When you are down and low, and you need a shot of good funk.

DatOl'Funk

“Gates of Hell” by August Indigo reimagines Electric Six’s “Danger! High Voltage” through a more atmospheric and emotional lens. While the original is a dancefloor anthem about electric attraction and reckless passion, Indigo’s version leans into the symbolic weight of “hell’s gates,” giving the song a more haunting and introspective feel. It feels like a reinterpretation rather than a faithful cover: she takes a familiar lyrical image and spins it into something deeper, more poetic, and potentially more personal.

Gates of Hell

No Nut November (Demo)

Night of Dreams

This is a preview of an original song of mine soon to be released. It is nowhere near mixed properly. Fun fact: I recorded the bass track for thing song using a bass guitar that I made and painted myself (it should be the photo for this track). I hope you enjoy it. If you do enjoy it, please give it a like, a share or whatever. And if you want to use it in any of your productions you are more than welcome to. Please just credit. me if you do. Thanks!

Lost Our Way Together

It's been a while since I uploaded an original song I have written/recorded. This is nowhere near mixed properly and I haven't recorded the vocal tracks for it yet. It is just a funky jam that I recorded on a bass guitar that I built myself (it should be the photo for this track) then built the foundations of a song around it. If you'd like to use it in a video or whatever you're more than welcome to. I just ask that you credit me for it. Otherwise please feel free to like and share this on facetube or youbook or twitsnap or whatever the popular social is these days :)

FDD1506 – Backlit Days

FDD1514 – Wild Force Sync

Cozy With My Baby 3.15 mins

Another Losers Anthem

I am a musician, songwriter, producer exploring the sonic fabric of music, and voicing ideas about life, the universe and whatever may steal my attention. I'd like to take you on a journey. 
I think the earliest music I listened to was dad’s Johnny Cash and Frankie Lane records. Eventually I found The Sweet and Deep Purple and then Zeppelin and Sabbath. All of these bands blew my mind. Heavy riffs and in your face vocals seemed to hit the spot. I just had to get a guitar and learn what these cats were doing, and I did. Van Halen and Nugent followed, and then Queen, in particular when I heard Ogre Battle.
The logical next step was to get into a band and play. Mad Shadows was the first regular gigging band I play in formed with a couple of great mates. We had a lot of fun if nothing else.
Keyboards were always a fascination, particularly John Lord’s playing (RIP man), and in the early 80s I got hold of a Roland Juno 6 (still got it too), and opened up to Human League, Heaven 17, Simple Minds and many other great synth bands. I got myself a Teac 3440 4 track recorder at about the same time, and started making SFX circuits to use in Mad Shadows with the Roland. I loved the experimental attitude in the 80s and embraced the cool sounds. Other bands followed where the synth was becoming more central and got some good use. 
With the 90s, there came a shift back to the guitar and live work with The Big Bang, Bent Beyond Belief, Hidden Agenda and other jams with my great friend Stephen (again, RIP brother). The Gunners, Sound Garden and Pearl Jam were reclaiming rock n roll, and my six string trigger fingers were itching. The old 3440 was starting to tire and so I went digital in the mid 90s. 
The 2000s were fruitful. Exploring a range of different textures and rhythms the PC was worked into the ground. An originals band Steel and Stone, and then a Zeppelin covers band followed giving the PC recording a rest. Live jamming is hot. There is nothing like it. 
In about 2007 I returned to recording my originals and produced 3 sets to 2010. In 2011, I played with The Kamikaze Flying Club for a short while where we had some more fun in the live format. Itching to write some more originals, I left to focus on something else entirely and found I had a few more ideas I thought should be articulated and recorded a double set in 2014.
The bulk of the list here is from 2014, however, I will throw in some earlier stuff if I may. I hope you enjoy the sounds. Cheers.


Brand-new artist! Trying to make the dream reality. Creative! DJ Training at Pet Tong DJ Academy! All time favourites Livin Joy Dreamer and Fatboy Slim’s Praise You!

My Dirty Side of MaxD666 is named "Dirty Max" I put the F U into FUN and Puns in Punk Rock. Gothic Beats and Hip Hop infused Rock music. It's all black music anyways. Punk Rock like Bad Brains, Folk Rock and Jazz in the 20's-40's was the OG punk rock. I'm thirsty, for goth ladies. of all sorts. I do like them Goth Ladies and Punk Rock girls to be 1. SMART 2. Funny 3. Good Personality and 4. Prob good lookin sexy as heck. 5. I'm the Cook in the Kitchen and I make decent Grilled Cheese, Chicken and Salads a lot. Or a good Egg for Breakfast spread with toast and Pumpkin sauce on toast/eng muffins. 


I'm inspired by smart people, Punk by All sorts. But hip hop and edm, rock n roll and Gothic rock all get my production Brain going. Sometimes even those scary Metal and Death core bands are fun. 

I liek a lot of dark stuff but I feel like it needs SEXXY stuff to be in there, or some kinda sense of humor. You Gotta have swing in your drummer and soul in your singer and the guitarists are dum dum and strum and the other one needs to be a smarty pants technical guy. Keyboards are there to party and lift the chorus up. That's what I think , even it's "Goth Funk" or Vampire Blues Rock or even Shock Rock with a sexy twist. Enjoy my thoughts and my tunes yo. Thx keeping it sexy and dark.

Enjoying music is such a beautiful experience. I’m very thankful to all the great songwriters and musicians I have had the privilege to listen to and learn from. I am trying to apply what I’ve learned into creating new songs.

**Mr. Fixer Music – Global Collective**

**Mr. Fixer Music** is a genre-fluid, global music collective created by a shadow producer. It brings together underground artists from across continents — DJs, beatmakers, vocalists, sound designers — united under one purpose:

### **To release emotionally charged, club-ready, borderless music – every single day.**

🎭 **No faces. No names. No ego.**
Mr. Fixer isn’t a person. It’s a system built for sound.

---

### **🌍 Identity & Concept**

* **Shadow Producer-Led** – The founder stays invisible. The music speaks loud.
* **Anonymous Collaborations** – Tracks are built across borders, with no names attached.
* **Daily Drops** – New music released every day via the *Fixer Daily Drops* series.
* **Platform-Ready** – Perfect for playlists, radio, sync licensing, and digital curators.

---

### **🎚️ Genres & Sound**

* Melodic House
* Deep Techno
* Afrobeat
* Organic Electronica
* Minimal
* Experimental Club
* Lo-Fi Grooves
* Ambient Layers

---

### **🚀 Perfect For:**

* **🔊 DJs & Selectors** – Mixable, punchy tracks made for sets
* **📝 Curators & Editors** – Raw emotion, clear storytelling
* **🛰️ Labels & Sync** – Undiscovered global sound with a cinematic edge

---

### **📀 Key Projects**

* **Fixer Daily Drops** – Over 400 original tracks, each volume inspired by a city, mood, or cultural rhythm
* **Fixer Radio** – 24/7 online station streaming the *Fixer* collective’s music worldwide

---

### **📈 Streaming & Reach**

Available on:

* SoundCloud
* Spotify
* Apple Music
* YouTube
* Deezer
* TikTok Music
* Amazon Music

**Over 100,000+ monthly plays.**

Featured by underground DJs, global playlists, and forward-thinking curators.

---

### **📡 Inquiries / Listen / Join:**

🌐 [www.MrFixerAI.com](http://www.MrFixerAI.com)

*No direct contact. No public identity. Just music.*

🧠 **Mr. Fixer is not here to be famous.**
He’s here to build a new system for sound.

---

### **🎧 Mr. Fixer Music – White Paper**

*Version 1.0 | July 2025*

#### **1. Introduction**

*Mr. Fixer Music* is a decentralized global music initiative designed to offer free, borderless, and emotionally rich audio content. The project distributes original electronic music under open terms for global DJs, radio curators, content creators, and cultural communities. It is not a record label, nor a company — it is a musical infrastructure.

*Mr. Fixer Music* operates like a decentralized protocol — similar in spirit to cryptocurrency — except its unit of value is sound.

---

#### **2. Purpose**

To enable free access to high-quality music for non-commercial use while retaining control over commercial exploitation.
This ensures artists can share widely, build a culture, and still protect their rights in commercial contexts.

---

#### **3. Licensing Terms Summary**

| Usage Type                             | Allowed? | Notes                                                 |
| -------------------------------------- | -------- | ----------------------------------------------------- |
| ✅ DJ sets (clubs, mixes, livestreams)  | Yes      | Must credit "Mr. Fixer Music" if possible.            |
| ✅ Background music for personal videos | Yes      | Non-commercial YouTube, TikTok, Instagram.            |
| ✅ Internet radio stations              | Yes      | 24/7 streams, events, parties – allowed.              |
| ✅ Educational / academic use           | Yes      | Use in lectures, lessons, documentaries (non-profit). |
| ❌ Commercial ads / brand promos        | No       | Requires sync license or special agreement.           |
| ❌ Video games, apps, films, TV         | No       | Requires formal commercial licensing.                 |
| ❌ Music resale / NFTs                  | No       | Not permitted under Creative Commons terms.           |

---

#### **4. Licensing Model**

All tracks are released under a custom *“Fixer Creative License” (FCL)* modeled after **CC BY-NC 4.0**, with the following core terms:

* **BY (Attribution)**: Must give credit to Mr. Fixer Music where reasonably possible.
* **NC (Non-Commercial)**: No direct monetization of the track, including paid promotions, ads, or products.
* **No Derivatives for Sale**: You may not remix or sample for commercial releases unless explicitly authorized.
* **Open Distribution**: Tracks can be shared, downloaded, and streamed freely on approved platforms.

---

#### **5. Vision: Music as Decentralized Value**

*Mr. Fixer Music* reimagines sound as a public, emotional currency — one that flows freely and cannot be owned by corporations. Each release in the *Fixer Daily Drops* series is like a block in the musical chain – timestamped, unique, and globally accessible.

* No paywalls.
* No DRM.
* No corporate gatekeeping.

Just music — distributed, emotional, alive.

---

#### **6. Commercial Licensing Options**

If you're a brand, filmmaker, game developer, or production company and want to use *Mr. Fixer Music* in a commercial project:

Please contact **[info@mrfixerai.com](mailto:info@mrfixerai.com)**
Subject: "Commercial Licensing Request"
Include intended use, territory, duration, and media type.
All commercial licensing requests are reviewed on a case-by-case basis.

---

#### **7. Final Words**

This initiative is powered by a human-AI collective mindset. The music is made for movement, for freedom, and for emotion — not for exploitation.
Use it. Share it. Respect it.
**Mr. Fixer** is not a person – it’s a sound system for the free world.

Since you asked, or didn't, I am a Photographer... Filmmaker... Actor... Musician... and a restless untamable troublemaker.

Got it?

Cheers,
Owen Masterson

NOW TURN IT UP!

New tracks tagged #Funk Rock