GOODBYE SOUNDCLOUD, KEEP UP WITH ME THRU ALL OTHER PLATFORMS. FUCK TWITTER THO

In a saturated sea of predictable rappers that never seem to stray away from the limiting rapper box, REEDTHEINFINITE sticks out like a sore thumb and it seems as so that he does this intentionally, or naturally rather. Lines like “y’all eating that garbage, I get in the booth, turn to Clark Kent” stick out for the reason that today’s world of rap is embellished I’m taking drugs, alcohol and generally not caring for one’s self. Even some of these biggest hip hop musicians live healthy lifestyles but are scared to tarnish their images due to their audiences perceptions of them. Reed, in stark contrast, is being totally transparent with his lifestyle and even promoting various aspects that the traditional hip hop artist would keep behind closed doors , such as admitting ones weaknesses, plant based diets, the use of psychedelic medicines, meditation and more. 



“Music is how the soul speaks. It’s supposed to be the most transparent honest thing because it is self expression at its fundamental core. In the past, I was very impersonal and a bit shallow in my music and some of the stuff I can’t even listen to without cringing a bit today. I still love my old shit but I’ve just changed so much that it’s like revisiting the past. 

I don’t want people to perceive me the wrong way because I am saying the wrong things or what I think is the norm in this hip hop genre box we put ourselves in. I love women, our sisters, but someone that listens to my music from back then may think otherwise. I fully support the LGBT communities but someone that hears me saying the word “faggot” with such ferocity that I have may be influenced to think otherwise and I can’t blame them because that’s what I AM PUTTING OUT. I was contradicting myself, and it’s embarrassing to admit. So at a certain point I decided to stop making music with the thoughts and perceptions of others in mind and just make MY MUSIC, not rap or hip hop, in terms of the readymade identities that come with it.

 I Hope now this’ll give people a crystal clear look into who I really am now

The stuff that we don’t say is usually the purest form of truth, that’s why we don’t like talking about our problems or faults. And all of rap now is just the same copy and paste personality and I didn’t want to conform to that anymore because its not and never was me.



“Modern rap today basically celebrates unconsciousness. Division amongst men and women is the most prevalent. Misogyny and hip hop, the mainstream anyways, is sadly hand in hand. And I am not taking part in progressing that. Women are whores, bitches, sluts. Porn is celebrated too. Killing is cool. Being smart isn’t too cool, at least don’t be smart in your songs. All the things that I was opposed to, I was a embodiment of because I didn’t take my craft as serious as I do now, and see it as my soul speaking. Not just rapping. I write.




*All Platforms

For Bizness: EarthGangbooking@gmail.com

Options w/ Wale: https://smarturl.it/EGOptions  

"Strays With Rabies" OUT NOW! #JoinTheVillage  https://itunes.apple.com/us/album/strays-with-rabies/id1048322110

SGFT https://itunes.apple.com/us/album/shallow-graves-for-toys/id888118097

Torba https://itunes.apple.com/us/album/torba/id979308446

Booking/Features - artist.robbierussell@gmail.com

For bookings: cantgobrokebb@gmail.com

CANTGOBROKE is a genre-defying DJ and sonic curator with a deep-rooted passion for discovery and connection. Known for seamlessly blending global sounds with underground energy, his sets move fluidly between hip-hop, afro house, amapiano, baile funk, and beyond—always guided by instinct, emotion, and a sharp ear for rhythm.

What began as a casual obsession with sound evolved into a full-fledged artistic journey, shaped less by convention and more by intuition and environment. Whether behind the decks at a rooftop party, an intimate club, or a sunrise set, CANTGOBROKE crafts immersive musical experiences that captivate and transport.

Driven by groove, guided by soul, and uninterested in doing the obvious, he chooses to follow the path of feeling over formula. Each set is a reflection of where their love for music lives in the moment—fluid, unexpected, and undeniably personal.

Kato Music Video OUT NOW !
https://www.youtube.com/watch?v=w3KF5Y4RZmE

TDM is a non stop working music collective out of South Jersey, United States


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FLEUREVER
Booking Info: 
USA - cheryl.paglierani@unitedtalent.com 
Canada - Adam.Sylvester@unitedtalent.com
Europe & Asia - noah.simon@unitedtalent.com 
Press Contact - julierene@allthebestmedia.com

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

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