rép

2021MÊSdeSETEMBRO

eu gosto

Liberated / Music For the Movement Vol. 3

Sun Kissed Child (From "Liberated / Music For the Movement Vol. 3")

segunda faixa da mixtape "ágosto"
composição por Sui / @fujjjao__ 
mix/master por @f1lhodocaos 
instrumental por 13th


- aóticadumpobrediabo -


a transparência escorre enquanto trago 
respirando fraco
gasto quanto dá , quanto faço 

fotos mentem , registrei os estragos
de tanto que eu perdi tempo os relógios cansaram
enquanto quadrúmano

em tudo que eu tento , falho
cássia , até hoje não aprendi a amar
domingo "o outro" - tatuar minha alma

guarda-roupas e ressentimentos 
acenda as luzes , as vítimas não atuaram
longe de mim , eu sou tão ruim que eu fiquei mago

escrevendo rimas pra quem se foi
errado , por me deixar pra depois
palloma , nunca me viu como eu a vi nos sonhos -
nua , como se cria as músicas 
quando vira trabalho perde a graça , conciliar 

só restaram drogas , não posso aliciar
e deixar de pensar num aperto de mão entre fidel e ustra -
fosse hoje

sei que o sonho assusta , 
mas prefiro imaginar os nossos filhos melhores que os nossos pais
melhor do que fizemos , efeito

a estrutura te segura num parâmetro 
e eu rimo desse jeito , sujeito
ignorante como eu sempre fui
como eu ei de ser pra sempre

perseguido eu já nasci , "demorô"
os meus heróis faziam free

acordo tenso
sci-fi ; e eu cresci sem wi-fi
tive fibra , sem pai

apenas do que capto me convenço 
eu não acredito em verdades , vivo em silêncio 
olhei nos olhos tristes do diabo


..............................................................................................................


o tempo dissolve as certezas






a ótica dum pobre diabo

Us Fracu num Tem Veiz (linguagem coloquial para Os Fracos não tem Vez) é o primeiro álbum de estúdio lançado pelo grupo de rap brasileiro Trilha Sonora do Gueto em 2003

Guerra É Guerra - Trilha Sonora do Gueto

Sabotage - Quam vai buscar pra fumar? (Ao Vivo)

Trilha Sonora do Gueto - W2 proibida.mp3

Guerrilheiro - David Ze

Cuban Soul: 18 Kilates

Onda

when i used to hit the piff 10/13/15

veins (2017)

509-E Provérbios 13

Castelo de Ladrão

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

instrumental: @de_vaneio
vozes: @bonsaiwat/ @perinwait
capa: @thisabadthing

BONSAI & PERIN - Todos Os Dias Eu Odeio A Policia - [REMIX]

bloqueado quarto em alto mar
abraços repletos de jibóias homo-sapiens 
enguias elétricas
choques términos 

entre números no plástico ou se auto-cultivar 
ao cair das frutas todas sujas
bagunçando interno
doce doce doce
âmago

melhor se degustar
se auto refutar 
bolhas estouradas em cuspis mal direcionados
erros de cálculos 2x

inversando os dias monopólios de cores 
sumidas rotinas
onde há tudo pra se degustar 
caminhar entre bigorna e metas
escorrendo misérias
deus é tudo que tu bota fé, pirra
não compre em catálogos 
poupançudos da caixa
ruídos lá no fundo é onde eu me apareço 
em segundos sumo 
imundo

erros de cálculos

Strong Ankles

Trilha sonora do Gueto - Veja

Ouça "20 Loops" nas plataformas de streaming
https://onerpm.link/656245004903
_
Ouça Devaneios Dobuero:
https://on.soundcloud.com/vXSagW1eYka1uy4y7

BONSAI & PERIN - Todos Os Dias Eu Odeio A Policia - [REMIX]

devaneio