Name: Clari-Fusion by DDJohn in DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !
Duration: 2 min 56 s
Description: A few notes in mind this morning ...a big trip at the end of the WE ;-) ! Going further into mixing genres ...Hoping you like it :)) Have a very nice day :)

DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

OTH3RL4ND

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

A few notes in mind this morning ...a big trip at the end of the WE ;-) ! Going further into mixing genres ...Hoping you like it :)) Have a very nice day :)

Clari-Fusion

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

these are our most precious pieces on our music journey: self compositions.
We are influenced by different other music styles that you can listen to in the other albums (being all released soon)
Dies sind unsere wertvollsten Stücke auf unserer musikalischen Reise: Eigenkompositionen.
Wir sind von verschiedenen anderen Musikstilen beeinflusst, die ihr auf den anderen Alben hören könnt (die alle bald veröffentlicht werden)

Guitar favourite melody  (Chris Lutz) with drums (Sarah Kugler)

“One of our songs (my wife and I), which I played at our wedding. Inspiration to capture a lofi, raw track came from the new SWAG album by Justin Beiber; my wife showed me how the album was captured using an omni directional microphone and how this makes the sound of the record. I wanted to capture a raw emotional take so I used this microphone philosophy and set up 1 microphone in which to capture the room and the performance. The song has turned out great and I like the sincere charm to this recording.” 

Love, love, love.
Love, love, love.
Love, love, love.

There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say but you can learn how to play the game.
It's easy.

Nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do, but you can learn how to be you in time.
It's easy

All you need is love.
All you need is love.
All you need is love, love.
Love is all you need.

All you need is love.
All you need is love.
All you need is love, love.
Love is all you need.

There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be. It's easy

All you need is love.
All you need is love.
All you need is love, love.
Love is all you need.

All you need is love.
All you need is love.
All you need is love, love.
Love is all you need.

Love is all you need.
Love is all you need.
Love is all you need.
Love is all you need.
Love is all you need...

Written by John Lennon and credited to Lennon-McCartney.

©1967 Sony/ATV Music Publishing LLC. All rights reserved. Used by permission.

all you need is love.

Movement 3 of a piano trio of short-ish movements. Hope you enjoy!

Trio in A Major - Movement 3

Free Men

Improvisation on an old Rhodes Eighty-Eight
Copyright 2025 Brian James McDonald Publishing (ASCAP)

Improvisation On Old Keys

I couldn’t be bothered to look up the email address 

Dear mr SoundCloud I’ve written before 
But as your still a cunt I’ll presume I was ignored 
I’ve always led from the front and I know  it’s a flaw
But this ain’t no stunt I’m just settling the score 
For your information my speech has no hate
I go out of my way to way to call everyone mate
Every time I press play I describe it as great
So why do you say your deciding my fate
You say it’s because I used the word fag 
Which means cigarette you silly daft slag
Oh shit I bet I’m back in the gulag
Fuck it you tit I’ll go get my school bag 
Dad said fag , and grandad too
It’s what we smoke while we’re having a brew
Until some fucking joke like you
Finds a crime like scooby doo
In your moody tune shop
Fuck off you flip flop 
It’s just you and your mucky minded bots
Peeking in on private spots
And wiping words while knowing not
What feelings threw them in the pot
A waste of time but worth a shot
I’m not even bothered about myself 
But then there’s folk like my mate gal
Who’s got issues with his health 
You cunts piled on him as well
I can’t help but think
That this style of stink
Would wither up and die
If all our words 
were seen and heard 
By human ears and eyes

To whom it may concern

Special Tribute to  Phil Nitnac (RIP) and Eric PO (RIP)  early 2000

Y a t il pLUs COmpliqués que NouS ?

Having another stab at  Humanity 😆 Voice goes some slightly different places here which is always nice to experience as an artist. Maybe a bit of Whacko Jacko influence coming through a bit. What a musical legend Michael was 🤍

The pic is a map of the world which lives beside my studio. I need to update it but I've got lots of my SC connections marked there. Cheers you bunch of inspiring nut balls 😘 

Humanity

We found it looking inside
It worth a mention
Pay close attention
Its love
Its inner light
It’s good
Its right
Its hope with cope
It’s something inside
It’s worth a mention
In every moment
No tension

Find a map,
Draw a heart,
Top lines intersect on an Isle that we are part
Try funny,
Live poetry,
Rule writing
Love love
Let's all absorb this Éire dove

For a while our neighbours tried to fight
They took our Oak,
Built boats,
Made blight
But we survived and became beacons of light for all Earthling'

Before invasion our Druids shone
Just altered myths now paint them wrong
I see mesoamerican beings
Too advanced for christian scenes

So the church rolled in & tried to brain wash us
It worked for a while until the poor kids got it...
So we learned and evolved and found new truth
New truth defined in protecting our youth

So here we are,
Smack bang in the middle
We'll explain it in word,
Or sing it with a fiddle
In the end we are neutral
As neutral as neutral can be
The secret?
Just love and have a laugh
Be a real "me"

Just be the real "me"
We need more real "me"

We found it looking inside
It worth a mention
Pay close attention
Its love
Its inner light
It’s good
Its right
Its hope with cope
It’s something inside
It’s worth a mention
In every moment
No tension
Just flow in projection and reflection
Conversation with true observation

Humanity

Cast of Characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals, lyrics, acoustic guitar and composition

Mistermark-- @user-432503709 -- Mark –- VST strings and mellotron 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – upright double bass, plucked and bowed

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

J.J. Terrell– @j-j-terrell – piano

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, Danelectro baritone electric guitar, and e-bow

Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
 
Carl came up with this song at the beginning of November on his acoustic guitar, and shared it with the rest of us shortly after. Carl is a songwriting supernova, in case you're unfamiliar with our newest addition to the team. We're always excited and grateful to get to work on his music. 

  Mark was first to add his parts, although he tweaked them throughout the process. His work can be heard in the dramatic string arrangement and mellotron at the crescendo. Josh was next to jump in, adding his new upright bass to the song. He played not only the plucked part, but the bowed part in the strings section, too. Ken came along next with his perfect drums to complete the rhythm section. JJ wanted in on this, too, so he added the foundational piano you hear throughout. Last, but not least, Stephen dropped in his electrifying guitar solo and the accompanying textural chords using is Danelectro baritone guitar, followed at the very end by his magical e-bow part. 

  Once it was all in the bag, we asked Tez to produce and mix it for us, which he did in his always expert fashion. 

  This is our latest song of which Carl is the author. He's been making music with us for the past half a year now, and we can't get enough of his abundant creativity. We hope you enjoy listening to this as much as we enjoyed creating it.

  Also, Carl had this to say about his lyrics, "Labels and putting each other in a particular box is causing big problems on the planet. The song's meaning is born from trying to take labels out of our lessons. In a polarized world, the song pines how we will likely learn lessons properly if we leave ego out of what we are trying to learn. Maybe our art has more relevance for future generations if we do that instead of bolting it to the current people or ideas causing us problems."
Original lyrics by The Beautiful Dark:

Let's play cards
You lying runt
Word poker perfect
A joker to hunt
Motor makeup mouth
Dadless brain itched
Orange sith can shout
Cycle of old child bewitched

Leave out the names
Remove their power
Lessons find refrain
Fake turned to flower

All liars die
'As honest tongue
Dinnseanchas signs our true right and wrong
Transmutation
Time understood
Truth trump card for hate
More blossomed love

Leave out the names
Teach tomorrow's hour
Lessons find refrain
Pure honest power

Lies from power
Carry hidden agenda
Justice can save us from these malady members
Unless they break our sacred norms
They've changed the game with iron fisted porn

Leave out the names
Control our stream
Lessons mute ego
Brutes turn to dream

The system protects us from crazy one
One system collective
Agreement by sum
Normals described
Standards of power
Transmutation of evil
Never named gives real flower

Let's label our love
Let's teach that today
Let lessons of dove
Show us our way

Leave out the names
Remove their power
Lessons find refrain
Fake turned to flower

Leave out the names
Teach tomorrow hour
Lessons find refrain
Pure honest power

Leave Out the Names - Eclectic Collective

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Passionate Musician & Sound Explorer Clarinetist (classic & jazz), guitarist, and home producer—my musical journey is all about creation, improvisation, and connecting with fellow artists. From jazz manouche to electronic experiments, I embrace all forms of music and love blending genres.
🎤 On Stage & In the Studio
•	2025: Concerts with the band Catimini (https://www.facebook.com/photo?fbid=1416649306133283&set=pcb.1416649352799945)
Concerts with the TDB of Veneux les Sablons (https://www.youtube.com/watch?v=EoF7mwm60t0)
•	2024: Featured on UK’s SoulRootsRadio ( after 1 :14 @ https://www.mixcloud.com/SoulRootsRadio/dj-murzi-the-murzi-show-64/?fbclid=IwY2xjawOqA_5leHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe4rznifwfxQVuqJtHt1DnYnFQxAqt2b7rZ0cj3ux89HfVZkklGSzSFGaGi9s_aem_5NIKjvG7RqcEdEzvAeN9cQ) 
•	2023 : Performing as clarinetist for OPPF (Orchestre Philharmonique du Pays de Fontainebleau) https://www.youtube.com/watch?v=M9AxNVZJVqQ
•	2022: Proudly inducted as an Official Lunatic71 after collaborating on Skyline with Cosmic-Ratzzz  on SoundCloud (https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn)
•	Collaborations on SoundCloud since 2013: From jams to finished tracks, like my tribute to Georges Brassens (https://soundcloud.com/search?q=Ddjohn%20%E2%80%93%20Les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra) or Mountain Songs (clarinet on Take Cripple Club https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download) or in reggae mode  (https://open.spotify.com/intl-fr/album/2XfVKVx3ZE1qUBwoUojmfW?flow_ctx=a0564696-da34-4b8f-88e4-d25761e2a0f5%3A1765666094)
🎛️ Producing at Home I craft my music using Cubase, mixing acoustic instruments with electronic textures. 
🌍 A Musical Community SoundCloud is my playground for sharing, discovering, and connecting. Thank you for listening, your kind words, and your support—it means the world to me.
🔗 Influences & Projects:
•	Inspired by the Beatles, Supertramp, Django Reinhardt, Georges Brassens, 80’s music and everything in between.
•	Played guitar on Ain’t No Sunshine by Chris Pendergraft (Bandcamp)
💬 Let’s Collaborate! Hit me up for gigs, projects,or just to talk music!

Clari-Fusion

DDJohn

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