Record label based in downtown Loveland, OH.

Submit your track for multi-network promotion: https://theartistunion.com/submit



Discover and support the next generation of artists.

We repost dope music on The Artist Union. To be considered, please import your music to our platform first.

Home to Speciality SOund Services Home to DJs Death Fez, Unknown Hobo, DJ Phibes, and The Psychic Islander. Also the podcasts The Philandering ear and World Domination Power Hour. 

PUSHIN' WEIGHT /BRAND NU 
7" Vinyl / Digital OUT NOW
https://soopasoul.lnk.to/PushinWeight

FUNK FUNK FUINK

@TheNoiseEngine x @TheArtistUnion

It's time to reach further with your music and make some noise. Over time we've teamed up with artists, records labels, events, blogs and creative SoundCloud channels to build a network of music lovers.

Submit your music to:
info@thenoiseengine.com

Our Channels:
@TheNoiseUnion
@NoiseBible
@NoiseCakes
@TheNoiseEngineDeepHouse
@TheNoiseEngineTechno
@TheNoiseEngineHouse
@TheNoiseEngineFuture
@TheNoiseEngineGarage
@TheNoiseEngineRemixes
@TheNoiseEngineMixes
@TheNoiseEngineElectronic
@TheNoiseEngineDance
@TheNoiseEngineChill
@TheNoiseEngineGrime
@TheNoiseEngineDNB
@TheNoiseEngineMashups
@TheNoiseEngineDubstep
@TheNoiseEngineTrap
@TheNoiseEngineHipHop
@TheNoiseEngineRNB
@TheNoiseEngineTropical
@TheNoiseEngineDrumstep
@TheNoiseEngineElectro
@TheNoiseEngineHardstyle
@TheNoiseEngineTrance

Taste Maker Channels:
@DeckEffects
@HypeHeads
@TheSoundSauce
@BassFaceNetwork
@DNBUnion
@Est1987music
@DeadExitMusic
@WeAreMMR

this is an extension of my original profile:
http://www.soundcloud.com/tripmastermonk

You can support me by copping a beat tape: tripmastermonk.com

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

 

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fassie, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ghanean guitarist Ebo Taylor's and then Ghanean singer Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs collective/label/media/store.

 

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together !

🤖 Remix producer | DeeJay
🤖 Sound engineer @ Audyom Studio
🏠 Labels: https://soundcloud.com/crammed-discs - https://soundcloud.com/get-physical-music . @antangana_records . https://soundcloud.com/wearemawimbi . https://soundcloud.com/hmitrecords . @superjock-records  .  @jalapeno-records . @AcidulateRcrds .  @lowuprecords .  @basswin
⚔️ Collective: @hmit_records 

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23/08/24 @bamako-bogota @ Tempos du Monde Festival (40)
22/08/24 @bamako-bogota @ Café de la Gare (40)
21/08/24 @bamako-bogota @ La Hitillère (40)
09/08/24 @bamako-bogota @ La Boussole (09)
06/07/24 @bamako-bogota @ Chicken Truck Festival (Carbonnes - 31)
24/05/24 @bamako-bogota @ Fête de l'Huma 31
19/04/24 BMK-BGT @ Café Plum
05/04/24 Support La Yegros @ Le Bikini / TLS
04/04/24 Support BCUC @ Metronum / TLS
15/02/24 Les Cauterets w/ Mawimbi
31/12/23 BMK-BGT @ Palmito Biarritz (64)
28/10/23 BMK-BGT @ Festival Locombia (09)
30/09/23 BMK-BGT @ Toulouse Tropical Club # 2

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DJ and producer based in Toulouse, Mr Boom was raised on Techno in the 90’s. 
He soon after discovered and explored the joys of polyrhythmic dance music made in the UK (Jungle, Breaks, UK Garage, Broken Beat…). 
He transcribed these inspirations into his own music and released remixes for Acid Arab (Crammed Discs) Pawas (Get Physical Music), Mawimbi, Onipa, Ephemerals, Featurecast (Jalapeno Records), Murlo (Low Up Records). 
Regularly reviewed in the english press (Mixmag, DMC World), his productions are playlisted by Bradley Zero, Rob Luis (TruThoughts), Simbad, Gones the DJ, Bill Brewster, Graeme Park... 
He also joined the local collective Love Saves the Day and HMiT Records in Toulouse.
Through all these experiences, Mr Boom feeds his passion of musical transmission in all its forms.
-----------------------------
Any request ---> contact.mrboom [@] gmail.com

Long time collaborator and resident DJ of the UKs longest running club funk and soul promoters, Jelly Jazz. Also exploring new style of clubbing with Rambunctious Social Club project in the southwest of Britain. Recently returned from 16 months in latin America traveling with my wife and collecting sounds as I go with a Sony PCM D50 handheld field recorder. We made a baby in Peru who was born back in England last June...a daughter! So time is short now...I'll be fitting music whenever I can. 

REQUEST FOR HELP and ADVICE:  I see Soundcloud as a fantastic learning opportunity. I'm the first to admit I'm a beginner at production. If there are any half competent producers out there that can clearly hear problems with my tunes or things that I could improve on then PLEASE do let me know. I'm not proud. It can be incredibly difficult to get good advice about sound production so I greatly appreciate constructive criticism. Bear in mind I'm mixing on headphones at the moment. Also all of my remixes are additive in that I have to take the entire original and add parts to it. I can't take anything away because I don't have access to studio track files. But any help you can give me would be appreciated.  Cheers Griff

PS I've also started the 'Nueva Andina' group and will be moderating that to help promote the artists that are experimenting with modern forms of Andean music. 

Mike Hance is following