sounds like shit........peep my wack ass tracks nigga......your bound to hate them......shit i dont even like em......good for annoying the shit out of friends enemies animals and sleeping babies.....its the new suicide shit....people hear it and kill themselves.....pcp popullation control productions nigga

*Denver, CO*
Definitive, BluFin, Rusted, Frequenza, Moody, Academik, Donald Glaude Recordings, Pet Project, South American Sounds, Mad Hatter, Big Alliance, etc


I do stuff and things with robot noises. 

UPDATE****

Could be something new lurking in the shadows....

*EAT ASS 2 OUT NOW*
Tyy Dipwhipple @6513561991 1/3 " CRAM "
@jaylapmusic 1/3 " CRAM " 
@johnshrimpnose 1/3 " CRAM "
@alfredziplock 1/3 " CRAM "
inquiries : crambooking@gmail.com

ÏF U ˚K †
♀♀♀

Product of influential thinker, artist, poet, and performance artist Anthony Wicklund 

other wise known as \\ thad, ayaad, ayogt, ayaad wahr sauh, ayogt wahr saul, anthenya, antho, tho, // and many onther "nick names" and monikers.

  Element Id is the primarily instrumental post "sin boy", "Dj red", and Donner effort lead by chief manufacturer himself Ayaad; Wahr Sauh.  Double hade on haters, this hip-hop apocalypse fused with post industrial sounds and break beat extragenzar pounds in time, "tie the tribe, kail divide, and grate on leaders of this collapsing world".  

"Dian host to you, acaust not; bredth and ret sistren, have a beautiful and glorious daze."  

Ro for Wraithe, be strong, be cool, and show your belt buckles.

Ojibwe rapper from Minnesota
contact: darrensipity @ gmail . com
take a look around: https://darrensipity.bandcamp.com

BABY SHEL

Native American Rapper out of Red Lake, MN. 
Featured in:
VICE/Apple Music Doc. (2016)
First Avenues Best New Artists. (2015) 
twitter: babyshel100
Instagram: babyshel
Snapchat: babyshel100

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

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Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.

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