From "Meditation" Lp

https://atelje.bandcamp.com/album/meditation

Meditation

Ode To Studio

ODE TO STUDIO

Pre-order the vinyl: bit.ly/1Bzc1Ab

LA-based electronic duo OOFJ are elated to announce the release of their sophomore album Acute Feast (April 21 on Ring The Alarm Records).

The brainchild of real-life couple Jenno Bjørnkjær and Katherine Mills-Rymer, the LA-based electronic duo OOFJ met in New York City while Bjørnkjær was working on music for Lars Von Trier’s Melancholia. This chance encounter developed into both a romantic and sonic chemistry that would eventually lead to the couple collaborating on music that formed the foundations of OOFJ.

Equal parts glamorous and nightmarish, with a glittery seductive tone to it, Acute Feast hints at the otherworldly, almost hyper-real world that OOFJ don’t just reside in, but have orchestrated.

Acute Feast

Sailor

Sound-E-scape – Tag 10
Heute:
„Ancient Percussion“
Eingespielte Drums und Percussions aus rein vorchristlichen Instrumenten der Sound Iron Library. Die habe ich mal für das Sound Design und die Musikkomposition des Filmes „Herkules“ verwendet und nun wieder ausgegraben.

12 Tage, 12 Klangreisen..., weil es Bock macht.

Day 10 - Ancient Percussion

radar

Borealis - Nightfall (Somfay Live Version) [2014-10-07 Rehearsal]

Out September 9, 2016.

In Belleville Renderings Part I, Heathered Pearls pays homage to one of his childhood homes in Michigan as well as Detroit techno icons The Belleville Three. A chamber of echoes and delays introduces the track, while a deep bass motif propels it forward, and bright synths float across the driving beat. The release marks his third creative collaboration with his sister Martyna for Ghostly. Previously working together on the artwork for HP’s recent LP Body Complex and the Koivu shirt lines for The Ghostly Store, the remaining parts of the Belleville project will be realized through upcoming music and a cement installation series.

Heathered Pearls on tour with Tycho, dates here: http://ghostly.com/artists/heathered-pearls

Belleville Renderings Part I

Heathered Pearls - Belleville Renderings Part I

softer

Kelpe - 'Midsommar'

Taken from the forthcoming album MeYouWeYou on Smalltown Supersound, coming in July...

RN9 - Deadly Buzz

Taken from the album 'Dysnomia', released worldwide on June 1, 2015 through Erased Tapes.

Order it on 2x LP, CD and Download here:
www.erasedtapes.com/store/index/ERATP068
iTunes here: snip.ftpromo.net/dawnofmidi
Bandcamp: dawnofmidi.bandcamp.com 

With Dysnomia, the Brooklyn-based group Dawn of Midi made up of double bass player Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi abandon improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”

“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

TRACKLIST / CREDITS:

1. Io 2. Sinope 3. Atlas 4. Nix 5. Moon 6. Ymir 7. Ijiraq 8. Algol 9. Dysnomia
Written by Amino Belyamani and Aakaash Israni.

NORTH AMERICAN PRESS:

“Stellar… at a loss for words” – Spin
“Something totally unprecedented” – Pitchfork
“Perverse in a good way” – The New York Times
“Brain-bending, seemingly impossible” – Rolling Stone
“Moving and addictive...a feat of innovation” – Interview Magazine
“A mysterious, vital sound with a pull all its own” – L.A. Times

MORE INFO:
www.dawnofmidi.com · www.erasedtapes.com


Follow us: @dawnofmidi on Twitter (https://twitter.com/dawnofmidi) | Dawn of Midi on Facebook (https://www.facebook.com/DawnofMidi)
Dysnomia Album trailer: https://vimeo.com/dawnofmidi/dysnomia

Algol (Dysnomia)

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.