one of my favorite beatles number.  great!

Fab's Spirit ! Greetings from Paris. Laurent.

one of if not thebest cover of this nclassic ive heard cheers jrod

Nice, subtle cover of a difficult Beatles classic.

Study

Golden Slumbers / Carry that Weight

Clingy, Clingy, Needy, Needy
Clingy, Clingy, Needy, Needy
Clingy, Clingy, Needy, Needy

Clingy, Clingy, Needy, Needy

Do you believe I try
While they bleed me dry?
When you need her when you needed her
Your silence was so ugly
When you needed her 
Your silence was so ugly

Did you not recieve
While I was being decieved?
When you need her when you needed her
Your silence was so ugly
When you needed her 
Your silence was so ugly


Mary Unfaithful

Coz I Luv You

Eagles of Death Metal cover for the Pay It Forward campaign
by
The Gin Birkins and The HummingByrds = The HummingByrkins 

I Love You All The Time (with RADIATORS)

Here's another track from our upcoming record to be released on 4AD! 

August 9 - London, UK @ The Sebright Arms
September 7 - Nashville, TN @ Mercy Lounge*
September 8 - Atlanta, GA @ Terminal West*
September 10 - Asheville, NC @ Grey Eagle*
September 12 - Richmond, VA @ The National*
September 13 - Baltimore, MD @ Ottobar*
*w/ Car Seat Headrest 

Follow Us:
www.thelemontwigs.com
facebook.com/TheLemonTwigs
twitter.com/thelemontwigs 
youtube.com/thelemontwigs 
instagram.com/thelemontwigs
4ad.com/artists/thelemontwigs

These Words

© 2016
'I Won't Be Okay Today' was written by Tuesday Eagle, with Mia Eagle on vocal harmonies, Tuesday on rhythm guitar, Connor Feeney on bass guitar, Rob Toogood on drums, Kane Eagle on synth and lead guitar and Mike Eagle on guitar. Hope you enjoy!

I Won't Be Okay Today

Taken from: Hologram İmparatorluğu
Release Date: November 11th, 2016
Glitterbeat Records

Istanbul has a deep, layered history. From its beginnings as a fishing village to one of the pillars of the Roman world. The final stop on the Silk Road. The centre of the Ottoman Empire as the Turks spread their huge net across the Middle East. Across the centuries the city drew in cultures and blended them. Growing up there, singer-songwriter Gaye Su Akyol breathed all that in every day, along with her family’s ancient roots in Anatolia. Those rich traditions combine to form part of the sound she’s developed on her album Hologram Ĭmparatorluğu (Hologram Empire), where sultry Turkish melodies twine around spiky, twanging guitars and insistent rhythms.

“When I was young, we visited Anatolia every year. I had the chance to observe and realise the different perspectives and practices of cultures. That made me feel closer to the diversity of Anatolian civilisation. But when I heard Nirvana’s Nevermind for the first time, my mind blew up. I discovered other Seattle bands, then people like Nick Cave, Joy Division, Sonic Youth, and Einstürzende Neubaten.  A bit later I heard Jefferson Airplane’s “White Rabbit.” The dark, mellow mood of the music, the use of the instruments and the vocal technique of Grace Slick greatly inspired me and led me into psychedelia and then surf bands.  What they all did seemed to fit with older Turkish singers I loved like Selda Bağcan and Müzeyyen Senar.”

The daughter of acclaimed Turkish painter Muzaffer Akyol, Akyol earned a degree in social anthropology and worked as an artist before creating music took over. She experimented, feeling her way towards her vision. And when she met the band Bubituzak, something clicked. They understood what she was doing; they became part of her art. Together they recorded her debut, Develerle Yaşıyorum, in 2013, following it with acclaimed, masked performances in Turkey and at festivals across Europe.

That first disc seeded the ground. The new album, Hologram Ĭmparatorluğu, bears the full fruit of the partnership. It digs deeper, fired with a seductive, shadowy passion. The thick swirl of Oriental strings on “Hologram” plunges towards the heated boil of “Fantastikir Bahti Yarimin.” The dark lullaby of “Dünya Kaleska” weaves a haunted post-punk spell before building to the album’s climax “Berduş,” where spaghetti western guitar cracks over a propulsive rhythm and a sensuous Anatolian melody. The sound is cinematic and gorgeous and Gaye’s luminous voice brilliantly orchestrates these shifting moods.

In Gaye Su Akyol’s universe, the past becomes folded into the present and launched into the future. Hologram Ĭmparatorluğu is heady, powerfully intoxicating and beautifully dangerous.

“Your art is something you have to find yourself,” Akyol says. “I’m looking inside my consciousness to my culture. I love rock but there are hidden things in my subconscious. Call it Turkish art rock if you like.”

Past, present, future.

Her music, her art.

Hologram Imparatorlugu

Kendimden kaçmaktan

Gaye Su Akyol - Kendimden kaçmaktan

Spirited Away- One Summers Day

ALT-J ∆ - Something Good

Waeth i mi farw ddim

*New 2015 Remastered Version*

Like the track? Click the [↻ Repost] button!

I made this for fun and give it for free.
If you like it, please share it around you.
//
Free Download: https://itskulkid.toneden.io/spotlight/bon-iver-flume-kulkid-remix
//
Support me on Facebook: http://www.facebook.com/itskulkid
//
Support me on Twitter: http://twitter.com/itskulkid

<a href='https://theartistunion.com/tracks/aefe7e'>Download for free on The Artist Union</a>

Free Download

Bon Iver - Flume (Kulkid Remix)

Chieko Baisho - (Howls Moving Castle) - Sekai no Yakusoku

Here lies the first four albums by Dear Light; 'Dear Light' (2010), 'Sternenfall' (2011), 'The Observer' (2011) and 'Shepherd Moon' (2012). 

A mighty 40-song (quadruple?) album entitled 'Broken Hymns' is currently being worked on - I started this in January 2013 and i'm going to stop setting any deadlines...so much to do, but it's already sounding rather special. 

It is likely that three further albums 'And We Won't Fear' (2015), 'But Still And All' (2016) and 'Galilean Ships' (2018) will all find their way to the finish line ahead of the weighty, but beautiful,  Broken Hymns.

The Flaming Lips' 'Soft Bulletin', Spiritualized's 'Ladies and Gentlemen, we are floating in space' and Mercury Rev's 'Deserter's Songs' were all released during my formative years - and the line they dance between grandeur and intimacy is a dance I also gladly do. 

Other influences are present and correct; Judee Sill, Leon Russell, Robert Wyatt, Elliott Smith, Harry Nilsson, Leonard Cohen, Roy Orbison, Gorky's Zygotic Mynci, Delius, The Carpenters, Arvo Pärt, Jimmy Webb, The Beatles, Popol Vuh, Chris Bell, Gavin Bryars. 

All songs, instruments and production by Philip Collings apart from vocals on 'Come to the Light' by Sue Collings (my mum!) All the songs have been recorded at home and mixed on headphones, so they're probably best heard through such a listening device. 

If you enjoy listening to these songs at such small streaming bitrates…their full majesty will be revealed if you visit my bandcamp page and purchase the full quality downloads :) 

I used to record under the name, 'Lord Edward Dark' - and a collection of some of these older, somewhat folkier songs, are assembled here http://www.soundcloud.com/Lordedwarddark

I am also a member of 

http://soundcloud.com/the-weary-band
https://soundcloud.com/the-gin-birkins 

and have played drums for Color of the Sun. http://colorofthesun.bandcamp.com/album/grrlogy

Golden Slumbers / Carry that Weight

Dear Light

Recent comments

Anya-Soh

TOMandTOM

Benoit Guy

THE Paulo B.

Related tracks