This song commemorates all Canines, and this song  specifically celebrates the life of Krasovetz’ dog, named  “Charlie”.  A spunky little Coton De Tulear that has an incredible personality and free spirit . Charlie is another of the classic dog names you've definitely heard before. The name derives from a German word that translates to “free man.” the word  “Canis Venatici” is a small northern constellation that was created by Johannes Hevelius in the 17th century. Its name is Latin for 'hunting dogs'.

Canes Venatici, constellation in the northern sky at about 13 hours right ascension and 40° north in declination. Its brightest star is Cor Caroli (Latin: “Heart of Charles,” named after the beheaded King Charles I of England), with a magnitude of 2.8. The bright spiral galaxy called the Whirlpool Galaxy is found in Canes Venatici. The stars of this constellation were originally part of Ursa Major, but in 1687 Polish astronomer Johannes Hevelius made them their own constellation, which represents dogs held on a leash by Boötes.

The unique musical compositions in the song titled “Venatici” is showcased on the bands 2nd studio album titled "Portals" is designed to transport the listener through an extra-dimensional audio experience that is achieved by a culmination of catchy club, and dance beats that are only expanded by the further spontaneous trance musical scores with natural acoustic and electric guitar rock riffs. 

The force and drive behind the music is evident by the underlying use of electronic dance vibes. Center Mass engineers sequence powerful layered audio stems, by balancing amazing earth sound and space-scapes that ultimately combine the music concepts of "artistification" (derived from sonification), all designed to transport and uplift the human spirit. https://www.centermassuniverse.com

Venatici

instagram -  https://www.instagram.com/centermassuniverse


Press Release- 9/10/ 2023- finance.yahoo.com/news/introducing-center-mass-universe-where-183000833.html

Album release date -9/17/2023

“Center Mass Universe Music Review - What was really unique to me (and what I loved) about your music, was that your tracks  use typical “rock” instrumentation while working in a dance/instrumental trance arrangement. It’s so cool and unique - I can really see your music being used in possible sync opportunities, such as movies and video games and television shows. There is a huge market for this style of music. Overall, this is such a cool song! Honestly, it’s one of the best I have heard on here in a while. I love the rock-style of the instrumentation combined with dance and trance style of the arrangement. It worked really well!”  - Kara Greskovic

— Professional Music Critique, Engineer & Producer - Nashville, TN


Center Mass Universe seamlessly blends moody post-rock, trance, and electronica, creating a distinctive and transcendent sound. Comprised of Slovenian musicians Uros Brosic and Todd Krasovetz, this Arizona-based duo employs their music as a vessel to explore profound philosophical and scientific concepts. On their self-titled album, they showcase their gift for crafting haunting soundscapes and intricately composed pieces.
 
By seamlessly integrating organic instruments with electronic textures, Center Mass Universe achieves a perfect synthesis of human and technological influences. Their music bypasses logic, directly speaking to the human spirit and guiding listeners to higher planes of consciousness.
 
When asked to describe their creative process, they explain, 'We aim to transcend boundaries through musical portals, traversing multiple dimensions and spaces where time ceases to exist.'
 
Despite their unconventional style, Center Mass Universe's epic instrumentals remain instantly accessible. With memorable guitar hooks, evocative soundscapes, and constantly shifting time signatures, the band is establishing itself as one of the most thrilling and unpredictable acts in instrumental rock.

Artists- Music Composition by  Todd  Krasovetz & Uros Borsic. “Running Water” is the 1st song on the soon to be released 1st studio album by the band titled Center Mass Universe. This song explores the translucent attributes of water and combines the uncontrived patters and movement in the music. 

CMU uses natural & electronic musical instruments, multi layered acoustic and electric guitars, synthesizers, piano, bass, natural and electric drum mixes to create a masterful movement, composition, and engineering timing.


Check these reviews out!!

dancing-about-architecture.com/galamatica-center-mass-universe-reviewed-by-dave-franklin/

dancing-about-architecture.com/galamatica-center-mass-universe-reviewed-by-dave-franklin/


dancing-about-architecture.com/water-running-center-mass-universe-reviewed-by-dave-franklin/

dancing-about-architecture.com/rogue-star-center-mass-universe-reviewed-by-dave-franklin/


Official Website- www.centermassuniverse.com

YouTube- https://youtu.be/ENHXNKIU0nw?si=Jq3t4RM9sF5-89Zg


Facebook- www.facebook.com/centermassuniverse

Instagram - www.instagram.com/centermassuniverse/


Radio Song Versions

Rogue. Star - https://on.soundcloud.com/B78gxpq5t6H9UuaC8

Time Irrelevant - https://on.soundcloud.com/q18tBQWCTJ55FBjF8

Dancer |Creator |Artist | Model
Urban Contemporary Student

Vardath is a brand-new, one-person sonic laboratory that began transmitting in January 2025. Using generative-AI tools as both muse and instrument, Vardath stitches together glitchy percussion, crystalline pads and unexpected melodic detours to create music that is at once strange, cinematic and quietly beautiful. A self-described “truther,” he draws conceptual fuel from the alternative-history ideas of Jaydreamerz, Guy Anderson and Jeff Snyder2, turning those fringe perspectives into shimmering, other-worldly soundscapes.
Launched in January 2025, Vardath is the latest independent producer who treats artificial intelligence as a creative co-pilot rather than a gimmick. By feeding field recordings, modular synth phrases and text-prompted virtual choirs into custom machine-learning chains, he coaxes out music that hovers between glitch, ambient and avant-pop—a place where ghostly harmonies bloom out of fractured beats, and a single sample can be stretched into a cathedral of sound.
Vardath’s worldview is as unconventional as his workflow. A committed “truther,” he regularly explores the work of Jaydreamerz, Guy Anderson and Jeff Snyder2—figures who challenge mainstream narratives about history, cosmology and consciousness. Rather than preaching, he lets those speculative ideas seep into the music: pitched-down lecture snippets become rhythmic textures, while sweeping drones hint at lost civilizations and cyclic cataclysms.
With thousands of self-published tracks on Bandcamp and the major streamers, Vardath is still in a formative phase—but that rawness is part of the appeal. Each new upload feels like an open notebook page, inviting listeners to follow the real-time evolution of a producer who uses AI to question not only what music can sound like, but what reality itself might be.
• “AI-built dreamscapes for the curious and the conspiratorial.”
• “Where glitch meets gnosis.”
• “Soundtracks for slipping the consensus reality.”

Venatici

Center Mass Universe (CENTER MASS) Official Site