More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Disquiet Junto Project 0167: Placid Cell

See https://youtu.be/KbGtz6B9CFc for visual explanation of EXACTLY why this sounds like this ...

More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

visual explanation

halF siX [disquiet0601] - click link for visual explanation (YouTube)

Composition made with a Sputnik Modular System. 6 tracks arranged by chance rolling of dice. Dice roll sequence....
6
6
6
1
2
1

666211 Disquiet0601

Using an old Norns loop as a drone base, I prepared for a session with Lucid Grain; so I added seven types of sounds - piano, bells, noises, voice and strings, etc –  which only play one or two notes at random. 

I didn’t have an idea how to introduce these blocks of sounds until this week’s prompt came. So I threw out the seventh part, numbered the sound blocks accordingly, and every 45 seconds, there’s a new part added according to the order I rolled. 

* * *

Disquiet Junto Project 0601: Hard Six
The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard. 

Step 1: Choose six brief segments of sound that you have recently recorded. Or record some new segments now. Either way, select six of them, and label them one through six.

Step 2: Roll a single die for each of the six segments chosen in Step 1.

Step 3: The result of each roll in Step 2 represents the relative presence of that given segment in a finished piece of music. Think about how the pieces might relate to each other. This idea of relative presence can mean whatever you want: frequency of appearance, relative volume, intelligibility etc.

Step 4: Record a piece of music in which the relative presence of the segments chosen in Step 1 correlate with the results from Step 2.

(...)

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

643152 [disquiet0601]

the following happens

was looking for 6 random samples in polyend play
track length for all tracks 6 bars
rolled 6 times
the result for each sample was the respective 1 in the bars rolled
placed the samples there
two more tracks made a bit of percussive rattling regardless of the rules

after that i took baritone guitar once

Hamburg Dice(disquiet0601)

https://llllllll.co/t/disquiet-junto-project-0601-hard-six/63126

Disquiet Junto Project 0601: Hard Six
The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard. 

Step 1: Choose six brief segments of sound that you have recently recorded. Or record some new segments now. Either way, select six of them, and label them one through six.

Step 2: Roll a single die for each of the six segments chosen in Step 1.

Step 3: The result of each roll in Step 2 represents the relative presence of that given segment in a finished piece of music. Think about how the pieces might relate to each other. This idea of relative presence can mean whatever you want: frequency of appearance, relative volume, intelligibility etc.

Step 4: Record a piece of music in which the relative presence of the segments chosen in Step 1 correlate with the results from Step 2.

-----

Used dice rolls to establish a polyrhythm sequence on the Elektron Analog Rytm with samples I recorded from the Noise Engineering Basimilus Iteritas Alter. Opted to use a D20 die to give more chance of distance between triggers and hopefully more variance in the pattern. Each roll would determine the length of each track, with a trigger placed on the last step. Originally tried rolling two more dice to determine which samples would used from my sample pool, but ultimately I felt that extra level of randomness was not producing pleasing results and it completely removed any creative element of human choice.  However, I did keep one of the random samples selected in the same slot and I put another random sample selection on a different track that fit the timing better.  I made four sets of rolls and pursued each pattern for a bit. The final results I am presenting were made by rolling 17, 11, 19, 3, 5, and 9. The track is named for a three dimensional shape with 20 faces.

icosahedron [disquiet0601]

This is an experimental track based on the soundscape https://soundcloud.com/rabmusiclab/aankomst-amsterdam-zuid. 
In this original track a field-recording from an IC-train has been used as base and was transformed to a special soundscape.
Following the Disquiet Junto Project 0601 (details see below) six short sections were cut out of this source and rearranged to a new track, the number of overall repetitions of the different sections determined by throwing a dice.


More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

Travel Hallucinations (Disquiet0601)

For Disquiet Junto 601, I threw a die in my bathtub and recorded the throws with an AT822 stereo microphone (through a Zoom H5) that I bought (used) years ago but had never used (I’m not really much of a microphone person).
Then, using Csound, I placed copies of each recording across about 3.5 minutes, with various densities, filtering, playback speeds and amplitudes.
The rolls determined for how much of the piece each recording appears: the rolls were 3,5,6,5,6,3, so the 6 rolls appear throughout, the 5’s appear up to 5/6 of the piece and the 3’s cut off at the half-way point.

More info on Disquiet Junto 601: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

                              

Dice mix [ disquiet0601 ]

I took my most recent Junto submission from a few weeks ago, randomly spliced it within Ableton, then selected and mapped 6 modified samples to 6 midi controller pads. 

For each pad I rolled the dice - the number determined how many bars each pad's content would occupy in the the total composition.
I found it a very interesting way to approach structuring the sounds, it made me a bit more disciplined than I otherwise might have been.

Image credit: National Marine Sanctuaries https://flickr.com/photos/44124469278@N01/43863888325

Disquiet Junto Project 0601: Hard Six
The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

Step 1: Choose six brief segments of sound that you have recently recorded. Or record some new segments now. Either way, select six of them, and label them one through six.

Step 2: Roll a single die for each of the six segments chosen in Step 1.

Step 3: The result of each roll in Step 2 represents the relative presence of that given segment in a finished piece of music. Think about how the pieces might relate to each other. This idea of relative presence can mean whatever you want: frequency of appearance, relative volume, intelligibility etc.

Step 4: Record a piece of music in which the relative presence of the segments chosen in Step 1 correlate with the results from Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0601” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0601” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Kelp Forest disquiet0601

An electronic composition, sounds created in Pure Data. Shoogly = unsteady, unstable, uncertain, shaky, wobbly.

More on this 602nd weekly Disquiet Junto project, Choice Words (The Assignment: Make a piece of music that strives to express a specific word), at: https://disquiet.com/0602/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0602-choice-words/

Shoogly (disquiet0602)

[disquiet0606] Outer Space

This is the inside of my bathroom, recorded on a Tascam DR-07 mkII. I edited the audio in ProTools 11. You can hear some cat sounds if you listen up!


More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

freebassel.org/

More on the Disquiet Junto at:

disquiet.com/junto

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums/

Placid Cell - [disquiet0167-freebassel]

created March 2015
@ dead_shrine

paulstretch/Ableton

------------------------
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More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


for_bassel(2015)[disquiet0167-freebassel]

The first 2 seconds you hear my bathroom's door closing.
The next 10 seconds you hear the silence in my bathroom.
Then a heartbeat evolves, made of a reflection of the closing door.
The chords, the lead melody and the bass sound are all made using the same microsound, a very short loop near the end of the silent part.
A shaker-like sound is made out of some noise, maybe my breath because I was in the room during the recording.
I used Bitwig's sampler, a lot of filters, some delays and Verberate for the plate-hall.
It took me about 2 hours to get the whole track done.
So I hope you enjoy it.

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:
disquiet.com/2015/03/12/disquiet0167-freebassel/
More on Bassel Khartabil at:
http://freebassel.org/
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/

Bathroom Lullaby [disquiet0167-freebassel]

**Production Notes**

The most quiet room in our flat is a tiny walk-in wardrobe. I was just recording the sound of the door closing, when my daugher, which played Skyrim in the living room, cursed in frustration. 

I isolated that bit and mangled it with Ambient V_03 for a steady pulse. This treatment went into Reaktors Molekular-Effect-Plugin, which turns noises into sine waves. That’s where I got all the tonal bits from. 

Compressed, added a a bit of RC 48 Reverb... and that‘s not all....

... I really hope they free Bassel Kathabir. 

* * *

**Disquiet Junto Project 0167: Placid Cell**


Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing.

￼This project is the second time that the Junto gathered its resources to pay tribute to the wrongfully imprisoned Creative Commons advocate and coder Bassel. Sunday, March 15, marks the third anniversary of Bassel’s incarceration in Syria.

In Bassel’s honor, this week we’ll make music by taking the loneliness of a small, closed room and making something beautiful and soothing from it.

Step 1: Go into the quietest room in your home and record the room’s tone. Also record the sound of the door being closed.

Step 2: Locate in that track a suitably quiet 10 consecutive seconds. Also locate the moment when the door is closed.

Step 3: Locate in those 10 seconds a handful of signature sonic events, moments, however small or subtle, that stand out from the general silence.

Step 4: Create an original composition that begins with the door being closed, proceeds through the 10 unadulterated seconds of room tone, and after which samples of those sonic events from Step 3 are transformed into something soothing. This being a project about isolation, you cannot add any external sound elements.

Step 5: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: The length of your finished work should be roughly between two and five minutes.

(...) 

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:
http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:
http://freebassel.org/

More on the Disquiet Junto at:
http://disquiet.com/junto

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

- end -

Thoughts [disquiet0167-freebassel]

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

https://deadshrine.bandcamp.com/follow_me

for_bassel(2015)[disquiet0167-freebassel]

deadshrine

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Bassling

rizzi

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