vinyl, featuring cover artwork by the legendary UK graffiti artist SheOne.

DON'T FAKE THE FUNK

++++

The enigma known as ZACKEY FORCE FUNK returns to the electro stratosphere with his latest musical treasure “CHROME STEEL TIGER” [HNR54]. Nine new tales of blissed out boogie & modern funk-influenced beats featuring Zackey’s hauntingly sly vocals, guide the listener into a parallel universe of love, celebration, wisdom & heartache. Album highlights include a crowning collaboration with West Coast legend The Egyptian Lover on b-boy uprock “ON THE 1”, plus Zackey’s heartfelt homage to Eric Garner on “I CAN’T BREATHE”, which struggles for peaceful reconciliation in an otherworldly resting place. Production duties are laced by Tom Noble, Josh Jetson, Portland’s Brian Ellis, plus Loos Shus, RND1 and Zackey’s most recent collaboration with XL Middleton & Eddy Funkster on the single “HEARTS ON FIRE”.

First discovered by Kutmah back in the golden era of Myspace, Zackey's signature "Force Funk Sound" swiftly grabbed the attention of a number of formidable producers. Collaborations followed shortly after with the likes of Salva, Lazer Sword, Lorn, Mike Gao, Inkswel, Jellphonic, Daedelus and B. Bravo, as well as forming the group DEMON QUEEN with Tobacco. As these tunes were scattered across various labels, finding their homes on their respective collaborator's projects, ZFF continued to hone his style, delving deeper into the psychedelic future funk realm of which he has created for himself.

“CHROME STEEL TIGER” is the follow-up to Zackey’s debut LP “Money Green Viper” [HNR40], a scrapbook of late night joyrides, fast women, demonic visions, real rap rituals and the ever-present pursuit of infinite paper, released to worldwide acclaim last summer on HIT+RUN. This new future funk classic is destined to rocket Zackey’s Force Funk Sound into the global spotlight.

ZACKEY FORCE FUNK "Gunman No Come (Bomarr Remix)"

"Ostra is welcome To Innatural Records with Late Winter Ep.
Ostra is a four handed project created a few years ago.
Techno inspired but also interested in its melodic aspect, it tries to combine strong rythmic elements with larges and atmospheric textures
Over the years the duo became machines lovers and settled its creative process around it.
Playing with a limitated hardware aspect to enhance sound design possibilities is now part of every Ostra's compositions."

Beatport

01 Modular Introduction

Bakunin Commando is a side project of Francesco Baudazzi (Violet Poison) debuting with this C26 cassette. Musically oriented on “1984-alike weird minimal/EBM tapes”, those squatter-alike 1980’s obscure home-tapes’s filth, those one that used to go along with fetish comics by Eric Stanton or Bill Ward. Key elements are nonsense vocals, nervous laughs, hysterical tiny screams and usage of distorted, damaged proto-EBM sequences that join 80’s Industrial-alike beats. Fetish dadaism - heavily sexual and deranged - punk nonsense and female domination are the main inspirations.
credits
released December 17, 2015 

Written and produced by Francesco Baudazzi 
Mastered by Jos Smolders

Bakunin Commando - II

(nootropic)decay

Counterblast

Remorse  (WIP)

You trick trick trick 
You trick my dick
You trick me into selling flesh and bone


CALLING BACK

Extreme porn voices, moans and laments over a powerful distorted industrial synth lines supported by energetic rhythmic grooves. Smell of '80s! 

Violet Poison - Radio Veronica 100.6

- new sounds transfer station -

please only follow / only add my main account
[link below]


_ synth punk / experimental _Set 10

Dawn Mall