பாட்டுக்காரன் / songwriter

Vidya Vox brings together influences of her Indian-American heritage to create music that is refreshingly new, unique and contemporary, seamlessly fusing together the intricacies of Indian music with elements of electronic & hip-hop for an undeniably catchy sound. Since launching her YouTube Channel in 2015, Vidya has amassed over 800 million views and over 6.8 million subscribers.

A Tamil indie band that kicked ass in Chennai from 2015 to 2017. The band split in early 2018 after composer/lyricist Kaber Vasuki moved to Toronto and music producer Tenma got busy with The Casteless Collective. 

Kaber Vasuki [composer/singer/lyricst]
Tenma [bass/music producer]
Krish [drums]
Sahib Singh [guitar]
Soundar [percussion]
Siennor [keyboard]

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Our page at Soundcloud is a unique collection of free music, logos & idents and sound effects.

Here you'll find high quality content that can be used in TV and radio projects, videos and games, presentations and ad projects, web sites, wedding parties or just to listen in your car and safe to use even for commercial purposes.

As you can see all our music tracks are licensed under a Creative Commons Attribution License and you can use them for free on social media as long as we are credited in your description.

If for some reason you are unable to give us credit feel free to contact us and describe your project. Just send us a quick message here at Soundcloud and we will get back to you as soon as possible.

With Dead Day Revolution it's best to just toss aside the usual hyphenated descriptions, sub-genres and categories that are all but a plague in music these days. The Los Angeles band has many stylistic colors, tones and flavors within their sound, but it all flies under the bold and proud banner of rock'n'roll.

That's evident throughout their stunning 11-song debut album, On Our Own. The trio of Mike Sandoz (vocals, guitar and primary songwriter), Skeeter Joplin (drums) and Cristian Sturba (bass) rock with an undeniable fury through its core of seven tough-punching tracks that echo the best and hardest acts that came before with a trademark take all their own. They also seamlessly shift from acoustic atmospherics and crackling electricity on "Bury My Soul" and summon up soaring magnificence on "Wait." From the taut opener "Sister" to the pummeling closer "Vampyre Blues," it's clear "there’s a real intelligence, a high musical rock'n’roll IQ going on here," notes Devon Jackson, freelance music journalist for Rolling Stone, Village Voice and Entertainment Weekly. And found within the lyrics is an inspiring message of how to rise from even the deepest depths, fight for yourself and triumph as implied by the name Dead Day Revolution.

Sandoz arrived in Los Angeles five years ago and quickly started "a band coming to kick in your door," as That Music Magazine says of the group, and soon "rocked the foundations" (Examiner) of the city's top venues like the Troubadour, Viper Room, Whisky a Go Go, House of Blues and others.

As DDR began tracking the songs for On Our Own with producer Larry Goetz they earned high praise in the media after posting them on Reverbnation. "You gotta love a band with the word Revolution in it," noted MuzikReviews.com. "It just slaps you in the face like a can of Rock Juice first thing in the morning. The music of Dead Day Revolution will have the same effect on you. It rocks, it's fresh, and with only two explosive tracks so far they certainly got our attention."

From the beginning Dead Day Revolution has avidly worked the Internet and social media and touted their gigs. As a result they've been featured on radio and in the press plus landed on the cover Regional Musician magazine, become "fast rising princes of punk-influenced rock‘n'roll" (Subba-Cultcha.com) and primed the pump for world conquest when On Our Own hits the street.

So it's no surprise when That Music Magazine predicts "it's only a matter of time" until Dead Day Revolution wins over the masses with their bracing, take no prisoners sonic boom. Sandoz credits their swift ascent as much to how they play their music as how it sounds and what they have to say. "There’s only one rule in rock'n'roll,” he concludes, “and that’s to say what you want and mean it.”











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