Kaffee, Frühstücksei und dazu frische hypnosystemische Impulse als morgendliche Stärkung für den Tag oder als Anregung für die Zeit des Jahreswechsels. Zeit zum Innehalten, Zeit für sich selbst.

Wir laden Sie herzlich ein, sich vom 27. bis 31. Dezember 2021 jeden Morgen von einer neuen Podcast-Folge mit hypnosystemischen Impulsen zur Selbstfürsorge überraschen zu lassen.

In der Folge "Begegnung mit mir selbst" hören Sie eine Achtsamkeit mit Dr. Alexander Herr. Wir laden Sie ein, sich eine erholsame Pause zu gönnen in der Begegnung mit sich selbst.

Diese Achtsamkeit sollten Sie nicht während Tätigkeiten anhören, die Ihre Aufmerksamkeit erfordern, wie zum Beispiel beim Autofahren.

Gern können Sie Menschen, die Ihnen nahestehen, auf unsere Podcast-Reihe mit Angeboten für eine gelingende Selbstfürsorge aufmerksam machen. Mehr Infos über uns auf www.sysTelios.de

Begegnung mit mir selbst – Achtsamkeit mit Dr. Alexander Herr

Oscar Bianchi: Matra - Introduction

Yoav Pasovsky: Neghi'ot

QNG: A. Bruckner, Vexilla regis

QNG: Eva Reiter, Zug Ins Gelobte

QNG Collage

Anonymus: Nani Nani

Impro - Modulated Works

Sarah Nemtsov: "JOURNAL" (2015) for 5 instruments and electronics - EXCERPT - 
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live recording: world premiere, September 25th 2015, Konzerthaus Berlin
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Ensemble LUX:NM www.luxnewmusic.de
Ruth Velten - baritone saxophone (amplified)
Florian Juncker - trombone (amplified)
Silke Lange - accordion (amplified)
Wolfgang Zamastil - cello (amplified + distortion pedal)
Malgorzata Walentynowicz - keyboard
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"Journal" was comissioned by and written for ensemble Lux:NM (sponsored by Ernst von Siemens Musikstiftung)


JOURNAL (2015) - excerpt - 5 instruments and electronics - ensemble LUX:NM

dedicated to Irena Dopitová

Styx Quartet (left to right):
Irena Dopitová
Alina Loewenich
Štefan Tokár
Magdalena Spielmann

Foto by Hans Maria Kneihs

Hans Maria Kneihs Studio 12. Dezember 2016
Tonmeister: Hans Maria Kneihs

[ka'mi] - … y sigue caminando (2016) Styx Quartet (Studio Version)

This piece is part of a series of several solo instrumental pieces from the 1980s called RSRCH. In these pieces the Canadian composer and recorder player Peter Hannan focused on one specific aspect of new instrumental playing techniques. RSRCH 12/84 is written for a tenor recorder and completely dedicated to multiphonics, exploring their quality, strength, and fragility. In the beginning of the piece the multiphonics are introduced carefully. The main part plays with rapid virtuosic changes, from natural sounds to multiphonics and back again. This creates a polyphony on a monophonic instrument in such a fascinating way that it puts both audience and performer into a kind of trance. Thus, also the subtitle Dream.

Susanne Fröhlich21

Peter Hannan: RSRCH 12/84 - Dream

I am a recorder player and regularly present concerts and workshops both within Europe and internationally. As a former founding member of the recorder quartet QNG - Quartet New Generation, I am performing now as soloist, in various chamber music formations, as well as in the context of various productions in the realm of fine arts, opera and theatre, among others Saâdane Afif, Ari Benjamin Meyers, andcompany&Co, Constanza Macras/dorkypark, and Opera Lab Berlin. I performed numerous premieres in world class concert houses and festivals, with such groups as Ensemble Adapter, Collegium Novum Zürich, Figura Ensemble, Ictus Ensemble, Neue Vokalsolisten, and Trickster Orchestra. I have been awarded international honours and scholarships in Berlin, Darmstadt, Göttingen, Graz, Illzach, Krakow, New York, and Rotterdam. I am living and teaching in Berlin since 2004 and am holding a teaching position at the Berlin University of the Arts since April 2010. 
I have studied the recorder at the Conservatorium van Amsterdam with P.T. Leenhouts. After graduating with a concert diploma, I earned my master’s degree in 2004 with distinction. I then studied with Prof. G. Lünenbürger at the Berlin University of the Arts, where I earned my concert exam diploma, likewise with distinction. From April 2015 till March 2016, I studied Helder tenor recorder with J. Fischer at the Akademie für Tonkunst in Darmstadt. In October 2019 I completed my artistic-academic research project on “The new potential of a 21st century recorder” at the University of Music and Performing Arts in Graz with distinction.

Peter Hannan: RSRCH 12/84 - Dream

Susanne Fröhlich

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