◾️𝙳𝙹 𝙿𝚛𝚘𝚍𝚞𝚌𝚎𝚛
◾️𝙰𝚏𝚛𝚘 𝙷𝚘𝚞𝚜𝚎 -𝙰𝚏𝚛𝚘𝚃𝚎𝚌𝚑 -𝚃𝚎𝚌𝚑 - 𝙼𝚎𝚕𝚘𝚍𝚒𝚌 -𝙷𝚘𝚞𝚜𝚎- 𝙰𝚖𝚊p𝚒𝚊𝚗𝚘
◼️B𝚘𝚘k𝚒𝚗g: 𝚍j𝚖𝚘𝚕𝚊𝚞𝚍𝚒@𝚐𝚖𝚊𝚒𝚕.𝚌𝚘𝚖

'underground legend'

'Spearheading the London Afro House scene' - Arise Magazine 2008


Artist

 Weapons(of mass Belief), Radioclit, Joburg Project, The Very Best

'deftly mixing'- Sunday Times 2006

'Eclectic' - Time Out London 2007

'Spearheading the London Afro dance scene' - Arise Magazine 2008

'Spin Maestro' - Destiny Magazine 2012
 

From opening for Miriam Makeba, The Editors, Skindred, Jamming With Damon Albarn,Rachid Taha to playing alongside Jamie XX, Carl Craig. Moloko, Mathew Herbert, Flying Lotus, Mo laudi has come a long way from Polokwane, South Africa

 Past Festivals:
Fuji Rock(Japan) 
Glastonbury(United Kingdom) 
SXSW (United States of America) 
Laneways(Australia)
Martizik Electropical (Matinique)
Pitchfork (United states)
Stop Making Sense (Croatia)
Dissonanze 9 (italy)
Melt (Germany)
Les Plages Electroniques (france)
Nuits Sonores (france)
Electricity (France)
Lake of Stars (Malawi)
Sakifo (Reunion Island)
Big Chill (United Kingdom)
Roskilde (Denmark)
Perth Festival (Australia)
Rockness (Scotland)
Sasquatch (United States)
Gurtern (Switerland)
Rise (United Kingdom)
Milhoes de festa(Portugal)
Rise(united Kingdom)
Paleo(Switzerland)
Dour  (Belgium)
Big Green Gathering(United Kingdon)
Cultures of the World(Abu Dhabi)
Norient(Switzerland)
Panorama(France)

Multi-disciplinary artist, composer and producer, Mo Laudi’s work questions race, mobility, erasure, post-colonial ideologies. It connects with spirituality, African knowledge systems, Afro-Futurism to form new ways to understand the multiplicities of cultures. Recent experimentations have led him to develop a new visual language in paintings, collages, videos and ceramics. 
He proposes new perspectives in the field of sound installations. Informed by his South African roots, he is renowned for his key contributions to Afro-Electronic music from a London base during the first decade of the millennium and, since then, from Paris. Mo Laudi experiments with sound as material. He creates sonic landscapes, mixing vocals, textures and rhythms with his core knowledge and experience of art, fashion, dance, design and music as sociopolitical critique of society.

I'm a house music lover... whether it be Soulful deep tech or minimal I'm game.... not sure what more I can say... If these are genres that please you keep it locked to to myself... When I mix, I like one tune to talk to the next.... I believe every serious dj should have a similar philosophy..... otherwise why bother.... Any body can put 2 tunes together... but making them talk to each other is a different story..... IM PETE FONTINELLE AND THIS IS WHAT I DO!!!!!!

Flex FM DJ /Presenter Club DJ & Producer.. 

ITunes comedy podcaster with over 65'000 downloads to date: https://itunes.apple.com/podcast/big-clever/id491647295

www.dannyblaze.com
Twitter/Instagram/SnapChat/ Facebook @IamDannyBlaze

Electronic music has always been filled with innovative individuals, but even among such company, Dean Zepherin is a producer who has managed to find his lane and appeal.  Born and raised in London, a suitably eclectic city for a man of his musical persuasion he is renowned for his consistently genre-pushing productions, having also spent time in Berlin, it became another city that’s left its mark on his always-captivating sound.
To fully appreciate and understand Zepherin’s approach, it’s necessary to go back to his roots in Harrow, London as it was here where he first encountered soul, funk and jazz fusion records. From an early age he was obsessed with these out-there sounds, as well as their ability to metaphorically transport him to a world far away from the confines of his hometown.
Adopting a more electronic-based sound later on, he soon became a natural at conjuring up “house” tunes with more than a hint of soul, the likes of which spoke to his own Caribbean roots. In the process, Zepherin describes his own raison d’etre with concise charm as ‘championing the emergence of indigenous influence in electronic music’, something now so endemic to much of the most in-vogue house productions, displaying a worldview that values above all the organic and the human in this machine. 
While he’s undoubtedly best known for his work over the past nine years, establishing Tribe as one of the world’s leading labels pushing the afro and soulful envelope, his own legacy goes way back to 1988 when he released ‘Give me back your Love’ under the pseudonym Boyz in Shock, credited as the UK’s first soulful house record.
His label Tribe remains a vehicle for his many solo productions and collaborations and has hosted works and remixes from a diverse range of artists and legends across the electronic music board, as well as hosting his esteemed works with labels Defected, Suol, No Fuss, Soul 2 Soul, Vega records and Jack Trax. 
Zepherin’s productions deliver impeccable slices of soulful and afro sounds fused in a futuristic musicality in which he emphasises the tension that soul music can have, rather than the release. His tracks and particularly his dubs under his moniker Zepherin Saint, are often full of suspense and atmosphere – check his ‘Take You There’ on Suol, or his ‘Skyy and Butterflies Dubs’ released on his own imprint.
Equally respected as a DJ as he is a producer, Zepherin gained his schooling playing the London sound system circuit in the 80’s and managing the legendary Black Market record store in the 90’s.  His unique talents of playing dance music with no boundaries have been sought after in the likes of Japan, Africa, North America, Indonesia, Canada, Europe Australia and the Middle East, while on a club level he’s left his mark at world renowned clubs like Contact, Tresor, Watergate, Cielo, Stereo, Djoon, Ministry of Sound and Pacha. 
A man of many considerable sounds and styles, it’s hardly surprising that Dean Zepherin’s colourful and diverse approach continues to enthral clubbers and electronic music connoisseurs across the world.

PR: Stephen@eureka-artists.com 
Booking: info@triberecordsuk.com

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