Mix by Amino Belyamani of @dawn-of-midi. Collection of groovy music beyond genre and classification.

1 - I - Alla Al 'Hbab (Blessed Be My Friends), II - Hajti Fi Gurini (Longing for my Lover) by Cheb I Sabbah feat. Ouled Ben Auguda
2 - XMD 5a by Aphex Twin
3 - Triq Akchor by SSAHHA
4 - Telephasic Workshop by Boards of Canada
5 - Cheikh Anta Diop by Doudou N'Diaye Rose
6 - Paridiso by Konono Nº1
7 - Fenix Funk 5 by Aphex Twin

Sounds of Sónar by Dawn of Midi

this is a side project of a leisure pursuit

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Faris Lukovac - (1/3 of T.N.C.) -  Sarajevo based DJ and producer whose music background is drawn from his strong foundation in music and sound connected to film, as well as theatre, and later on audiovisual arts. All of that has influenced his music production in order for him to create a cinematic atmosphere flirting with deep and progressive sounds that are somewhat of a signature on his tracks. He usually comes up with specific emotion in the track and playful groove to get the club and all the listeners going. Unlike many other artists, Faris Lukovac is not afraid to explore different spectres of sound as well as different spheres of electronic music. He is on the front lines of change-makers who are influencing the switch on the electronic scene of Bosnia and Herzegovina and his city of Sarajevo.

✉ Contact: 
farislukovac@gmail.com

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.