Booking Worldwide:
info (at) miyagi.de

Labels:
Do Not Sit On The Furniture
Supernature
Einmusika
Katermukke
Bar25
Dantze
Lost Diaries

Hamburger Künstler stellen ihre Musik zwei-bis vierwöchentlich exklusiv vor. 

Frei und kreativ

Voller Kraft, voller Liebe und Freude. Jeder Podcast ist Einzigartig, Elektronisch, und unbedingt Tanzbar.

► Podcast #14 Maxi Mal
► Podcast #14 Diego Digital
► Podcast #13 Wolfgang Dembowski
► Podcast #12 Nils van Borg
► Podcast #11 Gary Woodaple
► Podcast #10 ANIÈ
► Podcast #9   Meedschuli
► Podcast #8   DJ Miss Nic
► Podcast #7   Rauschwerkstatt 
► Podcast #6   Paul Harbour 
► Podcast #5   Fabs    
► Podcast #4   Theory & Praxys 
► Podcast #3   Herr Lausch     
► Podcast #2   Stefan Brandenburg 
► Podcast #1   Stereophonie


share your love ♥ 

..............................................................
contact @
kontakt@hamburg-summer-open-air.de 
podcast@hamburg-summer-open-air.de

Facebook:
https://www.facebook.com/OpenAirsinHamburg
https://www.facebook.com/HamburgOpenAirs


https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

^ Bookings World Wide ^ 

Juan
book.roderic@gmail.com

Bio.

In Music we Trust....

Techno - House - Progressive

Jörg aka Dj Norg (T.I.G) gebürtiger Hamburger......
Anfang 1992 mit dem Technovirus infiziert dauerte es nicht lange und ich besuchte die ersten Partys.
Nach 4 Jahren Feierei und etlichen Partys musste erstmal Pause sein.
1998 dann mein erstes Equipment zusammengespart um selber mixen zu üben.
Mit den Jahren kam dann immer mehr Elektro,Techno und House mit in meine Sammlung hinzu und definieren heute den grössten Teil meines Sounds,wobei auch DeepHouse und viele andere sub-genres eine grosse Rolle spielen.
Seit Anfang 2012 nun auch mit im Dj_Team von Tekkno Ist Grün 

In the beginning of 1992 I was infected with the Technovirus. It lasted not for a very long time and I visited the first parties.  Further parties followed and then I took a break. In 1998 I bought myself my first pitchable CD players - and I enjoy participating until today.

I love to play different Styles, from progressive over Electro to Tech House. Everything thats well dancable and I also like!


4 new sets check my Soundcloud and Mixcloudaccount 
Mixed on Pioneer equipment.


Stay tuned \o/

Steve Bug is one of electronic music’s true originals. His relentless commitment to quality - both in his own work and in the many producers he has championed - has made him one of the world’s most revered artists and curators, and along with his labels Poker Flat, Sublease Music, Audiomatique, Dessous Recordings, Traffic Signs or Raw Elements has made a sizeable contribution to building the European house and techno scene as we know it.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

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