Gabber Modus Operandi - PUXXXIMAXXX (2021 Reissue)
Cat. Nr: DN018
Format: LP (splatter)/ DL
Remastered & incl. 3 exclusive bonus tracks - first time on vinyl!
Release Date: 19 March 2021
Buy / stream: dansenoire.ffm.to/PUXXXIMAXXX

You could call Gabber Modus Operandi’s PUXXXIMAXXX LP a ‘scene-defining’ record. That’s except there’s no real ‘scene’ to speak of where the DIY electronic duo come from, deep in the belly of the neo-colonial beast of Bali—an island province of Indonesia where tourism is its biggest industry, mainstream house and techno its musical staple. “Bali is like an Australian backyard for some people,” jokes Ican Harem about the capital of Denpasar where they both live, just a four-hour flight from Perth. “It’s basically like when you go to Ibiza. Those are the sounds, that’s the kind of the people, that’s how they dress up, that’s how they dance.”

Otherwise known by the project’s GMO initialism, Harem and DJ Kasimyn (aka Aditya Surya Taruna) first released PUXXXIMAXXX on influential Yogyakarta label Yes No Wave in 2018, before performing the Javan capital’s Nusasonic festival that same year. It takes its title from their original name that is a play on an unmentionable curse word, and it’s the result of a clusterfuck of influences that blew up with access to the internet in Indonesia, enabled by cheap Chinese smartphones in the mid-2010s. “Now, all the content that we posted in social media basically came from this layer,” says Kas about this new medium for cultural expression across the country’s diverse and disconnected archipelago—a girl in a remote village dances on Tik Tok, construction workers play act while on the job. “This is like the amazing channel where they make their own content. They make these absurd jokes—like, local jokes. They just celebrate it. I don’t think they think about making content. They just want to record shit, but it’s kind of an explosion of this amazing and beautiful thing; of people crossing the Island and then showing them, ‘Oh, basically behind my house, there is a traditional party where people get possessed by a tiger’.”
From the derivative metal, punk and rock influences of the country’s first ‘indie explosion’ to the ‘lowbrow’ pop and local dance music hybrids of funkot and dangdut koplo, PUXXXIMAXXX is a brilliantly chaotic pastiche. It references breakcore and gabber while framed by traditional gamelan pentatonic scales. There’s the high-pitched trumpet opener of Sangkakala I and the ritualistic beat and looped vocal samples of Hey Nafsu, along with a fascinating montage of the Javanese jathilan possession dance for their wildly popular Dosa Besar music video. “If you think we’re doing ritualistic stuff, or playing gamelan, we’re not,” adds Kas. “We are around that area but at the same time, we also listen to Prodigy.”

GMO’s speculative Indonesian rave is infectious. It’s been dubbed ‘post-alay’ by the duo in tribute to the cheesy cultural phenomenon of the suburban teenager and has since caught on worldwide. Follow-up EP HOXXXYA was released on Shanghai label SVBKVLT in 2019, earning the band slots at CTM Berlin, Kampala’s Nyege Nyege Festival and performances in China with Asian Dope Boys. This is a level of recognition that’s well-deserved for a sound that snubs the western canon in favour of a hybrid post-colonial sound that’s pure imagination. “We just kind of like suck that energy that, actually people kind of enjoy their identity,” says Kas. “Especially the people not from the big city, because people from big cities, they always want to have confirmation from the West. Like, ‘I would love to play techno, and then play in Berghain in Berlin and LA’, that kind of stuff. But there is a layer that people don’t give a shit about that, they just want to have fun.”

Remastered by Beau Thomas
Design by Teknovoid & Niels Wehrspann
PUXXXIMAXX was originally released by Yes No Wave

@gabbermodusoperandi

PUXXXIMAXXX (2021 Reissue)

buy / stream

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Nipples

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Vpr Theme 2

VARIOUS ARTISTS
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EPITETH REC.
2018

BASSDRUM AND WAVES

FIEND - CONSUME AND DESTROY

Mon humble hommage à un artiste qui m’a tant inspiré ! 
RIP Fuel Insekt
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Tracks : 
https://on.soundcloud.com/CxPdfRzJztZeVC2r8
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KAK-A Rec was Japan's earliest hardcore techno collective. It included HAMMER BROS, KAK-A SHADOW AUGUSTA, OIL HEAD, 10 Yard Fight, Johnny Key, DJ Lib & MC Shit B, and others.They have been releasing records, cassettes and zines since the mid-90s, and have had a huge impact on the Japanese hardcore scene.
We have finally unearthed the KAK-A Rec's treasured sound sources and remastered them to create a compilation.This is what Japanese Hardcore Techno is all about.

Artist / V.A.
Title / KAK-A Rec. Rave Classics vol.1 The Phuture
Label / MURDER CHANNEL
Format / Cassette Tape (with DL code)
Item No. / MURCT-006

Track List

Side A
01. KAK-A SHADOW AUGUSTA - Da fat with no hat
02. KAK-A SHADOW AUGUSTA - Haus of GPYS
03. KAK-A SHADOW AUGUSTA - 1234 all the ladies on the floor
04. KAK-A SHADOW AUGUSTA - release Yo' DELF (Yo ARENA,U SAY Ho!)
05. OIL HEAD - RAVE IN HIROSHIMA (TOUR 1989)
06. OIL HEAD - PAUL THE POWER
07. 10 Yard Fight - Nokori 6 Yard
08. Johnny Key - We Are Here

Side B
01. DJ Lib & MC Shit B - Somethin 4 Ya Mind
02. DJ Lib & MC Shit B - Bataan Death March
03. DJ Lib & MC Shit B - Its Tight Like That(TRU-LIVE)
04. DJ Lib & MC Shit B - Most Famous MF(Jump)
05. DJ Lib & MC Shit B - South Side
06. HAMMER BROS - Calling Enola Gay "Jump A Little Higher"(Remixed By Mike Coldrave)
07. HAMMER BROS - Let It Be Harder

All Tracks built and tested by KAK-A Wolves
Recorded at KAK-A Underground Lab(WASHINO)
Made in K-Town
Design by GraphersRock
Mastering by ENA
Executive Producer - Yuta Umegatani (Murder Channel)

Autopsy protocol & Retako -Brillo 11

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