Commissioned by Netflix for the television series

Move To Me - From The Irregulars sound track

Recorded acoustically at home using Garageband on my iPad
Written, recorded and performed by Georgiana Gillis. 
Copyright 2014

Summertime Vibe

A FIRST TIME FOR EVERYTHING 
(c) 2025 Cooper/Jones

There’s a first time for everything 
Were the last words he spoke 
Who knows what tomorrow might bring 
When the darkness sheds it’s cloak
I doubt it will bring solace I doubt it will bring joy 
A woman now but I was still
His little girl holdin’ her toy 

There’s a first time for everything 
He laughed as he taught me to swim  
Don’t be nervous, just jump right in
Were the right words from him  
Grab life right by the throat  
And don’t ever let it go  
I always heeded his advice  
And last night I told him so 

There’s a first time for everything 
He whispered as he held my son 
His features slowly softening 
As proud as anyone
He was grateful for each new day  
He believed he’d been blessed 
He worked hard and he played hard  
And now he’s earned his rest 

Late into the evening
Surrounded by his loving folk 
There’s a first time for everything
Were the last words he spoke 

There's A First Time For Everything

I NEED YOU NOW
2025 Cooper Jones

I need you now
I need you now
I need you now
You better get here quick, and I don’t care how
I need you now
I need you now
I need you now
‘Cos you’re the bee’s knees baby and the cat’s meow

I tell you what I’m dealin’ with
A fierce deep-rooted feelin’ with
Only one conclusion
And you’re the one solution (stop)

I need you now
I need you now
I need you now
You better get here quick, and I don’t care how
I need you now
I need you now
I need you now
‘Cos you’re the bee’s knees baby and the cat’s meow

An overwhelming sensation
Craving for pure elation
Is consuming my whole being
I know what would stop me reelin’

For this kind of fever
You are my pain reliever
Don’t need a diagnosis
Just you in great big doses
 
I need you now
I need you now
I need you now
You better get here quick, and I don’t care how
I need you now
I need you now
I need you now
‘Cos you’re the bee’s knees baby and the cat’s meow

Instr.

I need you now
I need you now
I need you now
You better get here quick, and I don’t care how
I need you now
I need you now
I need you now
‘Cos you’re the bee’s knees baby and the cat’s meow


I Need You Now

Dean R. Chandler – “Bay of Biscay”
Genre: Ambient Psychedelia / Cinematic Electronica

Step aboard the Bay of Biscay, a spellbinding sonic voyage where alien skies meet earthly waters. Dean R. Chandler weaves a rich tapestry of ambient textures, cinematic pulses, and subconscious storytelling in this atmospheric masterpiece. With thunder rumbling in the distance and gentle waves echoing beneath ethereal synths, the track creates an immersive soundscape perfect for deep listeners, cosmic wanderers, and seekers of the beyond.

Balancing emotional depth with mystique, Chandler captures the awe of alien visitation not with fear, but with reverence — as if Contact itself emerged mid-sail under starlight. The production is both subtle and expansive, drawing on influences from Pink Floyd’s meditative spaces to the more transcendental fringes of Brian Eno or Jon Hopkins.

This is music for night skies, spiritual awakenings, and late-night headphone rituals. Whether you're drifting off the coast or deep within your own consciousness, Bay of Biscay guides you to the edges of this world—and gently nudges you into the next

Lyrics

Verse 1
Something is here tonight
I can now feel its coldness Walk to me
It looks, sad behind those eyes Then it smiles

Verse 2
It said,
“Everything I have seen,
every place I have wondered, shows the same, somethings never seem to change. There’s no time”

Bridge 1
“There, is more to your reason There is more to see with your eyes But not with fire and the glory It’s love that shows you the light”

Chorus
“Hold my hand, we can fly over land
I’ll make you understand
What is wrong, with the things that you’ve done Show you, where you’ve gone wrong”
It is time
You must now understand, the making of our plan You’re the one, like a father to son
Show you what now must here be done”

Verse 3
Now I am left dark and cold
I’m broken by my confusion
I’ve now seen, and heard, the ghosts and many screams Of our time

Verse 4
I say
“This is our time to change
Buts everything I will tell you Breaks the pane, I know, I now look insane But are we blind?

Bridge 2
Listen, there is more to our reason There is more to see with our eyes

Chorus
So, hold my hand, we can fly over land
I’ll make you understand
What is wrong, with the things that we’ve done Show you, where we’ve gone wrong”
It is time
You must now understand, the making of their plan I’m the one, like a father to son
Show you what now must here be done”

Dean R. Chandler
6th June 2020

Bay of Biscay

Down in the Park

Down in the Park (Live at OVO Arena Wembley)

LEFT THE DREAM RUNNIN’ 
2025 Cooper Jones
All Rights Reserved
 
Got no reason to feel fearful
But I do yes, I do
Got no reason to feel tearful
But I do yes, I do
I’ll get shot, not by a bullet
But that trigger, if you pull it
‘N put a hole straight through my heart
‘N tear my life apart
 
 I’m hopin’ that you won’t
 I’m prayin’ that you don’t
 
So, I left the dream a-runnin’
And we can jump back in
Yeah, I left the dream a-runnin’
And we can get crackin’
Just say the word
And we’ll save the world
From spinnin’ off its axis
Into eternal blackness
Or decide that you’re still comin’
I left the dream a-runnin’
 
Got no reason to feel stressed out
But I do yes, I do
Got no reason to express doubt
But I do yes, I do
Are you plannin’ an attack
To plunge a knife right in my back
‘N leave me lyin’ on the floor
‘N turn around and slam the door
 
I’m hopin’ that you won’t
I’m prayin’ that you don’t
 
So, I left the dream a-runnin’
And we can jump back in
Yeah, I left the dream a-runnin’
And we can get crackin’
Just say the word
And we’ll save the world
From spinnin’ off its axis
Into eternal blackness
Or decide that you’re still comin’
I left the dream a-runnin’
 
Throw me a lifeline, reassure me
Put my mind at ease
Show me a sign that truly, surely
The dream’s alive, oh please
 
So, I left the dream a-runnin’
And we can jump back in
Yeah, I left the dream a-runnin’
And we can get crackin’
Just say the word
And we’ll save the world
From spinnin’ off its axis
Into eternal blackness
Or decide that you’re still comin’
I left the dream a-runnin’

Left The Dream Runnin'

Reasons

Can somebody tell me where, we went wrong
Can somebody give me a reason to carry on
I don't like the pain, I don't like the shame
She's alone on her own tonight
Can somebody tell me how, to carry on?

Dean R. Chandler 1995

Second Genesis

Reasons

The Saga of Skari the Sky-Watcher

In the days when the fjords still whispered the names of gods, there lived a warrior named Skari, son of Eirik the Flame-Bearded. Skari was no ordinary raider — he was a watcher of the skies, a dreamer beneath the stars.

One winter night, as the aurora danced like Valkyries above the icy cliffs, Skari stood alone on the high ridge of Hrafnheim. His people had long spoken of the silver serpent — a light that moved without wind, faster than any raven, and silent as the grave.

Suddenly, the sky split with a soundless flash. A glowing disk, rimmed with runes that shimmered like fire, descended from the heavens. Skari fell to his knees, shield raised, heart pounding like Thor’s hammer.

From the disk emerged a figure — tall, cloaked in light, with eyes like polished obsidian. It spoke not with words, but with visions: of worlds beyond Midgard, of ships that sailed the void, of knowledge older than Odin himself.

Skari was marked that night — a rune burned into his palm, a gift or a curse. He returned to his village, changed. He spoke of stars that sang, of gods that were not gods, and of a war that raged beyond the veil of the sky.

The elders called him mad. The skalds refused to sing his tale. But the children listened. And when Skari vanished one spring morning, leaving only a trail of scorched earth and a whisper in the wind, they knew: the silver serpent had returned.

Anthology Of The Vikings

A darkwave echo from the depths—composed in the shadows, where the only light came from flickering screens and fading hope.

Reasons

Dean R. Chandler

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