la scoring strings

Meditation for 2 Celli and Doublebass - LA Scoring Strings LASS

Odre

"Noise from the Rising Sun"

The low temperature reel

🤜🏼⛓💣💦👿💢💥⁂©ALL RIGHTS RESERVED 08-2025
©Mixer, Mastering, Creator, FX, & Pro License: Lady ElectroTrek
***

Attrition For Assault & Siege

Terror From Underneath

maybe it's just me, but the end of summer has always felt like someone suddenly flipped a switch and changed everything overnight. the light, the air, the mood, everything. of course, there's this spectacularly beautiful transition called indian summer in canada and north america, and simply "herbst" here. but the beginning of this magnificent end always feels abrupt to me. recently, it happened again. just like when I was a child, I felt a sense of melancholy, as if it were a permanent farewell. maybe for it will actually be that way. someday.

anyway, in 1981, I had the bizarre idea of writing a musical. I was attracted by the complex challenge. but, above all, it was because I had always been immensely impressed by the musicals of the 60s and 70s: just freaking divine melodies, usually too dramatic, playful and operetta-like for radio.

I got started and wrote a musical about mice (while in london someone way more talented was creating one about cats;-) of course, autumn had to play a role, with all the feelings I associate with it, which I also attribute to mice. scene: two mice sitting together, watching a beautiful sunset, one of them starts singing and dancing.

over the past 40 years, I have reinterpreted the theme of this special part countless times (just example in the case of massive curiosity: ( https://youtu.be/az0T2Uzkgk0?si=QLOK4hJ5i5GcsDbr ), but it has only now become a song with the vocals written once.

I’d also like to share the very first sketch on the subject, once recorded in my band's rehearsal room with a working text. we shared the room with a keyboardist with an unimaginable amount of money. this allowed him to afford things I secretly used for this recording: a brand-new wonder machine called the teac tascam portastudio 244 80s 4 track multitrack cassette tape recorder!!! a yamaha cp 70 grand piano!!! a korg cx-3 organ!!! and a roland tr-808 rhythm composer!!! absolutely insane!!! the rest is my “voice” and, of course, the strat.

And since I’m already at it, I created a template-free hip hop interpretation of the lyrics that more closely reflects my current mood, which is certainly age-related;-)

©music and lyrics written by Hans-Michael Albers, instrumental cover and vocal performance by suno 4.5+

One last warm ray of sunlight.
reflected in the leaves' dance.
A flock of birds flies away.
A sky full of differences.

Nothing blooms or sparkles in the air anymore.
Only the weary scent of farewell.
Of all the strength that once was.
Now, only memories remain.

A quiet dying, piece by piece.
Looking forward, we look back.
To everything light and carefree,
that returned every morning.

as if nothing was ever too late.
Because time turns in circles.
in a boundless world,
where nothing lasts forever.

Do you feel it, too?
Do you feel it, too?

Colourful and enchantingly beautiful to this day.
A play of colours, no farewell.
One last warm ray of sunshine.
There won't be another one.

There won't be another one.

Do you feel it, too?
Do you feel it, too?


Spürst du das auch? (Musical Version)

Mark Kurtis Adams (1956-2022) is the greatest songwriter you've never heard of. We were friends for forty years. Since his passing, I have been combing through his massive catalog of original songs; many co-written with friends, many written solo. It would be a crime for the world to never hear the music I grew up on. Mark gave me permission/freedom to use his music in any way I choose before he died. Here is VOLUME 2 of Mark's music as I have interpreted it.

If We Knock Down the Walls

This is a tune from my favorite LP from this band called "A Deeper Understanding". Again you may not recognize it if you know the band, as my interpretation fits my style on a 6 string acoustic. I really like this song and itis fun to sing and easy to play on the guitar.

"Thinking of a Place” marks a subtle, focused return from the War on Drugs. Stretching out across 11 minutes, it is less a reintroduction than a reimmersion into Adam Granduciel’s spectral Americana. Nearly every aspect of the song is tenuous, either disappearing or located just beyond our grasp. Granduciel sings, “Love is like a ghost in the distance out of reach.” He warns us, “There’s a darkness over there/But we ain’t going.” He laments a lover who “vanished in the night” while he gazes at the Missouri River. The music shifts between ambient passages of synth and fuzzed-out guitar solos, neither building in intensity nor losing momentum. Instead, Granduciel sounds locked in perpetual motion, sometimes slowing down to observe his surroundings, and sometimes pushing forward and just letting it blur outside the window.
The power of “Thinking of a Place” comes from the way Granduciel communicates urgency through such patient music."                    Pitchfork

Mastered Track: Distrokid Mixea
Image: Devon Schreiner

Thinking of a Place-The War on Drugs (Cover)

💓🔥💪🏼🦵🏼⁂©All Rights Reserved 08-2025
© Mixer, Mastering, Creator, & Pro License: Lady ElectroTrek
***This track is Page Defender Protected & to be released on EP with additional Pro MIXEA BADGE>>
https://distrokid.com/hyperfollow/electrotrek/the-big-slide

Intense Attraction

The Big Slide

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

when the waves of silence break
on the dharma nomad's sitting mind
the daylight sleeper's nagual wakes
for a body of the idle kind

that speaks in riddles, muted rhymes
and labrythene paths of jesting Joyce
where assonance stands guard and chimes
in onomatopoeic trysts

for rivers run and waters foam
and dogs are dogs of many heads
no dwellings last where prospects roam
and liquid hope permits no rest

and the knowledge of the miserly
cannot withstand the yearly flooding force
and can and will and is not allowed to atrophy
as long as eight blurred legs still make a horse

ah burning barnacles to make light
of tonal drylands and bold vertebrates
bridges? yes, bridges burn for ashes' flight
and sparks and bioluminosity and microtonal clefs

for those who walk the open scalar fields
have guns that glow and minds to blow
for those who raft down rapid vector creeks
having dreams to grow and seeds to sow -

Vector Creek

scalar fields pt 10 vector creek - with stonerjazz

Well  I’m confused about the modern world, am I hero or villain?
Will the things my daddy taught me leave me in a cell just chilling
Well I’m willing to accept the change as long as daddy gets the blame
Cos I don’t even like the name he gave me
Now I don’t deal with stress that well
It should be daddy in this cell
And if he really loved me then he’d save me
I think that’s the size of this modern life , it’s never at my door
And I feign surprise at all the new lies I swear he’s heard before
Daddy tell em , tell em quick , tell em where you heard that shit
Before they nail my nutsacks to the floor
And I’m only 44
Could you please tell em for me that it’s been your reflected glory that I’ve been far too busy basking in
And from your hearts repository maybe rewrite my history
Tell em how much mummy loved her gin
So come on daddy step up and take the blame 
Don’t it break your heart to see me crying again 

Music and lyrics by Shane

Dads fault

Another attempt of composing. I used Audiobro LA Scoring Strings v1.5. I'm not sure how result is, but i'd appreciate your opinions.

Twelve (Audiobro LA Scoring Strings library)

LA Scoring Strings Demo

LA Scoring Strings  sampler

Test of the LA Scoring Strings First Chair Violin (legato phrasing)
Backing tracks from Band in a Box
Edited in Reaper
Effects from EZ Mix 2

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