*** Submissions: http://waveworxmusic.com/

Looking for more? Check out:

https://soundcloud.com/deepanddishy (Deep House)
https://soundcloud.com/lickitloud (House)
https://soundcloud.com/novofm (Indie Dance/Nu Disco)
https://soundcloud.com/fabcity (Hip Hop)
https://soundcloud.com/drumwerk (Tech House/Techno)
https://soundcloud.com/sunglazed (Tropical House/Dancehall/Reggaeton)
https://soundcloud.com/59degrees (Chill)
https://soundcloud.com/trappuss (Trap)

*** Submissions: http://www.lickitloud.com/

Looking for more? Check out:

https://soundcloud.com/deepanddishy (Deep House)
https://soundcloud.com/novofm (Indie Dance/Nu Disco)
https://soundcloud.com/fabcity (Hip Hop)
https://soundcloud.com/drumwerk (Tech House/Techno)
https://soundcloud.com/waveworx (Electro House/Progressive House)
https://soundcloud.com/sunglazed (Tropical House/Dancehall/Reggaeton)
https://soundcloud.com/59degrees (Chill)
https://soundcloud.com/trappuss (Trap)

Graphic designer & pretend producer. I'm not a DJ.

BIOGRAPHY

D-Rakkas spent his youth as a charismatic, party-starting DJ (“Rakkas”
is in fact a local West Indian slang term for “rockers” music that he  used to print on his DJ flyers to indicate his parties’ music policy).  The concept for South Rakkas Crew first hatched, though, when he moved to his current home base in Orlando, Florida to manage Riprock n Alex G Ent., a company that, at the time, was a crucial part of ‘N Sync’s production team.  There, D-Rakkas conceptualized SRC to satisfy his creative need to fuse his love for electronic music with Jamaican culture.  D-Rakkas’ first album, “Clappas,” quickly proved a major island and European smash, earing SRC the moniker “The founders of Electro-Dancehall.”  Jamaican and non-Jamaican audiences alike quickly grew to appreciate SRC’s talent for fusing hook-laden song structure with sound-system destroying beats.

XLR8R recently praised South Rakkas for their “boundary-pushing” powers: indeed, these futuristic rhythm killers can’t be held down to any one sound or style.  SRC can flex from Beenie Man and Bounty Killer one moment, T-Pain the next and then on to the likes of M.I.A., Lily Allen, Beck, Duran Duran, Justin Timberlake, Britney Spears, and Shakira – all of whom have been touched by South Rakkas’ edgy studio savvy.  It is this same approach that has made international DJ D-Rakkas such a sought after talent for clubs and festivals all over the planet.  He intelligently uses a mass of influences in his unique brand of Electro dance music production and seamlessly drops it in his sets:  Electro, Dancehall, House, Moombahton, Trap, Dubstep, old school Hip Hop, Reggae, etc., etc.

When beat king Diplo put out South Rakkas’ Mad Again and The Mix Up EP on his Mad Decent label, the blogosphere proved unanimous in its praise: Prefix raved about Mix Up’s “production perfection.”  The Washington Post gave it an extremely rare A+ rating, while Thom Yorke was dropping the Boy 8-Bit mix of “Mad Again” during his guest deejaying on Gilles Peterson’s BBC radio show.  Trip-hop titan Tricky chose SRC to remix his entire West Knowles Boy album, garnering rapturous press.

QUOTES

“When it comes to knowing what smashes a dance, few production outfits can match South Rakkas Crew.” 
--Pitchfork

“South Rakkas Crew make some of the most electrifying dance music on the planet.” --The Guardian

“South Rakkas Crew transformed it into a high-voltage electro and sublime space-disco monster.  In fact, Knowle West Boy is barely there, but something fantastic has appeared in its place.” -- The Independent

“a collision of exotic and intoxicating rhythms that dance around truly body-rocking beats, hammered and glued into forms that enthrall and excite… Tricky Meets South Rakkas Crew is an electrifying listen, invigorating the parts Tricky can’t usually reach.” – BBC

“On The Stimulus Package, the South Rakkas Crew don’t just throw down the gauntlet in dancehall, but kick open doors in dubstep and electro… South Rakkas Crew do everything on this album short of painting a sign that they are THE experimental force in dancehall music.... A superb body of work by  superb and veteran producers and remixers.” – True Genius Requires Insanity
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DEMO SUBMISSION:
houseoflabsrecords@gmail.com

DJ | Producer | Remixer 

CONTACT: houseof.producer@gmail.com
BOOKING: houseoflabs.booking@gmail.com

House of Labs (HOL), a name that more accurately
represented his evolution into a Big Room Progressive / Circuit producer and DJ.
Having headlined all of the major Clubs, as well as many of the most prestigious regions parties including
We Party, Matinee, The Farm, Room Service, Everybody Together and more.
As the global club scene began to take notice, HOL embarked on his first
international tour in 2015, impressively kicking things off headlining the Beyond Party in London. The success of this London gig lead to South American dates inSantiago de Chile and three tours around Brazil, before returning to Europe toplay Madrid, Barcelona, London, Dublin, Spain, Italy, Paris, Amsterdam,Eindhoven, and a jump over to Asia to play Pattaya and Singapore.
Like many young producers, HOL got his start producing unofficial remixes for
pop artists which brought him global attention on social media and eventually
lead to being contacted for official production by major labels. In 2012 alreadyworking under the House of Labs moniker, HOL produced a club remix for pop star and current Queen front man, Adam Lambert. Shortly after the success of the Adam Lambert, HOL was commissioned to produce remixes for Kelly
Clarkson, Britney Spears, The Wanted, and others.

With the name House of Labs gaining popularity and awareness around the
globe, thanks to his major labels remixes and two separate Soundcloud accounts
with well over 20k followers, HOL launched his record label of the same name,
House of Labs Records. With the immediate hits “Let&#39;s Go Bitch,” “Everybody
Together,” and “Au Revoir Bitch” igniting dance floors and topping the lists of
Spotify playlists around the globe, HOL was invited to be one of a handful of
headliners for 25k person 2020’s White Party Bangkok where he headlined the
rooftop Jockball party to an impressive 10K person dance floor. From three
extensive tours of The United States which included stops in New York, Miami,
San Francisco, Chicago, Denver, Palm Springs, Atlanta, Dallas, and his third
stink headlining Houston’s Revelry party, to his dates in Dubai, HOL has truly
taken the club scene by storm. Upon his return, HOL found himself
commissioned to remix Erasure’s "Just a Little Love" as well as Billy Porter’s
new version of "Children" featuring Blackbird.
2024 is set to bring impressive club dates and original releases as HOL
emabarks on a fourth world tour. For more information, reach out at:  houseoflabs.booking@gmail.com

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