Verdades secretas 2

Тайные истины

"Label Sampler 2011" Day 090.21

Let me tell you something. When you've gone down that road, you can't come back. When you've gone down that road, it's over. It's curtains.

Selected Works Summer 2019 vol. 3

Day For Night : Whitelabels and Working Mixes 2011

Official remixer of Kid Crème, Siedah Garrett and Robin S, ARIA Club Charts regular and Nu Disco champion, Vicious is very excited to introduce ELEKTRIK DISKO to the family with his debut release “Tell Me Why”.

A nod to the massive 2009 hit by Supermode, ELEKTRIK DISKO’s ‘Tell Me Why’ puts a contemporary Nu Disco spin on things. A combination of warm vintage basslines, pulsating pads and those oh so catchy staccato plucks that we all know and love from the original.

On remix duties we have Australian house music royalty Jolyon Petch who brings us his own take on the slap house sound, Mind Electric delivers a pumping dark piano driven house remix, and Ruff Club round out the package with their own unique brand of tech house!

A massive package from start to finish, this is one not to be missed.

Tell Me Why

Elektrik Disko - Tell Me Why (Jolyon Petch Club Mix)

Here's "My Name Is Trouble (Redemption Mix) by Eric Scott (Day For Night)... A beautiful vocal by Keren Ann featuring invaluable drumming contributions from John "Cowboy Joe" Matthew... A moodier alternative to the happy original...If you like it enough, please show your support by voting on Keren Ann's Remix site http://remix.kerenann.com 


(This mix is currently near the top as it's recent, dated 9/3/2011)...


Thank you for all your support! - Hope you enjoy Keren Ann's other remixes, and her new album too!Download all the seperate elements and upload your own remix on remix.kerenann.com.


Keren Ann - "My Name Is Trouble" (Redemption Mix by Eric Scott / Day For Night feat. Cowboy Joe)

"Good Day Today" (Yesterday Mix by King FM) was produced by Eric Scott (Day For Night) for the Beatport remix competition for David Lynch's single "Good Day Today", although it was technically ineligible, as it didn't meet the competition deadlines. 

It was simply great fun to do... Download the remix stems and do your own remix:
http://www.beatportal.com/feed/item/announcing-the-david-lynch-good-day-today-remix-contest/

Listen to more King FM music at 
http://www.dayfornight.com/artists/kingfm.shtml
and
http://www.last.fm/music/KING+FM


David Lynch "Good Day Today" (Yesterday Mix by King FM)

Producing under the pseudonym Rhythm Factory, Eric Scott remixes Martin Solveig's "Hello" (featuring vocals by Dragonette) into the "Goodbye Remix"

Heavy-but-fluid beats coupled with distorted sequencer lines, all adding up to a departure from the familiar pop original, and into progressive house territory.

VOTE (ie 'SPIN') on Beatport's Remix competetion here and show your support if you like this remix!<br>
http://www.beatportal.com/remix/detail/hello-goodbye-remix-by-eric-scott/

Martin Solveig feat. Dragonette "Hello" (Goodbye Remix by Eric Scott / Rhythm Factory)

John Foxx &amp; The Maths' "Shatterproof" gets a "Broken" treatment here from Salvador Dalek's Eric Scott – with a ghostly hint of Cabaret Voltaire, Pig Bag and Meat Beat Manifesto sprinkled into the post-industrial soup... Bigger beats and an aggressive bassline reminiscent of 80s Trevor Horn production... Not for the nostalgophobic, to say the least!


John Foxx & The Maths - "Shatterproof" (The Salvador Dalek "Broken" Mix)

Very excited to announce the release of my remix for Moby's Track - "The Last Day" featuring vocals from Skylar Grey. It's out now on Beatport via Little Idiot records.

I hope you like my interpretation!

Buy it on Beatport: http://www.beatport.com/release/the-last-day-remixes/1358006

Buy on Beatport

Moby - The Last Day - Feat. Skylar Grey - (Chymera Remix)

Moby - The Last Day

Moby - Why Does My Heart Feel So Bad?(Chevari D. Rework)

Mixdate: 2011_0825. 
© 2011 Eric Scott / Editions La Nuit Americaine. 

This remix (aka "Hommage à Luc Ferrari") contains extracts and samples of recordings © Luc Ferrari / Presque Rien Association, for which all rights are reserved and have been granted as part of the Presque Rien 2011 Proposal To Composers. For more information about the competition, please visit <a href="http://www.lucferrari.org" rel="nofollow" target="_blank">http://www.lucferrari.org</a> and click the spinning CD.A list of all recordings used in "HÖRSPIEL/Chronopolis DUB" is available at <a href="http://www.dayfornight.com/dev/fer/Eric-Scott-CV.pdf" rel="nofollow" target="_blank">http://www.dayfornight.com/dev/fer/Eric-Scott-CV.pdf</a>

Luc Ferrari – "Hörspiel / Chronopolis Dub" by Eric Scott (Day For Night)

MashUp entre: 
Massive Attack - Angel 
e All Saints - Black Coffee

Coffee Angel Black (MashUp Remix by Bernardo Baena) Trilha Sonora 'Verdades Secretas'

From the forthcoming single 'The Glittering Gutter'
CD and digital: Out on 21 June on Sonnenstahl/Sweet Feet - all digital stores. CD available on Amazon and https://billieraymartin.bandcamp.com
http://itunes.apple.com/album/id1119301348?ls=1&app=itunes
Taken from the album: "The Soul Tapes": https://billieraymartin.bandcamp.com/...
(Vinyl, CD, digital - also available in all stores worldwide)
Directed by Joern Hartmann
Shot at O-Ton Berlin
Dolls by Geoerg Jenisch Berlin
Hamburg Footage shot by Michael Huber
Make up by Mac
Billie Ray Martin returns with another trip-hopping emotional rollercoaster in The Glittering Gutter – the latest single taken from her new album The Soul Tapes.
With club remixes from Offer Nissim, Mooli, Dave Aude, Tweaka Turner, Dirty Pop, Dale Cornish, and more, The Glittering Gutter is already rapidly ascending the Billboard Dance Charts in the U.S. and affirms Billie’s status as the queen of electronic soul.
The Glittering Gutter is Billie’s tale of the red light district of Hamburg where she grew up, and what it has become, now the golden days are over and decay has long replaced the glamour that once created opportunity for its inhabitants. Her heartbreaking vocal performance rips the listener apart with every line. ‘But for the smalltown voyeur she’s just the glittering gutter’ she whispers and later describes the Reeperbahn: ‘her teeth falling out, a carcass alive’.

the glittering gutter

The Glittering Gutter (Dale Cornish Soho Nocturnal Remix)

Late Night Tales: Trentemøller

Blue Hotel

Written by Syd Barrett in 1967 this version was recorded by Carter Tutti in 2007 for the compilation album 'Recovery' (various artists).

Lucifer Sam (Carter Tutti cover version)

The compilation Ombra INTL 009, is the 9th release from Berlin based label Ombra International. The label looks to deliver post-punk/darker disco, and this is evident in this release. The collective is laden with talent in the field of cold and dark wave music with ORDER89, Local Suicide, Curses, Dog.ma and Amarcord all featuring. This accumulation of music will bring you to the depths of post-disco; where rock, synth and electro all live as one.

The piece kicks off with ‘Future’ by ORDER89. The Parisian trio is made up of Jordi (vocals/bass), FLVN (Machine/keyboard) and Elliot (guitar). Frequently performing their live set in Paris, which began back in 2017. They come off a busy 2018 in which they released ‘Edward’ and ‘Barbara’. Their sound shines in this track, as it delivers hints of EBM and a dark wave 80s vibe. The pounding, yet harmonious vocals are infused with lengthy guitar riffs and kick drums, which are nostalgic of teenage angst.

Local Suicide are well known on the Berlin scene, having played in every big club around the city when they are not touring the world. On the back of their release ‘Komm Ins Loch’ with Theus Mago, the duo are no strangers to collaborating and are chameleons when it comes to mixing their eclectic style. New York native Curses has been based in Berlin for years now. His long-awaited debut album, ‚Romantic Fiction’, was released in October last year via Dischi Autunno, Correspondant’s sublabel. They collaborated to produce ‘Who Cares’. Indeed, who does, setting a tone of eerie passivism with a heavy acidic bassline, the vocals enter to reaffirm this atmosphere. You’ll find yourself letting go of inhibition and swaying to this ominously melodic track, brandishing little remorse for what is going on around you.

Dog.ma was created in 2007 by Cisky Dj and Paolo Soncini. The Italian duo are coming on strong and have their own label now dedicated to the Dog.ma project, 'Dogmatraxxx'. They want continuous growth and are always looking to collaborate. Their track ‘Warrior’ enters in with a post-rock flair. Heavy guitar riffs are coupled on top of a steady bassline to transport you right back to the 1980s. This is only enhanced by the electro-post-pop synthesised keyboard and modulated drum. If you ever wanted to know what it felt like to drive the DeLorean, I imagine this is what it felt like.

Italian producer Amarcord produced the final track. A respected live performer, he is synonymous with immersive, new-wave, electro and psychedelic sounds. ‘Trees’ feels like trying to manoeuvre through the streets of New York at night. Hustle, bustle and trying to get somewhere. It is quite the finale to this compilation, with synthesised builds, guitar riffs, futuristic percussions and infused modulated sounds to give a darker Italo, electro, post-punk sounding track.

LISTEN ON YOUTUBE

PREMIERE : Local Suicide & Curses -  Who Cares

Letrux - Flerte Revival (DaviMartins Deep Disco edit)

The Café Society performs its Nancy Wilson Tribute at Spire Center for the Performing Arts in Plymouth, MA. 8/30/19.
Vocals: Emily Wade Adams
Sax: Justin Flynn
Piano: Steve Einerson
Bass: Jim Greene
Drums: Joe Strasser

(You Don't Know) How Glad I Am (live @ Spire Center, Plymouth 8/30/19)

From the album Dormarion, out April 2, 2013 on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=927

Dormarion

Buy from Merge

Telekinesis "Ghosts and Creatures"

Rhye - The Fall (Kamilli Vanilli edit)

A collaboration between Julie Android and Cowboy Joe, producing some dark and elegaic drums, bass and piano...

Mixdate: 2013_0511 © Day For Night
Tempo: 103

Cowboy Joe vs. Julie Android "Nosedive Into The Future (Mix 2)"

Eric Scott is a composer/producer, artist, writer, DJ and sound designer from Santa Monica, California. He brings 20 years of consultative experience as principal and founder of Day For Night, a creative studio for multimedia, music and design. Coming from a background in the advertising production industry where he established himself as a recordist, sound designer and audio engineer, he created Day For Night in 1991 as a boutique independent music label with an original catalogue of electronic, abstract, pop and avant-garde-jazz-classical music releases of his own. Solo recordings include 3 Mains (1991), The Performing Man (1993), Paris – A Musical Overpass (1995), Found1 - A Stone (2006), The Inner Cinema (2007) and Junction – Another Train Leaving (2007). 

Eric has also worked under the names Rhythm Factory, Bluebottles, Found, Mr. No-Logo, Künstfabriken, King FM and as one half of the duo Salvador Dalek (with collaborator Peter Moraites). In 2011 alone, Eric has remixed a broad variety of artists in diverse styles, from Euro-Israeli pop chanteuse Keren Ann, John Foxx, David Lynch, Martin Solveig and musique concrète composer Luc Ferrari.
