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TM 2023 NORD

Electro

Label: Mord 
Artist: Lag 
Title: Misfit EP 
Cat No: MORD004 
Format: 12" and Digital 
mord.bandcamp.com/
Art by Valentina Brostean

A1 - Sama Doma 
A2 - DHC3 
B1 - Sama Doma (Forward Strategy Group remix) 
B2 - DHC3 (Truss remix) 

Release Date: 11.11.2013 

*** 
This sheer cliff so high. 
This soft quiet land, 
so frail and so fleeting. 
All secrets are buried, 
where I left her, my love. 
In living color, her shallow eyes. 

Expired feast, raging beast. 
No more games, no more names. 

*** 

www.facebook.com/mordrecords

Supported by:  Surgeon, Tommy Four Seven, Speedy J, Dave Clarke, Gary Beck, Audio Injection/Truncate, Perc, Takaaki Itoh, Marcel Dettmann, Svreca, NX1, Sawf, Black Asteroid, The Advent, AnD, Pfirter, Jonas Kopp, Jamie Bissmire, Juho Kusti, Bas Mooy, Par Grindvik, Kriz, Ventress, Max M, Rivet, Kyle Geiger, Ancient Methods, Wire, Exium, Diabla Diezco, Inigo Kennedy, Operator, Blind Spot, Charlton, Darko Esser, Paula Temple, The Public Stand, J. Tijn, Octave, Nuno Dos Santos, Drumcell, Exium, Chris Finke, Mr. Jones, Dimi Angelis, Jeff Derringer, Pacou, Cassegrain, Paul Mac, Go Hiyama, Samuli Kemppi, George Lanham, Agony Forces, Raiz, Erphun...

BUY AT BANDCAMP

Mord 004 - Lag - Misfit EP incl. FSG & Truss rmxs (previews)

@karlfroye
✲
Artwork par Heya Heya Alala.
Mastered by Neil Abdelmoula.

Karlfroye - Mist

Track intro du TM 2023 NORD
CROSSMODS    https://soundcloud.com/user-421462996
sortie vinyle hiver 2022/2023

TM2023 A1  CROSSMODS - Cassandra

2ème track du TM2023  https://soundcloud.com/lloydstellar
Sortie vinyle hiver 2022/2023

TM 2023  A2 Lloyd Stellar - Liquid Space

Brice Kelly - (Live @ Nocturnal) Miami 2009

Artist: The Droid   https://soundcloud.com/thedroiduk
Track: Rewire the System (Mr Gentle remix) https://soundcloud.com/mr-gentle
under license ℗ & © 2020 Woodwork Recordings

TM2023 A3 MR GENTLE -Rewire The System- Remix from The Droid

TM 2023 https://soundcloud.com/deathlikesilence92/sets/tm-2023-nord
https://soundcloud.com/resocode

TM 2023 B1  RESOCODE ufo

TM 2023 B2  RESOCODE The Pessimist

MrGasmask - Katia Tonik.

Anti-pop intermezzo.

MrGasmask - Katia Tonik

electro techno session 100% vinyl @ Killing Time Ruzafa, what a wondeful party!! <3

ViiKs - HIERRO electro vinyl session @ Killing Time 12/8/2023

TM 50  A2 Negative Glitch  Insomniac

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Thanks to all the wonderful artists that have made this compilation possible: Omformer, Araknyl, Marilao, Hyperforce, Erlenmeyer, Ezy, HLLW, Oprofessionell, OT2, Hypnostedon, Lund&Rønde and Fakethias.

Compiled by Marius Bø and Ekkel.

Graphics: Parks Perdue
Mastered by: Joel Krozer, 6bitdeep

Araknyl - Fools Gold

Version 1.0

DJ VALENTIMES - "1.1" (Version 1.0 _ Self Released)

Supermayer - Two of Us

ES
Putivuelta es un colectivo de Bogotá integral al under en el capital. Nuestra segunda compilación, la Fundación Internacional de Fiesterxs, es una espiral percusiva de mutaciones del club basadas en variantes locales del tribal house, conocida como Guaracha, Aleteo y Zapateo. La compilación es una exploración de las experimentaciones modernas en la música de club tribal emergente, con un lineup de artistxs internacionales representadxs por Colombia, México, Argentina, Uruguay,  los Países Bajos, el Reino Unido y los Estados Unidos. La compilación presenta tres Guaracherxs: Andre E. Hoyos (Medellín), Yeison Martin (Bogotá), Ed Reyes (Estado de México), además de productores de música de club latine basadxs ​​en Internet que han creado sus propias interpretaciones de Guaracha.

EN
Putivuelta is Bogotá based collective integral to the Colombian capitals underground. Our second compilation Fundación Internacional de Fiesteros is a percussion driven spiral of club mutations firmly rooted in local variants of tribal house known as Guaracha, Aleteo, and Zapateo. The compilation is an exploration of modern experimentations in emerging tribal club music, with a lineup of international artists represented by Colombia, Mexico, the Netherlands, the UK and the US.. The compilation features three Guaracheros - Andre E. Hoyos (Medellin), Yeison Martin (Bogotá), Ed Reyes (Estado de Mexico) in addition to internet based club music producers who have created their own interpretations of Guaracha.

TenTwentySeven - Glass Blade (Abssys Edit)

DJ DISRESPECT - DIFFERENT WAYS EP
(VKR008)

The 8th edition on Voight-Kampff Records arrives with a bang as Frankfurt based legend DJ DISRESPECT delivers 4 brutal old-school tinged hard techno tracks.

Records are available now for pre-order worldwide, the shipment will take around 6 weeks.
Pre Order - https://voight-kampff2018.bandcamp.com/album/dj-disrespect-different-ways-ep

DJ DISRESPECT Soundcloud - https://soundcloud.com/djdisrespect

Artwork by https://soundcloud.com/speedsick
Mastering by Curved Pressing

DIFFERENT WAYS

PRE ORDER

DJ DISRESPECT - DIFFERENT WAYS EP *Snippets*

DJ DISRESPECT - DIFFERENT WAYS EP
(VKR008)

The 8th edition on Voight-Kampff Records arrives with a bang as Frankfurt based legend DJ DISRESPECT delivers 4 brutal old-school tinged hard techno tracks. This features a limited edition 12 inch version of the EP which comes with artwork designed by DJ Speedsick.

Buy Link -  https://voight-kampff2018.bandcamp.com/album/dj-disrespect-different-ways-ep

DJ DISRESPECT Soundcloud - https://soundcloud.com/djdisrespect

Artwork by @speedsick
Mastering by Curved Pressing

DJ DISRESPECT - TRAPPED (ACID MIX)

>< CRUDE Exclusive Premiere ><

Artist​: DJ DISRESPECT
Title:  GROOVE ALERT(ALARM MIX)
EP: Classic Cuts Vol.2
Label​: 777 Recordings
Release Date​: End of October

Track List:
A GROOVE ALERT (ALARM MIX)
B1 PEACE OF MIND (ANXIETY MIX)
B2 TUNNEL (RAVE MIX)


>>Listen: https://soundcloud.com/777recordings/dj-disrespect-classic-cuts-vol-2-777_999-preview

>>Distribution by Triple Vision
>>Artwork by Ron Wilson

Follow:
@djdisrespect
@777recordings

CRUDE Premiere: DJ DISRESPECT - GROOVE ALERT(ALARM MIX) [777_999]

Big Love

Label Vinyle France. Créé par MS92 depuis 2013
Dark Electronik
latenebreuse92@gmail.com

TM 2023 B1 RESOCODE ufo

Ténébreuse Musique