Gym C4

ShockOne EP

True Believer (feat. Metrik & Phetsta)

Renaissance

Renaissance (Edit)

Bunker

Here's a rough cut from a new demo. It's intense, experimental and crossover of breaks and symphonies textures. Early glimpse of where the upcoming EP is heading

Intentions [Demo Extract]

found this lols enjoy 
to download press the ... link is attached to song !

be free - mjeezy  (free download)

An electronic expansion of VOX soundscapes. Soon coming to #Spotify #TikTok #AppleMusic #youreardrums

Resonant_Frequency

Above & Beyond

September (Rmx for Future Prophecies)

Colours EP

Overture

Lock In / Shakedown

Lock In

Weapons Of Mass Creation 2 Sampler

The Trip

Enigma

Music Is My Life

Anasthasia - Blame Remix / Camargue - Fred V & Grafix Remix

Camargue (Fred V & Grafix Remix)

Playaz are starting the New Year with the best that Drum and Bass can offer by bringing you the long awaited Bi Polar EP from Playaz veteran Sub Zero. Stepping outside musical boundaries and shattering any illusions that his production style is nothing more than ferocious jump up, Sub Zero’s creativity has grown and developed within the Bi Polar EP highlighting his envious skills at producing timeless Drum and Bass.
Each of the six tracks takes you on a journey through the spectrum of D&B, displaying varying styles from calm and collected liquid to his trade mark rolling beats which have received critical acclaim from those DJs who were lucky enough to get their hands on exclusive copies.
The powerful Why Can’t You See, a collaboration with up and coming producer Supreme Being and featuring the vocal delights of Grimm, captivates the listener with the opening dramatic milieu before launching full throttle into a vocal laden dance floor smasher. Protection and Broken Me both demonstrate a hauntingly beautiful style of production, stripped back to a smooth rolling beat and infusing passionate vocals.
Your Flex and Run N Hide revert back to Sub Zero’s signature bouncy kick beat making them certified club classics from the outset. These dark and animated rollers add a lively tempo to the Bi Polar EP and complete the musical antithesis. The Jungle inspired Clash only further adds to the juxtaposition of heavy and liquid Drum and Bass which makes it exactly that: the Bi Polar EP.

Sub Zero 'Protection'

Robots & Romans

Stormtrooper (feat. Virus Syndicate)

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

Lock In

DC Breaks

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