I really like those riffs, cool concept too

It has a dramatic atmosphere and is cool 🎸✨🎶

An adaptation of Pink Floyd's Astronomy Domine with a Philip Glass feel.

Published on SC 1 July 2024

Work in progress

Oberon, Miranda & Titania (Pink Floyd cover)

Guitar : Nicolas Gouzland
Voice : Delphine & Richard
Music, Lyrics, Arrangements : Richard Gonfrier
Mix&Mastering : Freddie M from MTM Productions https://soundcloud.com/masterigtruemusic/tracks
Cover Design : Delphine Portier

**Copyright©. All Rights Reserved SACEM registered**

Special thanks to my wife Delphine who's taking more and more confidence in singing for my greatest pleasure. Nico, for his wonderful guitar. This guy is just amazing, you can ask him for anything and he plays it right away. 
And this song wouldn't sound as wonderful without Freddie's touch for the Mix&Mastering. Freddie has the patience of a Bouddha Monk, and the precision of a surgeon. Thank you my friend for all your professionalism and your passion that you share with all of us everyday! Such a pleasure to work with you.

Thanks to everyone stepping by, listening, thanks for your likes and comments. It's much appreciated. I hope you enjoy.

Lyrics : 
Just tell me why you're so kind
Why you think it's worth to try
Hold on tight
Never change your mind
Let me know what's behind
What you need to mystify
All this time
I was colorblind

How can you be so determined
Holding back your tears and smile
To my lies
If I could rewind
All the words that I can find
Giving hope you can't rely
To keep you fine
Always on my side

I've heard it say before
Like a hundred times or more
That secrets learn to war
Let them blow away
Our love we thought so pure
Is now lying on the floor
I'm feeling insecure
I should walk away


Backing 1
Just tell me why you're so kind
How can you be so determined

Backing 2
Listen to your love
We can all lose our way somehow

Smile To My Lies

*Listen w Headphones

I'm having a hard time creating new stuff because my left 
ear is shut tight. So things might seem off here and there! 

Stay save!
LS
-----------------------------------------------------
Remixed by LS / 2023.

I Feel Emotional feat River & Jigs trippin

Many thanks to Vincent (Event 49) for the wonderful track 'Sultry'.

https://soundcloud.com/event49/brom?si=28a49449a9a841f5b3ec4196996b8faa&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

SULTRY - Cyclone Mix [Event 49]

Radar - Small Amount Of Money

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

A song written by former cherished bandmates…always loved! Written by Dave Dean and Jon Kott!
Cover pic is from my former Beatles band gig in 2019 downtown Farmington, MI… called Dig A Phony… check them on SoundCloud and YouTube! I’m in a lot of videos!!😀

Subtle Disposition

One of the plays from the Buendiana cycle, based on the plots and images of the novel "One Hundred Years of Solitude" by Gabriel García Márquez.

«El brillo mágico del pez dorado del coronel Buendía». Op.16-02. (1983)

A big thank you to Ian Greaves aka (IPG1)for this wonderful opportunity by providing his acapella vocals.  

Music & Mastering provided 
in the ARAPA Music Studio
Sydney - Australia

Lyrics: Modern Times by IPG1
Verse 1
Am I playing the wrong game —- where losing’s a crime Time’s just not the same—-and there’s no one here to blame In these modern times——where machines reigns supreme breaking all the chains——-to fulfill my dreams ————And that’s a solid —because—- yeah—— I’m back————- Metaphors and rhymes——-my weapons on this track Modulating -from the underground ——one culture one voice And we’re —-wired in like teeth—-like we—-ever—-had a choice Chorus Modern times---- a difficult maze Where screens captivate —— the Information Age And—-We're all connected——yet we’re—also——-alone Lost in a sea of pixels----hearts ———-—cold as stone Modern times————Modern times ——-Modern times

Verse 2 Smartphones--at our side—-our constant companions That double-edged sword—-has become ——-part of the norm buzzing Notifications——like a relentless swarm Distracting —us ——-from moments —-another task ——to perform Just another monster ———taking physical form

**Chorus** Bridge Artificial intelligence--- a marvel and a threat Replacing human minds--- leaving us —-deep in debt Algorithms —-determine our fate—without regret—- Like marionettes ———or puppets on a strings Manipulating our thoughts——damn—we are feeding these things

Verse 3 Social media——-a stage ——for the soul to bare Beneath the surface——lies ——and deceptions —-are clear We curate our lives——-like a perfect facade our true selves———pushed aside ——in total disregard

**Chorus** Outro In this digital age---we must find our way Embracing the power——with a huge price to pay There’s a balance for the screens —-in real life With the key to our future——a new vision insight

Release date:
11 September 2024

Modern Times (Feat. IPG.1) ARAPA

matzizrecords.bandcamp.com/album/prisme

open.spotify.com/artist/4puTi8NqzrUvTlqJgb2Z77

www.youtube.com/channel/UC1HHuj1qJwusea9oF-VqO4g/

itunes.apple.com/fr/album/prisme/1328464860

torresp2b.wixsite.com/matziz-compositeur/m-z

www.facebook.com/MZprisme/

Prisme

Aurore (Emission)

01 - Soundiron - Voices of Gaia - Francesca Phrases Bombastic 120 bpm
02 - SA - WE - A simple Start
03 - UVI - Falcon - Plurality - Clay Flute Trills Granular Split by Simon Stockhausen
04 - UVI - Falcon - Plurality - Transparent Pulsation & Glass Melancholy by Simon Stockhausen

Part 3 coming soon ... 😉

Beyond Dreams - Part 2

Blues Rock guitar and more.
Collabs welcome!

Radar - Small Amount Of Money

Danny Boy Campbell

Recent comments

the ignorant savants

樂天則

Robert Llewellyn

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