Original: https://soundcloud.com/phonout/de-f

Phonout - de f (db-Maui Remix)  [Free Download]

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Contact: dbmauimusic at gmail.com
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Leftfield deep house producer. Inspired by Spencer Kincey AKA Gemini, Ricardo Villalobos, Herbert, Derrick Carter, Tuff Jam and soooo many others. Interested in collaborations and remixing each other.


### note on use ###

the data samples presented here are barely checked electro-acoustic recordings. 

the decoded passages, which we encourage you to study, show clear frequency anomalies, so that further analysis is necessary and desirable. 

however, as the exact implications are largely unexplored, use and analysis of the data is at your own risk and for your own enjoyment. thank you for your attention!

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### hinweis zur verwendung ###

bei den hier vorgestellten daten handelt es sich um kaum geprüfte elektro-akustische aufnahmen. 

die dekodierten passagen, zu deren studium wir sie ermutigen, weisen eindeutig frequenz anomalien auf, so dass eine weitere analyse notwendig und wünschenswert ist. 

da die genauen zusammenhänge jedoch weitgehend unerforscht sind, erfolgt die verwendung und analyse der daten auf eigene gefahr und zum eigenen vergnügen.
wir danken für ihre aufmerksamkeit!

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godspeed!
phonout







Avant-garde house music between lofi- and minimal / deep house, techno, glitch and electronica, plunderphonics and house, the Westend Ghetto Guys somehow occupy a niche of their own and live from strange glitches and bizarre sounds. Bootleg remixes and mashups for 'iamamiwhoami' also lead to an official remix ("N") and collaborations with other musicians (e.g. 3PM, Minute Taker, Christopher Norman, Klordop / Tis, Morgen Wurde) from the Swedish pioneers of viral video chips. Not surprisingly, the collective from the Westend Ghetto even published sample libraries for the renowned magazine "Computer Music" and for the 'sounds2sample'-Platform and offers highly acclaimed "ensembles" in the Reaktor community ("Native Instruments").

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders