New Kingdom X Shygirl:
https://open.spotify.com/playlist/3WNx7oWQJaoCrAF3cigNMs

Inquiries: contact@fadetomind.net

http://www.thermal.global
~NA Booking: teengirlfantasy@gmail.com
~UK/Euro: cyril@zoobook-agency.com 
~GSA: marv@mrkultpro.de
~band contact: teengirlfantasy@gmail.com

www.badbloodrecords.com
www.boysnoize.com
SPOTIFY: http://spoti.fi/1MXlAKs
iTUNES: http://apple.co/1YiQCF0

GENETISIS EP OUT NOW ON TVNDRA DVBS http://tundradub.bandcamp.com/album/genetisis

PREVIOUS LP MMMMMMMM STILL AVAILABLE ON AMDISCS. http://www.amdiscs.com/?page_id=3945

some past shows:

3/24/2011: @ The Meadowlark (DENVER) w/ Reverb and the Verse, Patrick Lee

3/26/2011: @ Hi Dive (DENVER) w/ Modern Witch, Pictureplane, NIght Of Joy, Wayzout, Kristy Foom DJ Set

4/2/2011: @ Roo Bar (DENVER) w/ Foreign Legion, Mike Wird, Wayzout, Selector Sam (SP DJ SET)

"producing dark, cosmic dance music, Powers uses clashing sounds, 8-bit aesthetics and an unapologetically nerdy intellect to challenge assumptions about music, art and, well, extraterrestrial life." - Eryc Eyl for REVERB 



Visionary vocalist and songwriter whose sonic explorations have captivated audiences worldwide. With a career spanning over two decades, Zombelle's artistic journey began in 2001, marked by a relentless pursuit of sonic innovation and boundary-pushing creativity.

In 2008, Zombelle made her debut on Living Tapes cassettes with the mesmerizing release "Gurgle Beaste," showcasing her avant-garde approach to sound and songwriting. This early work laid the foundation for Zombelle's reputation as a trailblazer in the experimental music scene, earning her recognition for her fearless experimentation and genre-defying compositions.

In 2011, Zombelle cemented her legacy with the virtual-only release of "Tropicult," a groundbreaking exploration of the emerging seapunk movement. Co-created with collaborator Myrrhkaba, "Tropicult" pushed the boundaries of sound and aesthetics, capturing the imaginations of listeners with its ethereal melodies and futuristic textures.

Now, in 2024, "Tropicult" returns in a remastered and rereleased format, reigniting interest in Zombelle's seminal contribution to the seapunk genre. As a co-creator of the seapunk movement, Zombelle played a pivotal role in shaping the aesthetic and sonic landscape of this influential subculture, leaving an indelible mark on the world of experimental music.

Beyond her contributions to seapunk, Zombelle continues to push the boundaries of creativity, fearlessly exploring new sonic territories and defying expectations. With a reputation for innovation and a dedication to pushing the limits of experimental music, Zombelle remains a true pioneer in the realm of sonic exploration.

youtube.com/@antwontv2.0


If ANTWON didn’t exist, no one could have invented him. The former hardcore punk, unabashed hedonist, and Nature Boy leader is what you’d get if Bad Brains spent their summers balling on a budget. ANTWON isn’t a contradiction; he’s a man of complexity. You might catch the San Jose native flexing in BMWs chauffeured by freaks, but he’d prefer to be low-key in a Prius. You might catch him in the club sipping tea and smoking the highest caliber of weed. He isn’t weird isn’t for the sake of being weird. He’s weird for the sake of being raw as fuck.

The former member of power-violence punk outfit, Leather, ANTWON first burst onto the scene in the early years of this decade, blending slightly nostalgic fluorescent raps with gritty industrial dirges, and live shows so rowdy the bruises still haven’t healed. He’s collaborated with Wiki, Heems, and Lil Ugly Mane, Suicideyear and Pictureplane—effortlessly shifting between styles and genres without losing the lecherous wit that made him instantly stand above from the sea of Tumblr struggle rap.

With his lo-fi druggy summer anthems, ANTWON emerged as the missing link between Kid Rock and the Great Rock N’ Roll Swindle, The Misfits and Martin Lawrence. He was ostensibly too raunchy for the punks, too punk for the hip-hop traditionalists, and not chill enough to be chillwave, but he still built a die-hard cult—one of music’s true originals, idiosyncratic, off-beat, blunted, and always with a bad chick hanging off of him.

The Fader said, “ANTWON has a gift for making filthy-fun-times rap songs with people who don’t usually produce rap.” Spin compared him to like a teenaged Biggie in that famous street-corner freestyle resurrected as an ex-hardcore dude.” Pitchfork claimed, “ANTWON’s heavy voice mourns the people whose lives are growing stagnant and not progressing…like Death Grips if they showered up and decided to write the vast majority of their songs about oral sex.”

He’s too smart and self-aware to try to be the voice of his generation, but his raps embody the spirit of the masses that refuse to fit into any classification. He’s the music nerd and the class clown, the punk and the pervert, emotional and aloof, the rap kid sampling Metallica, old funk, and 80s synth-pop.

After a handful of mixtapes and one solo album, he’s signed to Anticon—the ideal fit for a label that never catered to obsolete notions of genre or what a rapper could or couldn’t be. ANTWON couldn’t give a fuck even if he wanted to—an original artist that’s always evolving, swerving recklessly in the lane that he built.

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