Buy The Single: https://itunes.apple.com/gb/album/revolution-single/id805570377 
Buy The Remixes: https://itunes.apple.com/gb/album/revolution-remixes-ep/id834944216

http://www.facebook.com/r3habofficial
http://twitter.com/djr3hab
http://www.soundcloud.com/r3hab
http://www.facebook.com/NERVOmusic
http://www.twitter.com/nervomusic
http://www.soundcloud.com/nervomusic‎
http://www.facebook.com/UmmetOzcanOfficial
http://www.twitter.com/UmmetOzcan
http://www.soundcloud.com/ummetozcan

http://www.3beat.co.uk
http://www.twitter.com/3beatmusic
http://www.facebook.com/3beatmusic
http://www.youtube.com/user/3BeatProductions
http://www.soundcloud.com/3beat

R3hab, Nervo and Ummet Ozcan present the vocal version of their hit “Revolution”. 

One of the biggest club hits of recent months, “Revolution” boasts an all-star cast consisting of Dutch DJ and producer R3hab, Australian singing and songwriting twin sisters NERVO and Dutch/Turkish trance star Ummet Ozcan. 

“Revolution” is a big, bold anthem, as perfect for radio as it is for the dancefloor. The powerful production gets a rocket-fuelled boost from the mesmerising vocals of NERVO, the super-talented sisters who penned Grammy-award winning single “When Love Takes Over” (performed by David Guetta and Kelly Rowland).  

Given it’s first UK outing by Danny Howard in his first Dance Anthems show of 2014, “Revolution” is also being supported by the likes of Tiesto, Armin van Buuren, Afrojack, Showtek, Martin Garrix, Sander van Doorn and Pete Tong. 

Now it’s your turn to join the “Revolution”. 


R3hab & NERVO & Ummet Ozcan - Revolution (ShockOne Remix)

Kronology - Timelapse EP
PreOrder smarturl.it/TECH117
Release date: 29th March 2015

If you’ve been keeping your eye on the Los Angeles D&B scene, then you’ll know all about Slogun and iOh. Hailed as “Ones to Watch” by Kmag in 2013, their deep respect for junglist history and culture has fuelled a steady rise to prominence both as DJs and producers. Now, they’re ready to take the next step, and make their mark on the international scene
as part of the Technique roster.

So, after the warning shot of Razor Sharp on the 15 Years of Technique LP, it’s time to welcome the team now known as Kronology with their first full release.

You & Me kicks off proceedings in an unmistakeably US style. Evolving house keys establish the percussive heart of the track as classic synth tones add a touch of euphoria. Then a rising siren provides a call to action, delivered on by a funk-filled pizzicato bass and ultra-crisp drums. With this one, Kronology manage to balance an effortless, liquid vibe with rolling rhythms that aim straight at the dance floor.

On Submerge, Kronology team up with some fellow Los Angelians, the DJs, live performers and producers Divine Elements. The result is some highly grimy bass and mightily hard drums all topped off with some finely chopped samples. At its core, this track is all about that rhythmic motif in the low-end, an irresistible rave engine which this production supergroup constantly disassemble and re-engineer to keep this fresh from beginning to end.

Then Kronology recruit the singer-songwriter known as Without My Armor, to show a whole new facet to their work. Monster opens into a claustrophobic atmosphere, with dark pads vying for space with the vocals and creating a level of tension that begs for relief. And that relief comes as the bassline and counter-balancing mid-range bursts onto the scene. The contrast between the constricted metal influence that weaves through the track and the open, big-room sound gives this a vibe all of its own.

So Kronology have arrived, and they’ve got some flavours that you might not have heard before. While fully immersed in drum and bass music, they’ve brought their own influences of American EDM, house, punk and metal to work into the formula. Straight out of the San Fernando Valley, here’s something new for the D&B scene, encapsulated in their first release, the Timelapse EP.

Follow On twitter: twitter.com/kronologymusic
Like on facebook: www.facebook.com/kronologymusic

Kronology - Monster  (feat. Without My Armor)

Standout neuroness from the talent to watch. Gruesome!

Doctrine - The Grudge - RDR013

ITUNES- smarturl.it/CMR00LP1 
BEATPORT - btprt.dj/1fconGM

TC “nice thanks! 5/5” 
Joe Ford “Some bangers on here, nice!” 
Mob Tactics “Wicked vocals, wicked production!” 
June Miller “Sicccck! Love it :D” 
Zardonic “MONSTER!!” 
Shimon “Sick”

Coppa and his Comanche Records Imprint are proud 
to present their very first LP project - "An Act Of Aggression". This LP sees Coppa team up with a host of established and fresh producers across the whole Drum & Bass spectrum big enough to make your eyes water, all of whom contribute to a stellar album which explores new and uncharted territories of production.
1. Coppa & Machine Code - Emergency 
2. Coppa & Disphonia - Paranoize 
3. Coppa & Raise Spirit feat. Nihayet - Oh No 
4. Coppa & Borderline - 6 AM 
5. Coppa & Mindscape - We Set Fire 
6. Coppa & Cooh - Monster 
7. Coppa & Benny L - Panic 
8. Coppa & Heamy - Cause a Riot 
9. Coppa & Hallucinator - Fight Became Violent 
10. Coppa & Dj Hidden - Collateral Damage 
11. Coppa & Virtue feat. Damian Yonge - Rhythms of Life 
12. Coppa & Borderline - 6 AM (Maztek Remix)

Follow Coppa 
SC: @coppakid
FB: www,facebook.com/coppaworld

Follow Cooh/Balkansky
SC: @cooh
FB: www.facebook.com/abcd.ivanshopov

Follow Comanche 
SC: @comanche-records
FB: www.facebook.com/comancherecords

Bookings: booking@mccoppa.co.uk

An Act of Aggression

BUY 

Coppa & Cooh "Monster" (OUT NOW) (Comanche Records)

ECHOES OF THE NEON JUNGLE - DNB SESSIONS (11)

ANTIEGO 190 BPM 
FREE DL : https://advancedmode.bandcamp.com/track/antiego

Advanced Mode - Antiego [190 BPM] Free Download

PRESS RELEASE – FOR IMMEDIATE PUBLICATION

L Plus – Everyone / The Lost Moon

Technique's Slovakian assassin is back. Fresh from dusting off a couple of classic cuts for the TECH 100 Retrospective LP, L Plus has managed to find the time in his ever-burgeoning international DJing schedule to supply something brand new.

“Everyone” goes percussive straight from the off with layers of monotonic synths to get your head nodding. The intensity builds until some unmistakeably L Plus-flavoured punchy drums and sweeping bass tones signal it's time for the dancefloor to get moving. This is the sound of primitive tribalistic rhythmic interplay built from anything-but-primitive sound design. When DJs want to mix into a sure-fire party bubbler, here's one to have ready at the other end of the crossfader.

Then “The Lost Moon” goes a touch more atmospheric. Intergalactic brass stabs are underpinned by a classic “Houston we have a problem” sample and rising warning tones to leave you in no doubt that the situation's about to get critical. And critical is exactly what it gets with a complex call-and-response drop punctuated by sudden vibe-twisting fills. This track draws you in and fires the dancefloor off on a journey through hostile alien territory with no escape pod.

As usual with L Plus, there's more than just a couple of expertly crafted party-wrecking DJ tools here. There's also some serious production skills and musicality on show, making this release perfectly suited for the radio as well as the rave.

Tracklisting:

1.	L Plus – Everyone
2.	L Plus – The Lost Moon

For interviews requests and further information, contact:

info@techniquerecordings.co.uk

Beatport

Everyone

PreOrder from Beatport here http://bit.ly/KronMantra

There might only be a few releases under the Kronology
moniker, but the experience of the producers
formerly known as Slogun and iOh has shone through
nonetheless. Now, the LA-based duo are regular fixtures
on the set-lists of some of the biggest DJs in the scene.
Take Friction on Radio 1, for example. He’s supported
them since they first hit Technique and recently
premiered this very release. If you heard that (and if you didn’t, you’d better have a good
excuse) you’ll already know they’ve shoved the bar up another couple of notches. Mantra opens up into a world of atmospheric pads while a strident techy kick and reverberant rim-shots mark out the beat. It’s a hypnotic vibe which draws us in further as percussive tones augment the arrangement. As distorted edges of bass start to appear, though, it’s clear the trance-like meditative state is about to be shattered.
The tune drops like a martial arts move. Kronology capture the energy from the ethereal pads and turn it back on itself in the form of bass, using its force to punch through the calmness. The flow of the intro is converted into driving power. Call and response patterns switching between basslines, backed with break-laced drums, bring irresistible movement for the dancefloor.
It’s no surprise that Kronology are building a loyal fanbase among ravers and DJs alike. They consistently deliver heavyweight dancefloor killers with twists and turns that diverge from any known formula. And here’s another one that’s bound for raves and airwaves worldwide.

Mantra

Kronology - Mantra [Friction Premiere]

Aired 5th September 2017 on Friction's BBC Radio 1 & 1Xtra radio show.
Out Now: https://www.beatport.com/release/invasion-ep/2093567

Dub Elements - Invasion EP (Eatbrain)

01. Invasion
02. Brain Eaters
03. Get On (feat. 20Hz Audio)
04. Switcher (feat. Kung)
05. Automatics (feat. Maniatics)

Dub Elements - Invasion [Friction's 'Murky Monday' track (BBC Radio 1 Cut) - Eatbrain - OUT NOW]

PreOrder https://Technique.lnk.to/LetItRoll2018So

Various Artists – Technique Goes to Let It Roll

The biggest drum 'n' bass event on Earth, bringing together tens of thousands of ravers and hundreds of artists over three days and nights, is Let it Roll. As if that wasn't insane enough, this August, the award winning Czech festival will be graced with a Technique Recordings Label Night. And, there's brand new music to mark the occasion properly.

Opening proceedings is a VIP relick of a tune from Drumsound & Bassline Smith's massive 2017 album “Wardance”. This version of “Control” ramps up the energy from the first bar, with insistently percussive synths leading the way. Then the pulsing, stomping drop, driven by a bassline with an extra layer of grit, is sculpted for maximum rave destruction. Explosive.

“Vybez” delivers us into a trademark Tantrum Desire cinematic opening. Expansive pads stretch into the distance as subtle hints of drum edge towards us over the horizon. There's no way you're going to see the dark, scything drop coming, with a screwface bassline that screams out for a reload. This is going to cut through sub-genre divisions and take heads off at the biggest festivals and grottiest raves alike.

Then Technique's latest recruits, No Concept, take to the stage. They've already proven capable of creating multiple styles, and with “Make Noize” they've built a monster. The long tension-ramping build supported by that “make some noise” sample writes a very big cheque, but the drop is more than capable of cashing it. The warping and twisting bassline, those gut-punch drums, and the adrenaline-shot fills combine into an absolute beast of a tune.

Finally L Plus gives us “Let Roll the World”. Gigantic uplifting arpeggios set the tone in the intro. The “let it roll” dialogue clip adds an extra boost of hype. And then there's an almighty drop which rattles off a full polyrhythmic ammo belt. A syncopated pattern in the bass weaves in and out of switching percussion instruments while a rock-solid kick and snare provide the scaffolding that holds it all together. Powerful stuff.

Even in this four-track mini-compilation, the strength and depth of production skill on show makes it very clear why Technique is such a revered label. And it also demonstrates exactly why their Label Night at Let it Roll in August is going to be unmissable.


Tracklisting:

1.	Drumsound & Bassline Smith – Control (Let it Roll VIP)
2.	Tantrum Desire – Vybez
3.	No Concept – Make Noize
4.	L Plus – Let Roll the World


For interview requests and more information, contact:

info@techniquerecordings.co.uk

Vybez

Tantrum Desire - Vybez (Rene Lavice Premiere)

Our remix of Koven's 'More Than You' for Viper Recordings. Out in March 13

More Than You (Friction Rmx of the Week BBC Radio1) - Koven

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.