Name: etude1848 by de moncey in Anders I
Duration: 17 min 46 s
Description: Etude 1848 for Buchla, muted turkey & voice(8oct23-4a,5a)

A new selection from the collection playlists Anders 1 to 9 and new Tracks.

Anders I

PIANO , ELECTRONICS  ---   DROR    ELIMELECH

SOUND , SELF , SOUND

Clinical Voodoo

from the 2021 reissue of Eukaryotik's 2006 album "Zoological Pardons" (https://listen.rubbercitynoise.org/album/zoological-pardons)

Zoological Pardons

Lw Bdgt Actn Mv 1992

Eukaryotik ~ Lw Bdgt Actn Mv 1992

ELEMENTARY PARTICLES  --  4

SELF -SOUND-

TRANSMISSIONS TOWARD  INFINITY

ANTICHRIST--FRESCO (2021)
This work was commissioned by Arash Yazdani and his Ensemble for New Music Talinn with funds provided by the Ernst von Siemens Foundation.It is an evocation in sound of the famous film by Lars von Trier, ANTICHRIST. Like the film that inspired it, ANTICHRIST--FRESCO follows the same form as described by Lars von Trier in the film's scenario: Opening (Prélude), Grief, Pain, Despair, The Three Beggars, and Closing (Postlude). This short musical work may be considered as a kind of prélude for the operatic adaptation of the film, based on Lars von Trier's film, that is being composed presently. In ANTICHRIST--FRESCO, the harmonium in 6ths of tone, designed by the composer, Alois Hàba, is a kind of sonic protagonist (played by Miroslav Beinhauer) who is accompanied by an ensemble of 8 instruments. The harmonium player and all 8 instrumentalists function as a kind of Greek chorus expressing the powerful emotions that the horrific human tragedy of ANTICHRIST evoke. Unlike the opera ANTICHRIST, ANTICHRIST--FRESCO relies on a combination of  instrumental and non-verbal sounds and phonemes, rather than words, to evoke the intense drama of Lars von Trier's scenario.

ANTICHRIST FRESCO - CD - 2022

Quartetto Maurice- 17.08.2022, Kursaal Audutorium, San Sebastian, Spain

Mix-Mastering: Mehmet Ali Uzunselvi
Dedicated to Ada Dinçer

Loquela Codex

Original work with 8 channels.
An error is not just a mistake, it has a consequence. But an error is also not a crime, not a sin, don’t take it personal. The error-notification-like sounds are all from the Buchla 200 synthesizer. They remind us the moment of feeling regretful of the errors but not being allowed to have this feeling.

Error (stereo)

... a single line which is invisible and unceasing for sopranino saxophone(2021, world premiere)

Duo piece for Piano + Dispositive (eccentric rotating mass vibrating motors - amplitude: from 6G to 13G} & MIDI Keyboard.

Piano & MIDI Keyboard: Henrique Vaz 

"In 1947, the composer Conlon Nancarrow—frustrated with human pianists and their limited ability to play his rhythmically complex music—purchased a device which allowed him to punch holes in player piano rolls. This technology allowed him to create incredibly complex musical compositions, unplayable by human hands, which later came to be widely recognized by electronic musicians as an important precursor to their work.

A similar interest in seemingly impossible music can be found today in a group of musicians who use MIDI files (which store musical notes and timings, not unlike player piano rolls) to create compositions that feature staggering numbers of notes. They're calling this kind of music "black MIDI," which basically means that when you look at the music in the form of standard notation, it looks like almost solid black"

- MICHAEL CONNOR {http://rhizome.org/editorial/2013/sep/23/impossible-music-black-midi/}

Score Follower:
https://www.youtube.com/watch?v=hxhIoxRU0xk

Samples from the score:
https://www.facebook.com/henrique.vaz/media_set?set=a.10203245645969268.1073741833.1452650501&type=3

░▒▓█ Black MIDI [2013] - for piano & MIDI keyboard {or disklavier}.

One more.  :)

Decided to go outside, and record a clip.  The SQ-64 is just sending some triggers over, and one pitch CV.  The rest is all done on the synth itself.  Reverb and Delay from ZOIA.

StrohModular-OneMoreOtherThingHeeHeeHee

Improvising on my tenor sax, processed by Efx Fragments using the preset “Alternate Scan“ from VAST, processing the 2 Macros in LogicX. Some extra reverb (B2) was added on the dry sax signal and on the Fragments signal.

Buy VAST

VAST For Fragments – Alternate Scan TS

Etude 1848 for Buchla, muted turkey & voice(8oct23-4a,5a)

etude1848

Old modular sounds and tunes that weren't created on my own modulars.  :D

216 - NoiseRingCV

This piece is part of a series of several solo instrumental pieces from the 1980s called RSRCH. In these pieces the Canadian composer and recorder player Peter Hannan focused on one specific aspect of new instrumental playing techniques. RSRCH 12/84 is written for a tenor recorder and completely dedicated to multiphonics, exploring their quality, strength, and fragility. In the beginning of the piece the multiphonics are introduced carefully. The main part plays with rapid virtuosic changes, from natural sounds to multiphonics and back again. This creates a polyphony on a monophonic instrument in such a fascinating way that it puts both audience and performer into a kind of trance. Thus, also the subtitle Dream.

Susanne Fröhlich21

Peter Hannan: RSRCH 12/84 - Dream

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.

etude1848

de moncey

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