I love this song!! great job, it sounds awesome

FREE DOWNLOAD: https://djheartstring.bandcamp.com/album/dj-heartstring-sensual-hits-volume-2

Written and produced by DJ HEARTSTRING
Mastered by Tymotica
Artwork by Sina Hoff

DJ HEARTSTRING - I WISH U COULD STAY

'Now U Do', out now on Ninja Tune: https://djseinfeld.lnk.to/now-u-doSo 

Taken from the album 'Mirrors', released 3 September on Ninja Tune: https://djseinfeld.lnk.to/mirrorsSo

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These Things Will Come To Be

Follow: @elliott-creed // @lukealessiofficial // @ugenius-music

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
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Premiere: Elliott Creed - Imagination (Luke Alessi Remix) [Ugenius]

FREE DOWNLOAD: https://djheartstring.bandcamp.com/album/dj-heartstring-sensual-hits-volume-3

Written and produced by DJ HEARTSTRING
Mastered by Tymotica
Artwork by Sina Hoff

DJ HEARTSTRING - I'M FALLING

Keepers of Time

Kronos Aquarius

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Epiphany

Epiphany (Edit)

'Codependency Issues' is the first track from the upcoming release "Venus Ritus" via @nvmphs. Full album: https://soundcloud.com/krisvango/sets/venus-ritus


Venus Ritus is the latest planetary concept album by Berlin-based, Australian musician and occult philosopher Kris Vango (following from 2018’s ‘Ard’ - Earth and 2019’s ‘Mother Moon’ - Moon). Kris’ aim is to approach each planet as a separate concept piece and album, expressing astrological and mythological concepts and constructing neo-mythologies, guiding the listener into mystical sonic landscapes that echo both the observable physical sciences of each planet and their non-physical esoteric and astrological themes.

https://ingroov.es/venus-ritus

Venus Ritus

Codependency Issues

Remix by @chriscruse

From 1989-1992, Club Fuck! ran every Sunday night at Basgo’s in Silver Lake, Los Angeles. It was a party and a social gathering space for the BDSM, tattooed, pierced, gender-fluid, sexually adventurous crowd — basically anyone who felt like an outsider. In modern terms, Fuck! could be described as a queer club, subverting what was considered acceptable for the gay and lesbian scene in Los Angeles. Furthermore, the focus on body modification was a powerful way to reclaim some control over a corporeal body - for many who suffered from HIV+ and other life-compromising illnesses.

Much has been written about the artists who emerged from this scene. Ron Athey, Club Fuck’s go-go dancer and resident artist, became internationally renowned for his transgressive bloodletting performances. Catherine Opie, now a board member at UCLA and MOCA, got her start making portraits and photographs of those in the scene. It’s been said that Madonna’s Erotica was influenced by this scene (although door girl “Sweet P” claims she didn’t actually let Madonna in).

The records DJ’d at the club were described by its founders as “industrial and proto-trance music,” challenging the aesthetics of so-called “gay music” like disco and pop. There were live performances as well, from homegrown LA bands who responded to the vibe and made it their own. Drance was such a band, formed by frontman (and Club Fuck! resident DJ) Robert Woods, with friends Brandy Dalton and John Munt.

Drance's songs reflected an uneasiness towards disease and modern culture, a lust for the forbidden, and a raw power and rage to stay alive on their own terms. Their live shows were visceral and energetic. They played the MOCA opening of the "Helter Skelter: L.A. Art in the 1990’s” exhibit, as well as benefit shows for ACT UP and Queer Nation. Their music appeared in Gregg Araki’s 1992 film The Living End, and they provided the soundtrack to The Wild Ones, a hardcore condom-based porn produced by the Tom of Finland Foundation in 1994.

However, they released only one album, and despite their proximity to Hollywood, did not find much success beyond their scene. Robert died from AIDS-related complications in 1995. Brandy and John continued to write music, experimenting in new genres, but did not record any more albums. Brandy died in 2006. John Munt lives in Washington D.C. and is still writing and composing music.

"Latex Love" has been remastered for its first release on vinyl, nearly 30 years later. The Instrumental Version was transferred from the original DAT tape used by the band for their live performances. Kris Baha's inspired dub is essentially a cover, re-made from the ground up. And this is the first official remix from Spotlight's Chris Cruse. The vinyl record package includes never-before-seen photography from Michael Matson, an essay from Ron Athey, and a reproduction of the original Drance sticker.

Distribution: Sound Metaphors
Mastering: Mike Grinser, ManMade Mastering
Photography: Michael Matson
Art Direction: Brian Emrich

This project was made possible by John Munt, Robert and Brandy's families, Michael Matson, Tom of Finland Foundation, and Ron Athey.

At the request of the families, all profit will be donated to AIDS Project Los Angeles 
aplahealth.org

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DAY SPA

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