Brilliant @(-0-)@ SOTDD hard core edge Truth

This is great, powerful and compelling melodies!

Ah yes, Rutger H. dying in Bladerunner!  Enjoyed the comp.

I created second account, couple days back, for even more support and to share some random acts of impromptu, raw cuts and other inconsistent "nonsense", like the first example of it :)

https://soundcloud.com/art-of-nonsense

Thanks everyone, and everyone who has discovered and supported it already! Yes, the name is from the "Art of Noise" band, which is clearly shines in my influences list :)  As artwork spells, I cannot do nothing. Otherwise, when done with it, I play, like, comment and collect SC tracks into list for future repost :) 

Like this one, which is my average day of meeting new music, re-listening fave works, cycling thru the artists I love to listen, meeting new friends, more new songs... My work blessed me with some time to listen while I'm working (do I ever?) :) No particular "theme" in the playlist other when random awesomeness of pure inspiration. Seriously, this is the way I collected this one. Just today/yesrerday listens. Usually takes me months, how come it does sound cool? So much talent, I know! The list does sound like it is "madness-overture", because it is fancy crazy! Thanks for inspiration! 

See you all in the asylum in Heaven. If there is one (right?) ;)  .... later, because now I .... 

Play. Like, Repost.
Sam.


http://www.rollingstone.com/music/news/watch-frank-zappa-crack-jokes-talk-creativity-in-doc-clip-20160121

Art of Nonsense (Repost Art)

TAXE NO MORE (Original)
It's a rant in my own way with this title Taken from "just Back To My Guitar" here is another way to play my guitars with this coda long enough ..4' 50 to be able to express myself. Please take the time to listen to it until the end if you stop on this title..   
on youtube too : https://youtu.be/7xErIvi40So?si=NH6I93jnBulH9qTb
I wish you a good time with my guitars.
Sacem Protect
All tracks are written, performed, mixed and mastered on Mac Power PC G4 by myself.Cubase 5,0
Dgé breton :Written and performed by Dgé breton/
Dge breton:/guitar, drum, bass keyboard, chant/
Strat guitar, Casio guitar MG .70>
 issu de ma back track « just Back To My Guitar » voilà une autre façon de jouer mes guitars avec cette coda assez longue ..4’ 50 pour pouvoir m’ exprimer. Merci de prendre le temps de l’ écouter  jusqu’ a la fin si vous vous arrêtez sur ce titre.. 
je vous souhaite un bon moment avec mes guitares.

Taxe No More

Composed & Produced by : Chivicke
HomeStudio Productions ©2022
Photographer : Alexander Krivitskiy

I´ll Tickle Your Back Again

BUY IT HERE

"Essentially, there’s a universe inside your brain. The number of connections possible inside your brain is limitless. And as people have learned to have more managerial and direct creative access to their brains, they have also developed matrices or networks of people that communicate electronically. There are direct brain/computer link-ups. You can just jack yourself in and pilot your brain around in cyberspace-electronic space.”
― Timothy Leary, Chaos & Cyber Culture

Bag Of Hallucinations

Great to work with Jussi again....he added bass and fabulous guitar playing to this.
Jussi mixed and mastered this track beautifully.

14/July/20222

Who Knows w/Jussi Welin

Rain Delay
The search for a great guitar tone continues.....

Mix 1: Aug 11, 2022
Written by T.G. July 2022
Soft Jazz
Dflat Major...lots of 9ths, 7ths, sus4ths, etc.

Guitar: Gibson ES 335
Amp: Vox AC15
Mic: Royer r10 ribbon
Preamp: API 312
Percussion: tried but didn't like it. Try again later ;-)

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

Rain delay

Dark Matter is all around us.....recent evidence indicates that the Perseus Galaxy cluster (pictured) is held together by the stuff! 
Dark Matter's gravity effects may be responsible for many unexplained mysteries....who knows?
Track details: 
Flute ensemble with dark clarinets.
Tenor sax bursts (left channel)
Alto sax improvisation (right)
Soprano sax ensemble.. fanfares and themes.
Amalgamated dance beats throughout. 


Dark Matter Invasion

Same Planet & The Final Straight Line - Special Cecilia & Pier WILL

Il m'a été suggéré d'associer "The Final Straight Line" à un poème, le temps a passé et j'ai pris un texte "Same Planet" chanté par Cecilia.
Bonne écoute !
Nous ne prenons pas assez soin de notre belle et unique planète et si nous ne faisons pas attention, nous risquons de disparaître. Toutes les guerres doivent être bannies de notre monde ! Rien n'est perdu car "Un voyage de mille lieues commence toujours par un premier pas" - Lao-Tseu.

It was suggested to me to associate "The Final Straight Line" with a poem, time passed and I took a text "Same Planet" sung by Cecilia.
Enjoy listening !
We are not taking enough care of our beautiful and unique planet and if we are not careful, we risk disappearing. All wars must be banned from our world! Nothing is lost because "A journey of a thousand miles always begins with a first step" - Lao-Tseu.

(Music By Pier WILL)
- https://soundcloud.com/pier-will
(Lyrics-vocals By Special Cecilia) 
- https://soundcloud.com/specialececilia
- https://soundcloud.com/specialvocals/tracks
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

MANY THANKS Cecilia - ❤️Love, 🕊️Peace, 🙏Respect

LYRICS
TRIBAL WARS WE SEE ENOUGH
TRIBAL WARS WE NO WANT NO MORE.....

WE ALL LIVING ON A SAME PLANET...

WANT EVERYBODY TO BE HAPPY
STOP FUSS & FIGHTING

WE ARE ALL DIFFERENT, ALL COMPLEMENT
ALL CHILDREN OF THE EARTH
CHILDREN OF THE UNIVERS
UNITE OUR LIGHTS
TO TRIUMPH OVER DARKNESS

WE CAN BUILD UP TOGETHER

WE ARE ALL DIFFERENT, ALL COMPLEMENT
ALL CHILDREN OF THE EARTH
CHILDREN OF THE UNIVERS
UNITE OUR LIGHTS
TO TRIUMPH OVER DARKNESS

TRIBAL WARS WE SEE ENOUGH
TRIBAL WARS WE NO WANT NO MORE.....

APPRECIATE WHAT WE GOT YET

WE ARE ALL DIFFERENT, ALL COMPLEMENT
ALL CHILDREN OF THE EARTH
CHILDREN OF THE UNIVERS
UNITE OUR LIGHTS
TO TRIUMPH OVER DARKNESS

THERE IS STILL WAY TO GO FOR A BETTER FUTURE
DON'T STOP NOW
KEEP GOING FORWARD
WE CAN BE GREATER
WITH TIME EVOLVING EVOLVING

WE ARE ALL DIFFERENT, ALL COMPLEMENT
ALL CHILDREN OF THE EARTH
CHILDREN OF THE UNIVERS
UNITE OUR LIGHTS
TO TRIUMPH OVER DARKNESS

TRIBAL WARS WE SEE ENOUGH
TRIBAL WARS WE NO WANT NO MORE.....
WE ALL LIVING ON A SAME PLANET...

Same Planet & The Final Straight Line - Special Cecilia & Pier WILL - ❤️Love, 

Same Planet & The Final Straight Line - Special Cecilia & Pier WILL - ❤️Love, 🕊️Peace, 🙏Respect

A place of refuge can be physical, mental, or emotional - a song about nurturing 

Remastered- originally  from the post classical EP “Beauty Devours” -
https://moodexhibit.bandcamp.com/album/beauty-devours

Mood Exhibit - Building a Shelter

Built around a recording of an alarm forming the audio background to a hospital visit. Musings on dementia.

Turbulent word streams, erratic coherence
Urgent meanings frustratingly mislaid
Inner sense to outer muddle [innocence]
Interface to inner struggle [in your face]
Fragmented paranoia, translucent target, floating beyond the grasp of balanced conscience
Unviolated nuance beyond interpretation
Disjointed intelligence, resentful agitation

Agitation

The great hunter in exile? There are different versions of how Orion the voracious hunter of Greek mythology came to hang in the sky as a constellation. Possibly as a reward by Zeus or maybe a punishment by his 'ex' Artemis for his evil doings...having been previously blinded by the king of Chios for trying it on with his daughter...he then stepped on a scorpion which finished him off! Hero or villain he was blasted into space and remains with a great close-up view of the amazing Horsehead nebula (pictured).

Wind Ensemble:
Flute blues intro.
Flute trio with soprano sax soloing.
Clarinet bassline.
Oboes, Clarinet, Soprano sax section.
Flute finale for Soprano sax solo.

(Photo of Orion constellation and Horsehead Nebula c/o Pinterest)

Orion's Blues

Composed, played, recorded, mixed and mastered by Davor Dojchinovich. 
Recorded, mixed and mastered at Happy Cloud Studio in Seattle 12/26/2015
My tribute to one of the best SF films published 33 years ago - Blade Runner and Rutger Hauer.
"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears...in...rain. Time to die."

Happy New Year to all my Soundcloud friends and may the force be with you.

Indielectric Tribe
Tears In Rain Extended Version 
https://soundcloud.com/indielectric-tribe/tears-in-rain-extended-version

Tears In Rain / Remastered 1/16/18

My interpretation of "five-five-FIVE", the music written by Frank Zappa(from his album "Shut Up 'n Play Yer Guitar" released in 1981). Me played all instruments here - covered by ears (Guitars, Bass & Drums - All were done in Studio-live recording >> more info below). Hope you enjoy!!

This music might be very unusual for a rock guitarist in terms of its rhythms and chords. The intro riff begins with  5/8 - 5/8 - 5/4  (hence its title - in their original title, lower-case implies 5/8 part and capital letter implies 5/4), determined by the positioning of 9th chord, using D & G open strings as pedal points, and continues to the solo section with 5/4- 5/8 (most of the phrases are not repeated in those sequences except bass pedal-notes though...even most of kicks don't follow them).
Besides, as Mr. Zappa always did for his recordings, the backing guitars have some extra layerings made by overdubs, which were difficult for me to analyze (thus difficult to use it as a guide with which I would play the rhythm sections or lead guitar along)...

Well, it's probably a bit naive to say but I've seldom wanted to cover his music except a few pieces like this 'guitar-oriented' one, even though I used to listen to some of his albums as low-teens (and in years later via experiencing Steve Vai's music - some of you might know that he was the one of guys who transcribed Zappa's guitar impros into the scores). 
While one day (about 8 months ago) one guy asked me if I could play the guitar for this music...he also said that he would do the drums (by programming) and do some own arrangements with his keyboards...but this has never been realized whereas I'd already made the guitar tracks(riffs, lead and bass) very shortly after that...ya, that occasion broke-up in the air...
I didn't want to throw away what I made though...so tried to record the live drums and backing guitars played myself. But then, WHAT THE HECK the drums were here!!!  It was crazy hard drumming. 
...respect Mr. Colaiuta a lot. I would say they were difficult than the lead guitar (that was actually the easiest part for me). Anyway, I've practiced them for quite a while and finally completed the recording...don't think that I made the justice though I enjoyed learning the deviation from even beats:) 
Thanks for listening and reading. 
----
[Music info] 
- Original music was written by Frank Zappa.
- Performed and recorded at Hammersmith Odeon, London, UK, February 19, 1979 by Frank Zappa: Lead guitar / Vinnie Colaiuta: Drums /Arthur Barrow: Bass / Warren Cuccurullo, Denny Walley & Ike Willis : Rhythm Guitars* / Tommy Mars: Keyboards* / Ed Mann: Percussion*
-Art work is borrowed from the album. Its copyright must belong to the artists and to the label, Barking Pumpkin Records Rykodisc.

[Cover]
- Since the original instruments marked with [*] above were apparently indiscernible to me even though they were credited on the album, I made this cover only with 3 Guitars(one lead + two backings), one Bass and Drum-kit(No keybords, no percussion, less number of rhythm guitars)- played and recorded in the studio except below [**]. 
- Lead Guitar (Intro Riff & Solo): Fender Japan Strat customized w/ DiMarzio Hum-bucking +Analog Effectors (Wah & Volume pedals to narrow FQ range, to have feedback distortion, or for booster-use / Stereo-Echo or Delay). 
- Rhythm Guitars (Intro Riff & Backings): Fender USA Strat +Analog Effectors (Phaser & Chorus).
- All of these guitars' effects were applied (anterior-use) in additon to the distortion & reverb of Amps (Marshall).
- Drums : Tama Acoustic Drum-kit & Zildjian Cymbals w/6 mics + Yamaha Electric Drum-kit for extra Hi-Toms**(that the acoustic kit doesn't have) 
- Bass: Fender Precision Bass w/Analog Effectors(Compressor, Flanger & partially Phaser). 
- Only the small overdubbing of [**], minor retouch on Drum tracks (to remove the interference between Hi-hat & Crash), and Mixing were done with DAW.
----
[Posted: 13th Jan. 2016]

Five-five-FIVE - Frank Zappa Cover

"Driven By Dirt" is the 4th in the series of my Lee (Jack Jones) Lucas Project of songs and tunes done with my new toys I got last year. This particular song is by no means new apart from being new to Soundcloud, and is one I wrote back in March 2014 on my acoustic guitar, and even posted a live version of me playing it back then on my YouTube channel here : https://www.youtube.com/watch?v=Uks8Q4yif2c

I never really liked the acoustic version, but felt it would be good to do a studio version of it with the new toys, and I have to say it's benefited and sounds much better for it I feel. So much so I certainly think it's the best song I have done in this series so far. 

The song as always has been made as a free digital download @ Bandcamp and can be had here: https://leelucas.bandcamp.com/track/driven-by-dirt

Driven By Dirt (Words & Music By Lee Lucas)

Lee Lucas - Vocals - Electric Guitar - Bass Guitar - Played Fills & Drum Machine - Artwork & Production.

Pickup Trucks provided by Freesounds.org.

The lyrics are as follows:

Wake up every morning
to a rainy day
things don't get much better
living on your own this way

Yeah life can sure be hard at times
kicks you in the butt
especially as far as women's concerned
yeah I'm all out of luck

(Chorus)
My baby left me
on that open road
for a driver in a pickup truck
she shot off
down that dirty road

Well things could of been much better
if I made the right choice
but my heart got the better
I never listened to advice

(repeat chorus/lead break)

Well there are many lessons to be learned here
and one will always get burned
I suppose it's happened to so many
when their lives are driven by dirt

(repeat chorus/add lib)

Please find time to leave comments to which are always very well appreciated and many thanks for listening.

Free Download

Lee (Jack Jones) Lucas - Driven By Dirt

The Transfiguration : Part 1 : An Air of Mystery
Napier's Bones, January 2016

The first complete track from "The Transfiguration", a 24 min suite telling of a paranormal investigator eager to debunk another folkloric legend for the benefit of his eager TV audience.
Ratings pressure from other, more spectacular, ghost-hunting shows  leads to a compromise between his scientific rigour and the need for dramatic programming.

The ruined Holy Trinity Church of Buckfastleigh, Devon, is the location for his latest assignment : to find evidence relating to the infamous Squire Richard Cabell...
Seventeenth Century Schizoid Man.

Are You Sitting Comfortably?
Then we'll begin.

----------------
1. An Air of Mystery
 
Another week, a new assignment
Ratings up with every phantom found
Goodbye kiss then onto Devon roads
Such a Happy Haunting Ground

Another well-loved ancient story
Handed down through history
Like Wistman's Wood, the Hand of Glory
They cling to make-believe

	Discarding age-old superstition
	On camera captured in full view 

Network :        "If it's there, it's on air"

Darting by the river, I see the ruined church in silhouette
So it's Squire Cabell, his spectral hounds and mausoleum glowing red
Sensors all around the tomb, remote connect all seeing eyes
Rational sights you can believe, midnight transmission time

	Presenting only what I find
	The viewers making up their minds 
Network :       "Success, Speaks for itself"

A air of mystery, goes a long way
A hint of danger, goes a long way
A little guidance, goes a long way
And who needs certainty? They all prefer it to be this way....
----------
The Transfiguration 
(1) An Air of Mystery
(2) Broadcasting Live
(3) No Return?


1. An Air of Mystery

My main Sam Prock account: soundcloud.com/samprock/sets/sam-prock-soundcloud 
Buy and Free DL are available. Listen Prock at the convenience of your YouTube: youtu.be/qVucFTHHq_8?list=PLiPHwi5RqOnJBMa5AYWX3CIjcboefOB6i

Jamn' my Fender Strat the other day, found some nice chords progression. Built something around it same day, using LogicX on Mac. Unrefined and unpolished playing, guys. Layered bass, rhythm and played impromptu solo over. I dug up the rack from a hard-drive, so this couple years recording comes as-is, no refinments. Contains pure inspiration with the mistakes provided :)   Juss having some fun...  :D

Thank you for all for the AMAZING feedback here - Sam PROCK. 

Check out the version, in which Roger played his blessing guitar over this track, the next day  :)))) Appreciate my friend! 

https://soundcloud.com/roger-b-train/sam-prock-the-train-collab-info-below

Cheers!
Sam.

Up To You (Instrumental)

"Praeditos" word root in latin-
praeditus (Latin)
Adjective- 'endowed, gifted, provided with, possessed of", so the slang for the term is "A Little Possessed ". HAHA! Language does not always translate perfectly. 
music by Gyula Bódis with Chris Pendergraft
KONOKUNOK
@discratebye
cover art by Chris Pendergraft
https://www.facebook.com/PendergraftIllustration/?ref=hl
The "Jew's Harp" instrument is considered to be one of the oldest musical instruments in the world;  a musician apparently playing it can be seen in a Chinese drawing from the 4th century BC.  This instrument is native to Asia and used in all tribes of Turkic peoples in Asia, among whom it is variously referred to as a temir komuz (literally, iron komuz), agiz komuzu (literally, mouth komuz), gubuz or dorm.

KONOKUNOK is a Hungarian musician who I have known for a few years. Although I have featured him on my radio show, this is our first time working together on a track. 
I had an intensely fun time rerouting his harp through my wah pedal and getting all tripped out with this ancient instrument. 
@discratebye Check out Gyula Bódis, his music is truly amazing, ancient yet very modern in its usage. A True Talent!

cheers
Chris Pendergraft

Its not a dream 
it is just what you think
there are eyes 
in those shadows
They lie in wait
as if you can not see
but they are only shadows
but they are only shadows

right now time to keep you head clear
right now time to keep you head clear
right now time to keep you head clear
right now time to keep you head clear


Praeditos - KONOKUNOK And Chris Pendergraft

All songs composed, played and produced by Davor Dojchinovich. Recorded, mixed and mastered at Happy Cloud Sound Studio - Seattle. 
Comments are greatly appreciated. All rights reserved. 
         Davor is a Seattle based independent composer, musician and producer. Though he also plays electric and acoustic guitars, keyboards and percussions, Davor specializes in bass guitar and piano. 
Thank you for listening. 

Extinction is Forever!!!

"If music be the food of love, play on ... and on" - William Shakespeare (Sam PROCK Remix)

SoundCloud Premier Partner. Published at Silent Zen label with Ditto. Making art with the sound is what I'm after. Curving genre boundaries is a must.

"It is something between discovering and witnessing" - Robert Moog

Hardware: Moog Subsequent 37CV, MiniMoog Model D '22, Buchla Easel 208C, APR 2600m, Córdoba Koa edition nylon guitar, Fender Stratocaster, Yamaha Bass, Teenage Engineering OP-Z, UAD Apollo Twin X, Presonus 1824C, Line6 PodXT, B-52 LS100 & B-52 4x12, Arturia Keystep, XKeys Air, iPad Pro 12.9-inch, iPhone. 

Software: Ableton Live 11, Moog, Arturia, UAD, FabFilter, IK, NI, Omnisphere. Mobile music fan: Korg Gadget, Cubasis, ZenBeats, Arturia, Moog, FabFilters.

"Depeche Mode is the soundtrack of my life" - rephrasing Dave Gahan said alike of David Bowie. 

Influences: Depeche Mode, Kraftwerk, Art Of Noise, Daft Punk, Telex, Trans-X, Yello, a-ha, Arcade Fire, Panic! At the Disco, She Wants Revenge, Red Hot Chili Peppers, Nirvana, The Offspring, Madness, Che Sudaka, Ultravox, Sex Pistols, Rancid, Strangles, Elastica, PJ Harvey, The Cars, Foreigner, Therapy?, Muse, Duran Duran, Pet Shop Boys, Erasure, New Order, Telex, Zodiak, INXS, Hey Rosetta!, Cause and Effect, And One, Banco De Gaia, B-Tribe, Air, S.P.O.C.K.

Personas: Ottmar Liebert, Dave Gahan, Martin L. Gore, Jean-Michel Jarre, Georgio Moroder, SuperMax, Boris Blank, Leonard Cohen, Curt Cobain, John Frusciante, Flea, Tim Artstrong, Johny Lydon, Dexter Holland, Falco, Midge Ure, M. Harket, Regina Spektor, D. Marouani, Nick Cave, V. Clarke, A. Wilder, Robert Moog,  Don Buchla, Moby, Beethoven, Tchaikovsky, Vysotsky, G. Nannini, R. Fogli, Hank Marvin, Aeoliah, A. Vollenweider, M. Knopfler, A. Parsons.

"I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations." - "Daniil Kharms.

Styles: Funtronica (invented), Electronic, Deep, Alternative, Disco, Deep House, New Wave, Synthpop, Synthwave, Ska, Punk, Reggae, Cumbia, Indie, New Age, Chillout, GOA, Downtempo, Instrumental, Ethnic, Neo Classic, Psytrance, Psybient.

My mobile uploads account is @prockjet. More remixes @art-of-nonsense. Silent Zen is a support group I conduct @silent-zen.

Tears In Rain / Remastered 1/16/18

Davor's Music

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